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Posted by Emmet Asher-Perrin

Movies & TV Marvel Cinematic Universe

Ironheart Lays the Path for a Bright Future

We get the reveal of a major villain fans have been pulling for, and a whole lot of magic.

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Published on July 2, 2025

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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/ironheart-lays-the-path-for-a-bright-future/">https://reactormag.com/ironheart-lays-the-path-for-a-bright-future/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817442">https://reactormag.com/?p=817442</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/marvel-cinematic-universe/" class="inline-block link-no-animation" aria-label="Link to term or tag Marvel Cinematic Universe 1"> Marvel Cinematic Universe </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Ironheart</i> Lays the Path for a Bright Future</h2> <div class="prose post-hero-description prose--post-hero">We get the reveal of a major villain fans have been pulling for, and a whole lot of magic.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kathryn-porter/" title="Posts by Kathryn Porter" class="author url fn" rel="author">Kathryn Porter</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 2, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/ironheart-lays-the-path-for-a-bright-future/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/06/ironheart-trailer-740x493.jpg" class="w-full object-cover" alt="Dominique Thorne in Ironheart" srcset="https://reactormag.com/wp-content/uploads/2025/06/ironheart-trailer-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/06/ironheart-trailer-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/06/ironheart-trailer-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/06/ironheart-trailer.jpg 1501w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Despite having a six episode season, <em>Ironheart</em> has come to an end just a week after its premiere. The final three episodes of the series wrap up this installment of Riri Williams’ story with a bow that looks pretty nice from a distance, but is plainly fraying at the edges when you take a closer look.&nbsp;</p> <p>After leaving John (Manny Montana) behind to die after the Hood’s attack on Heirlum, Riri (Dominique Thorne) is a nervous wreck, and Parker (Anthony Ramos) is growing more unstable and suspicious of her. Due to Riri leaving Zeke’s (Alden Ehrenreich) technology behind at the crime scene, he is arrested, outed as Obediah Stane’s son, and imprisoned for his illegal possession of unauthorized technology. He no longer trusts Riri, and when Parker offers him a way out of prison in exchange for helping to hunt down and kill Riri, he accepts. Zeke is then enhanced in a process that includes having his skull drilled into, gaining electric abilities while also being subject to Parker’s control.&nbsp;</p> <p>Meanwhile, Riri and N.A.T.A.L.I.E (Lyric Ross) investigate the piece of Parker’s cloak they managed to swipe. Riri’s mother (Anji White)—who has let her get away with <em>so much</em>—takes her to visit her friend Madeline (Cree Summer) and her daughter Zelma (Regan Aliyah). Riri has spent her whole life thinking that Madeline is just a witchy kind of person, but she and Zelma are both well versed in the very same magic that Doctor Strange and the many sorcerers of the MCU use. They quickly determine that the cloak is from a different dimension and tell Riri to do everything she possibly can to destroy it, which she attempts to no avail.</p> <p>After the sting of her failure begins to mix with her ever present PTSD, Riri finally reaches her limit. She has her worst panic attack yet while  flying her suit, and N.A.T.A.L.I.E is unable to calm her down like she was before. N.A.T.A.L.I.E goes against Riri’s wishes and reveals herself to Xavier (Matthew Elam) after bringing him to help. He, understandably, has a bad reaction to seeing his dead sister in the form of a sentient AI assistant and cuts Riri off. In a world where she wasn’t mid-panic in the middle of a junkyard, she may have been able to effectively explain how N.A.T.A.L.I.E came to exist in the first place, but instead her inability to do so leads to N.A.T.A.L.I.E growing angry with her as well, and she storms off with Riri’s suit. </p> <p>Left with no other avenues, Riri meets up with Zelma, who believes that the entity behind Parker’s cloak is none other than Dormammu, the final boss of <a href="https://reactormag.com/its-not-about-you-doctor-strange-2016/" target="_blank" rel="noreferrer noopener">2016’s <em>Doctor Strange</em></a>. Unfortunately, Parker has directed the remaining members of his team (plus Zeke) to bring him Riri’s head, and the Blood Siblings (Zoe Terakes and Shakira Barrera) interrupt her meeting with Zelma and attempt to take her out. After the clunkiest fight scene in the entire show, Riri is able to trap the pair inside of a protective shield, but is unable to escape before Clown (Sonia Denis) appears and makes multiple attempts to shrapnel bomb Riri to death. She manages to evade Clown as well, but not before slipping to her that Stuart (Eric Andre) is dead, clearly at the hands of Parker and John.&nbsp;</p> <p>Where was N.A.T.A.L.I.E this whole time, you may wonder? Inside the suit, trapped by Slug (Shea Couleé) with the help of a giant magnet and a box truck. N.A.T.A.L.I.E escapes just in time to save Riri from being turned into roadkill, but they are still unable to make an easy exit when Zeke shows up and completely destroys the suit. He almost kills her too, but is unable to do so, and instead tells Riri to get out of Chicago before Parker finds out she’s still alive and comes after her himself. She runs home to lick her wounds, and Zeke and the gang head back to Parker, gifting him the head of Riri’s suit and maintaining the lie that she died at Zeke’s hand.