felinejumper: A woman drawn in black ink with hat and veil on a light-green background, from Virginia Woolf's Mrs. Dalloway (virginia woolf)

It seems literally unfair to all of you that I did not immediately sprint to my email and send this two days ago. I'm sorry! It was a busy weekend, I had to drink a lot of spritzes in between Friday and tonight. I'm in fact a few spritzes deep, t b h.

ANYWAY, yours truly made a little trip to the Smith College Rare Book Room to look at the Virginia Woolf papers this weekend. It was, holy fucking jesus christ, so cool. Uh. How do I begin to express— that link is the finding aid, so you can imagine—but oh my GOD oh my god oh my god was it incredible. I only looked at box 1, Strachey-Woolf correspondence, 1909-1919ish and Box 3, which included her proofs for The Common Reader; I wanted to look at the proofs of Lighthouse and Orlando, but...I did not (wrong box request, eeee, and also I only had an hour).I don't really have words, still, but it was actually secularly-spiritual to be holding, in my literal hands, a letter from Lytton Strachey from over a hundred years ago reacting to the same piece of media (Voyage out) with the same emotions I did in 2018. And spiritual again to read Woolf, very mundanely, writing "Come visit us at Asheham" and "I'd leave such a good review for your book if only Richmond would allow me to do so."

I sat in the rare book room and giggled out loud at Woolf and Lytton dunking on James Joyce and it was amazing amazing amazing. Amazing!!! Lytton's handwriting is very legible, hers is...not so much. I wish I were more articulate, maybe I will be later with more letters and less spritzes, but for now, here are the letters on occasion of the publication of Eminent Victorians and The Voyage Out (and also, a legible telegram for aesthetic proof).

images below, enhanced for contrast, I can't believe I was allowed to walk in and look at these. )

felinejumper: Nadia from Russian Doll looking askance (Russian doll)

I'm having a Terrifyingly Intimate 24 hours, viz:

  1. my primary partner started Mrs. Dalloway last night! After almost exactly a year of me emoting! So far he has made a comparison to Miranda of Black Sails so uh, this should be totally fine, for me. I will have a totally supportive and comfortable level of response to whatever he thinks about it, completely chill, I swear.

  2. A different partner emailed me, with no subject header or other body text, a single AO3 link. (It's a Captain America fic. Yes, I am reading it.) This was out of the BLUE and very unexpected, characterization wise, and omfg if he gets Into Fandom I am going to LOSE IT in a very particular "oops, didn't think I'd be that flavor of vulnerable to you!" way. The last time we talked about fanfiction I explained some various flavors of dubcon. It went okay. BUT NOW: What if he learns something about me? TRUE horror.

felinejumper: A woman drawn in black ink with hat and veil on a light-green background, from Virginia Woolf's Mrs. Dalloway (virginia woolf)

I meant to put this piece—Katharine Smyth: Forgetting Virginia Woolf— with a short little roundup of other things. Instead, I found myself accidentally found myself writing all of these words! It's deeply reassuring to see public meditations on the *intoxication* of discovering Virginia Woolf... )

felinejumper: A topless woman slumped on a book and looking at a cat (Default)

I just finished The Waves (V. Woolf) and cried my way through the entire last section. I am, as usual, struck dumb by her, and thus have no more articulate commentary at this time. I really loved this section, though, and the return of hope and light and beauty after a moment when the soul is erased. I just. I cannot.

How then does light return to the world after the eclipse of the sun? Miraculously. Frailly. In thin stripes. It hangs like a glass cage. It is a hoop to be fractured by a tiny jar. There is a spark there. Next moment a flush of dun. Then a vapour as if earth were breathing in and out, once, twice, for the first time. Then under the dullness someone walks with a green light. Then off twists a white wraith. The woods throb blue and green, and gradually the fields drink in red, gold, brown. Suddenly a river snatches a blue light. The earth absorbs colour like a sponge slowly drinking water. It puts on weight; rounds itself; hangs pendent; settles and swings beneath our feet.

'So the landscape returned to me; so I saw the fields rolling in waves of colour beneath me, but now with this difference; I saw but was not seen. I walked unshadowed; I came unheralded. From me had dropped the old cloak, the old response; the hollowed hand that beats back sounds. Thin as a ghost, leaving no trace where I trod, perceiving merely, I walked alone in a new world, never trodden; brushing new flowers, unable to speak save in a child's words of one syllable; without shelter from phrases--I who have made so many; unattended, I who have always gone with my kind; solitary, I who have always had someone to share the empty grate, or the cupboard with its hanging loop of gold.

felinejumper: A topless woman slumped on a book and looking at a cat (Default)
(cross posted from tumblr)

hymnsofheresy:

I can’t believe that the sacredness of shared meals is not well known???

Mealtime is an extremely important cultural and social ritual. There are psychological benefits for cooking for other people, and serving a meal stabilizes the emotions between the provider and the receiver. Cooking with your partner, like accomplishing any task together, strengthens relationships. Eating together strengthens communal bonds and helps with mental health. Sharing the same food with someone else builds trust, cooperation, and a sense of connectivity. It’s a shame how in our fast paced society we don’t value the importance of regularly breaking bread with one another

I got angsty about food culture and thought about That Break Up & food connections & prioritizing community building tactics that work for me, personally.

what it says on the tin )

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