Woolf letters
Apr. 21st, 2019 11:12 pmIt seems literally unfair to all of you that I did not immediately sprint to my email and send this two days ago. I'm sorry! It was a busy weekend, I had to drink a lot of spritzes in between Friday and tonight. I'm in fact a few spritzes deep, t b h.
ANYWAY, yours truly made a little trip to the Smith College Rare Book Room to look at the Virginia Woolf papers this weekend. It was, holy fucking jesus christ, so cool. Uh. How do I begin to express— that link is the finding aid, so you can imagine—but oh my GOD oh my god oh my god was it incredible. I only looked at box 1, Strachey-Woolf correspondence, 1909-1919ish and Box 3, which included her proofs for The Common Reader; I wanted to look at the proofs of Lighthouse and Orlando, but...I did not (wrong box request, eeee, and also I only had an hour).I don't really have words, still, but it was actually secularly-spiritual to be holding, in my literal hands, a letter from Lytton Strachey from over a hundred years ago reacting to the same piece of media (Voyage out) with the same emotions I did in 2018. And spiritual again to read Woolf, very mundanely, writing "Come visit us at Asheham" and "I'd leave such a good review for your book if only Richmond would allow me to do so."
I sat in the rare book room and giggled out loud at Woolf and Lytton dunking on James Joyce and it was amazing amazing amazing. Amazing!!! Lytton's handwriting is very legible, hers is...not so much. I wish I were more articulate, maybe I will be later with more letters and less spritzes, but for now, here are the letters on occasion of the publication of Eminent Victorians and The Voyage Out (and also, a legible telegram for aesthetic proof).
( images below, enhanced for contrast, I can't believe I was allowed to walk in and look at these. )