</p> <p>In all of this, Riri’s mother is a true saint. She allows for Riri’s antics to flourish under her roof, is almost entirely unphased when N.A.T.A.L.I.E appears to her for the first time, and though she does progressively become more concerned about what’s going on in her daughter’s life, she never attempts to pull rank on her to completely yank her out of the situation, no matter how bad things are. She remains there for Riri whether Riri likes it or not, and when Riri hits rock bottom, she’s the first person there to get her back on track. With the help of basically everyone who didn’t spend the night trying to take Riri out—including Xavier, who has now forgiven her—she takes apart her stepdad’s car and builds it into the final version of her suit. Still in need of a power source and with no ARC reactor in reach, she again turns to Zelma. They figure out how to power the suit with magic, but it isn’t able to hold the energy and N.A.T.A.L.I.E’s programming all at once. N.A.T.A.L.I.E is destroyed before she can be transferred to a different data bank, and Riri is left without her for the remainder of the show.</p> <p>In the midst of this, Parker is abandoned by Clown, Slug, and the Blood Siblings after they dig up Stuart’s autopsy. With no one else to manipulate, he breaks his promise to leave Zeke alone and activates his control mechanism, forcing him to help Parker break into a mansion he failed to rob back when he first started running cons with John. In a reveal that feels very trivial, we learn that the mansion is the home of Parker’s father (Paul Calderón). Not only is he a CEO like all of the other targets, he also abandoned Parker when he was 12-years-old following the death of Parker&#8217;s mother, citing the fact that he “didn’t want him.” It’s pretty weaksauce as tragic backstories go, but Parker was hurt enough by it to turn to a life of crime that eventually led him into the hands of the man that fans of Marvel Television have been begging to see for half a decade: Mephisto (Sacha Baron Cohen).</p> <p>Mephisto is the one who gave Parker the cloak the night of his failed break-in, using his powers to manipulate Parker into asking for wealth beyond imagination in exchange for something “he wouldn’t miss.” The cloak’s influence is tied to Mephisto, and by the time Riri shows up to finally take Parker down, he’s a rageful shell of himself who is dead-set on murdering her. In their final conflict, Riri gets him out of the cloak and leaves him on the floor of his lair. She then comes face to face with Mephsito on her way out, and while she does a better job of resisting his will than Parker did, he still manages to make a deal with her before she leaves. We are faced with two things as the season comes to a close. First, Riri is reunited with N.A.T.A.L.I.E, except she seems to be having some memory issues because she isn’t AI at all, she’s the Natalie who died 5 years ago back in the flesh. Second, we see a post credit scene featuring a very alive—and seemingly well—Parker seeking out magic from none other than Zelma.</p> <p><a href="https://reactormag.com/ironheart-tries-its-best-to-blast-out-of-the-mcu-mold/" target="_blank" rel="noreferrer noopener">As predicted</a>, <em>Ironheart </em>was not able to break the MCU curse that comes along with a six-episode season, but there is a clear desire for a second season that cannot be ignored. As well as the ensemble cast does with the little that they are given, they get an even shorter end of the stick in the back half of this season, which is unfortunately pretty typical of MCU TV. When Parker’s allies abandon him in episode five, that’s the last time we ever see them. It would have been cool to see everyone come back together with Riri to stand against Parker and take him down, but there clearly wasn’t enough room for that to happen. The small scene we get of the remaining four bonding was really nice as it was one of the few times we saw them interact outside of the main character and their cult-like leader, and I wish that there had been more casual interaction similar to that across the entire cast.</p> <p>With even more characters appearing in the back half of the season, the motivations of characters like Zeke and Parker felt flimsier than I’m sure were intended, but again this all comes down to the fact <em>Ironheart</em> would have been even better with a ten or 12-episode runcount. Zeke’s arc flies by in a blink, and the build-up to Parker’s father is non-existent before it doesn’t even matter anymore. Thankfully, Riri is not sidelined in her own show—something that commonly happens to Black female characters in leading roles—but we don’t get to see her make strong bonds with a lot of the people she interacts with regardless of whether or not she knew them before the starting-point of the series. Zelma was an instant favorite of mine, and while it seems like she’ll get some more screentime in a hypothetical season two, it would have been cool to see a full episode of her and Riri working together instead of the sporadic bits that we get in-between Riri working with half a dozen other people.</p> <p>Luckily, every good thing that came out of the first half of the season is still intact here. The performances are incredible from everyone, and <em>Ironheart</em> has so much potential as a longer series that it’s impossible not to want more. As clunky as things started to get, there is a ton of potential for the show now that the door has (finally) been opened on Mephisto and the realm of magic. The only thing holding it back (aside from the episode count) is the way Disney+ chose to release the series. There was no need to squeeze the season into a two-part release when there are more than two episodes—<em>Ironheart</em> should have been released weekly like every other series (except for <em>Echo</em>, one of the other two series featuring a female lead of color). Riri Williams deserves to be more than a flash in the over-full pan that the MCU occupies.</p> <p>As a final note, I have to bring up how wonderful the title cards were. Starting an episode trying to guess how <em>Ironheart</em> was going to show up on screen was super fun, and my personal favorite remains the broken pavement with Riri in the suit as the “A” from episode one. It’s the little things that count for the most, and in the event that a second season happens, I hope they carry that tradition through.[end-mark]</p> <p>The post <a href="https://reactormag.com/ironheart-lays-the-path-for-a-bright-future/">&lt;i&gt;Ironheart&lt;/i&gt; Lays the Path for a Bright Future</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/ironheart-lays-the-path-for-a-bright-future/">https://reactormag.com/ironheart-lays-the-path-for-a-bright-future/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817442">https://reactormag.com/?p=817442</a></p>
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Posted by Sarah

Books ghost stories

Six Haunting Stories About the Things Ghosts Long For

What keeps us tethered to life and the living, even after death?

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Published on July 2, 2025

Illustration by Frank Dadd (1916)

Illustration from Washington Irving's Old Christmas, depicting a ghostly knight on horseback holding a lance

Illustration by Frank Dadd (1916)

Much has been written about greed and want and human desire, mainly that we’re always in the pursuit of more, our wishes endless. Perhaps that intensity carries into the afterlife, or into the in-between, or wherever it is that souls sometimes get stuck, relegated to a ghostly existence, lingering around the living longing for what we never had, or no longer possess. Sometimes, becoming a ghost can change the kind of things we desire, or make us act unexpectedly, as in the following stories:

Paperclips and Memories and Things That Won’t Be Missed” by Caroline M. Yoachim

Not all ghosts mean harm. Some want to do good, except that their intentions don’t always lead to desirable outcomes. Margie was one such ghost, an old woman who stole baby Gavin and now holds him close. He is one of the things she’s collected. Our narrator, another ghost, is a collector too—of things that the living won’t miss, for they lose the thing when a ghost gets it for their collection. In such a case, it can be very tempting to steal what one can’t have. Where does one draw the line, then?

A Cure for Ghosts” by Eden Royce

It’s best to avoid entering rooms that have a “Do Not Enter” warning on their doors. But, well, your daughter and her boyfriend were up to no good and decided to go in and unstopper bottles with spirits inside them. Now you’re terrified and angry that one of the ghosts has made your daughter its host. You might want to sue—but first, you might want to hear what the narrator has to tell you, even though it’s not exactly a cure.

My Country Is a Ghost” by Eugenia Triantafyllou

Niovi had to leave her mother’s ghost behind when she entered the new country; they couldn’t take in those who had died elsewhere. All she is able to keep is her mother’s necklace and her memories, which would slowly start fading. She tries to remember all that she can, but there’s only so much one can hold onto when working full-time and always being aware that you are one of the people who do not have a ghost following you. Others look at you weirdly, or ignore you completely. The Saturday of Souls offers some hope, but will Niovi’s memories of her mother last long enough for her to attempt to bring her into this country?

All These Ghosts Are Playing to Win” by Lindsey Godfrey Eccles

When Theo followed Dora into death, they found themselves in a casino. The ghouls lead the bets and ghosts stake trinkets, tied to memories, summoned from their lives, losing said memory in the process if they’re unsuccessful. Those who lose are pushed down the slopes into the DARK. Everyone wants to win; the rare victor is sent up a spiral staircase. Theo is playing to win, too, in the hopes that whatever is up there will help him get his Dora back—for she is starting to slip away, becoming insubstantial. But the rules of the game seem rigged, until an unexpected arrival in the casino gives him an idea. But this idea too, is a gamble. Can Theo actually pay this price to win his wife back?

Nneamaka’s Ghost” by Walter Dinjos

The ghost of Nneamaka comes to our exiled guard who formerly worked at the palace. She has bonded herself to him and is now asking him to fetch her corpse, offering him a chance at salvation and getting his life back. The ghost of the Princess’s betrothed, Nnanna, informs him that it’s a fool’s errand to do what Nneamaka asks. Which ghost should our guard believe? Between the two, will he even make it out alive, let alone get another chance at life?

Radio Static” by Carolin Jansen

Most of us probably don’t get to prepare for death; we don’t know when the end will come. When the inevitable happens unexpectedly, will there be a way to tie up any loose ends, speak any last words that we need our loved ones to hear? As the living, we don’t know, but the dead might have an answer…

[end-mark]

The post Six Haunting Stories About the Things Ghosts Long For appeared first on Reactor.

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Posted by Bella Creel

Cautery by Lucía Lijtmaer, translated from the Spanish by Maureen Shaughnessy, Charco Press, 2025 Last October was a particularly busy month for news providers in Spain. Deadly, climate change-induced floods ripped through Valencia; the desperate residents of Barcelona and the Canary Islands continued to protest against unsustainable levels of tourism and unregulated property speculation; and in […]
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Posted by Vanessa Armstrong

News Neuromancer

Neuromancer Teaser Welcomes Us to Chatsubo as Show Goes Into Production

The Apple TV+ series stars Callum Turner as Case.

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Published on July 1, 2025

Screenshot: Apple TV+

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/neuromancer-teaser-welcomes-us-to-chatsubo-as-show-goes-into-production/">https://reactormag.com/neuromancer-teaser-welcomes-us-to-chatsubo-as-show-goes-into-production/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817368">https://reactormag.com/?p=817368</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/neuromancer/" class="inline-block link-no-animation" aria-label="Link to term or tag Neuromancer 1"> Neuromancer </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Neuromancer</i> Teaser Welcomes Us to Chatsubo as Show Goes Into Production</h2> <div class="prose post-hero-description prose--post-hero">The Apple TV+ series stars Callum Turner as Case.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 1, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Apple TV+</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/neuromancer-teaser-welcomes-us-to-chatsubo-as-show-goes-into-production/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="494" src="https://reactormag.com/wp-content/uploads/2025/07/neuromancer-740x494.jpg" class="w-full object-cover" alt="Bar Chatsubo from Apple TV+&#39;s Neuromancer" srcset="https://reactormag.com/wp-content/uploads/2025/07/neuromancer-740x494.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/neuromancer-1100x735.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/neuromancer-768x513.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/neuromancer-1536x1026.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/neuromancer.jpg 2000w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Apple TV+</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Today is the first day of July, which is also the forty-first anniversary of <a href="https://reactormag.com/a-transformative-classic-neuromancer-by-william-gibson/" target="_blank" rel="noreferrer noopener">when William Gibson’s <em>Neuromancer</em></a> was first published. Happy birthday, cyberpunk!</p> <p>To celebrate the occasion, the Apple TV+ released a teaser for<a href="https://reactormag.com/william-gibsons-neuromancer-is-getting-a-series-adaptation/" target="_blank" rel="noreferrer noopener"> the television adaptation we first heard about over a year ago</a> and let us know that the show is now officially in production, meaning that it will succeed in being the first adaptation of Gibson’s iconic novel to make its way to the screen.&nbsp;&nbsp;</p> <p>The teaser is very much that, just a few seconds of panning in on a sci-fi looking bar, with the words, “Bar Chatsubo” flickering to life in neon. Those who’ve read the book are familiar with the establishment; a watering hole in Ninsei of Chiba City that the book’s protagonist liked to visit.&nbsp;</p> <p>Apple TV+’s <em>Neuromancer</em>, according to the streamer, “follows a damaged, top-rung super-hacker named Case (Callum Turner) who is thrust into a web of digital espionage and high stakes crime with his partner Molly (Briana Middleton), a razor-girl assassin with mirrored eyes aiming to pull a heist on a corporate dynasty with untold secrets.”</p> <p>In addition to Turner and Middleton, the show stars Joseph Lee, Mark Strong, Cleménce Poésy, Peter Sarsgaard, Emma Laird,Dane DeHaan, André De Shields, Max Irons, and Marc Menchaca. It comes from Graham Roland (<em>Tom Clancy’s Jack Ryan, Dark Winds</em>) and JD Dillard (<em>Devotion, The Outsider, Sleight</em>), with Roland serving as showrunner and Dillard directing the pilot.</p> <p>No news yet on when ten-episode series will premiere on Apple TV+.</p> <p>Check out the teaser below.[end-mark]</p> <figure class="wp-block-embed is-provider-youtube wp-block-embed-youtube"><div class="wp-block-embed__wrapper"> <site-embed id="8543"/> </div></figure> <p></p> <p>The post <a href="https://reactormag.com/neuromancer-teaser-welcomes-us-to-chatsubo-as-show-goes-into-production/">&lt;i&gt;Neuromancer&lt;/i&gt; Teaser Welcomes Us to Chatsubo as Show Goes Into Production</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/neuromancer-teaser-welcomes-us-to-chatsubo-as-show-goes-into-production/">https://reactormag.com/neuromancer-teaser-welcomes-us-to-chatsubo-as-show-goes-into-production/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817368">https://reactormag.com/?p=817368</a></p>
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Posted by Stefan Raets

Excerpts Young Adult

Read an Excerpt From Sky on Fire by E.K. Johnston

This character-driven space fantasy, set in the world of Aetherbound, entwines Arthurian myth and the history of North Atlantic fisheries.

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Published on July 1, 2025

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-sky-on-fire-by-e-k-johnston/">https://reactormag.com/excerpts-sky-on-fire-by-e-k-johnston/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817178">https://reactormag.com/?p=817178</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/young-adult/" class="inline-block link-no-animation" aria-label="Link to term or tag Young Adult 1"> Young Adult </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>Sky on Fire</i> by E.K. Johnston</h2> <div class="prose post-hero-description prose--post-hero">This character-driven space fantasy, set in the world of Aetherbound, entwines Arthurian myth and the history of North Atlantic fisheries.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/e-k-johnston/" title="Posts by E.K. Johnston" class="author url fn" rel="author">E.K. Johnston</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 1, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/excerpts-sky-on-fire-by-e-k-johnston/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=Read an Excerpt From &lt;i&gt;Sky on Fire&lt;/i&gt; by E.K. 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17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/06/Sky-on-Fire-header-740x407.png" class="w-full object-cover" alt="Cover of Sky on Fire by E.K. Johnston." srcset="https://reactormag.com/wp-content/uploads/2025/06/Sky-on-Fire-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/06/Sky-on-Fire-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/06/Sky-on-Fire-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/06/Sky-on-Fire-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><a href="https://www.penguinrandomhouse.com/books/611593/sky-on-fire-by-ek-johnston/" target="_blank" rel="noreferrer noopener"><strong>Sky on Fire</strong></a></em> by E.K. Johnston, a fast-paced and thought-provoking queer sci-fi/fantasy novel publishing with Dutton Books for Young Readers on July 22<sup>nd</sup>.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Morgan Enni has things to do. A science prodigy in a university full of mage-scientists, she’s notable for having no magical ability, which only increases her ambition and drive to prove herself. Her research has the potential to devastate every aetherworker in the galaxy and shake the crumbled foundations of the Stavenger Empire. It&#8217;s no wonder she can&#8217;t find anyone who wants to listen to her, much less fund her expedition.<br><br>But Morgan is stubborn, and eventually her work catches the attention of a group of rebels, who hope it might turn the tide in their favour. When they try to recruit the young scientist, they get much more than they bargained for. Morgan Enni has secrets of her own.</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <p>Morgan Enni had things to do, but in the quiet of Katla Station’s designated early morning, she took a moment to breathe. </p> <p>It was the last time she’d be sleeping in this bed for a while, and she was strangely reluctant to get out of it and start moving around. The bed itself was nothing special, just a simple frame and mattress that she’d purchased from a shop she couldn’t be bothered to remember the name of. She hadn’t even physically gone to it, electing to shop in her preferred manner: selecting an item from the online catalogue and waiting for the mostly anonymous delivery. It wasn’t stylish or, even worse, sexy. It was functional. Her aunt had wanted to furnish the apartment with more flourish and flounce, and had tried to drag Morgan to a whole variety of stores. Eventually they’d compromised and used a public display terminal that offered virtual projections instead. Even then, Morgan had been hard pressed to simplify the decorations, but she had succeeded at least in the matter of the bedroom.</p> <p>Aunt Vianne meant well. She’d brought Morgan to Katla when she was small and vulnerable, and somehow already too much for her parents to deal with. Katla had much better schools and better teachers for those without gene-sense, Vianne had said, convincing her sister to give up a child she didn’t understand. It would be better for everyone. Morgan hadn’t been consulted, and at the time she’d been terrified, but as the years passed, she had come to realize that Vianne was absolutely correct. Katla, the most influential of the remaining stations, was the place where Morgan would thrive.</p> <p>It was just that, on occasion, Vianne tended to surround them both with <em>things</em>. Morgan had learned to make herself comfortable in her aunt’s home. She had her own bedroom, a proper one, which was a blessing she hadn’t had in her parents’ cramped allotment, and Vianne was always ready with a new booklet or data-crystal when Morgan was bored with her primary studies. From the time she was six until she was sixteen, Morgan’s life was cluttered, but it was good. When it came time for her to move into an apartment closer to her laboratory, she started putting her foot down. A little bit. Particularly in matters concerning throw pillows. Morgan very much enjoyed comfort, and she loved and appreciated Aunt Vianne, but she also liked having space. Space was like quiet: it made it easier to think.</p> <p>She was surrounded by quiet with some frequency. She worked alone in her lab. She had lived alone in her apartment for two years now. Given any choice in the matter, she’d sit alone in public places with a book or a datapad, and no one to interrupt her. However, there was a special kind of silence to the hours when the people on Katla started to think about getting up but hadn’t yet started going about their daily bustle. A waiting sort of quiet, which suited her just fine.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/Sky-on-Fire.jpg" class="attachment-full size-full" alt="Sky on Fire" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/Sky-on-Fire.jpg" class="attachment-full size-full" alt="Sky on Fire" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">Sky on Fire</h3> <p class="shop-the-book-author">E.K. Johnston</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1751641155" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1751641155" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="close modal"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/Sky-on-Fire.jpg" class="attachment-full size-full" alt="Sky on Fire" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/Sky-on-Fire.jpg" class="attachment-full size-full" alt="Sky on Fire" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">Sky on Fire</h3> <p class="shop-the-book-modal-author">E.K. Johnston</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0DKN85BN9?tag=tordotcomgeneral-20" data-book-title="Sky on Fire" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781984816160" data-book-title="Sky on Fire" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9781984816177" data-book-title="Sky on Fire" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781984816160" data-book-title="Sky on Fire" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781984816160" data-book-title="Sky on Fire" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>Morgan Enni felt like she had been waiting for something all her life. Test results, acceptance letters, scholarship approvals, ethics committee decisions, and this morning was no different. Once she got out of bed and started making noise, it would be time to face the harder part of waiting. Here, under a sensible quilt, she was at least cozy and could imagine that waiting was comfortable. When she got up, she would have to check her messages, and then she would know for certain whether the thing she had been waiting for the most was going to happen.</p> <p>Because there is very little dignity in the human form, her bladder made the decision for her.</p> <p>The humming started as soon as her feet hit the floor. The coffeepot began heating water and a randomized selection of pastries and fruit juices appeared on the counter as the freshseal around them retracted. An overly friendly notification appeared on the counter of her kitchenette informing her how many calories she was advised to consume, based on her previous day’s activity. Morgan ignored it and headed into the bathroom. She would eat when she was hungry. Probably. Sometimes work was more important than a grumbling belly.</p> <p>By the time she was finished with her morning ablutions, the coffee was hot, and cream and sugar had appeared next to the pastries. The calorie notification was replaced by a message reminding her that she would need to reorder several food items if she wanted to have breakfast tomorrow morning. Morgan did not—or at least, not here—so she cancelled the order. An assumption, but she had a good feeling about how her last grant application had gone. She wouldn’t be here tomorrow. She was sure of it.</p> <p>There were several schools and academies on Katla, designated for higher learning or specialized training of some kind. It was these facilities that Vianne Enni had brought Morgan to Katla to take advantage of, and Morgan did not disappoint her. Only the æther-college was selective, requiring some level of gene-sense from those it admitted. Every other college would admit anyone who submitted an application. After that, staying was up to the student’s abilities. Aunt Vianne taught in the physics department at Katla’s primary university, and so that’s where Morgan decided to go. Her aunt had never treated her like a burden, but even as a child, Morgan was wise enough to take advantage of getting free tuition as the ward of an employee.</p> <p>There were no age restrictions at the university, and the application system tried to be as innominate as possible to give everyone a fair chance with the admissions board. Therefore, many professors were quite alarmed when a small, dark-haired girl-child marched into their classrooms and took a seat in the front row, feet swinging above the floor. At least, they were alarmed the first time. Morgan had quickly proven she belonged, and more than kept up with the fifteen-and sixteen-year-olds the university usually admitted.</p> <p>The university had been a second home to Morgan from the time she was twelve. In those sterile white rooms and under the too-bright lights, she absorbed every piece of information her instructors had been willing to give her. With Aunt Vianne’s encouragement, she took extra classes and attended every guest lecture. Some of them were quite controversial—there had been protests and strongly worded letters—but Morgan went all the same. Politics, history, mathematics, hydroculture, every kind of science, even the theories of æther-work, Morgan threw herself into the black vacuum space of Katla’s seemingly endless educational opportunities, and since nature abhors a vacuum, knowledge rushed in.</p> <p>The problems began when she started asking questions.</p> <p>The coffeepot beeped loudly, reminding her that her morning stimulant was prepared. Morgan stirred cream and sugar into the dark liquid, and then alternated between drinking it and eating the pastries. She was just beginning the dishwash cycle and programming the freshseal when a lower-pitched hum joined the harmony made by her kitchen implements. The trains were running; the inevitable could no longer be put off. Katla’s day had begun.</p> <p>Morgan fastened a lid on one of the fruit juices and palmed the button on the wall that would flip her apartment over from its domestic setting to its professional one. A frosted glass screen came down to block her kitchenette and the bed folded up into the wall. Her desk unfolded as soon as the floor was clear, and her work-chair rose from its niche in the floor. As she sat down, a series of monitors turned on, glowing softly as they waited for input. A small red circle flashed in the corner of her inbox.</p> <p>Aunt Vianne had been very understanding when Morgan decided to move out. Young people on Katla had a great deal of independence, and the station was currently in an underpopulated phase, so there were plenty of options. Several of the students Morgan would have been in school with had she progressed at a regular rate had all sought apartments at the same time. Vianne never for a moment thought Morgan would opt for a co-living situation. Instead, she imagined something glamorous, possibly with an outside viewport, high up in one of Katla’s spires. Morgan had the accumulated credit to afford something like that, but absolutely no desire for it.</p> <p>Instead, Morgan chose a small, compact apartment in Katla’s great ring, near one of the main transportation hubs. It had noisier corridors and walkways than the spires did, as people travelled to and from work or school. There was always a variety of street food available, and the shops were stocked with clothes and books that Morgan found suitable, even if her aunt thought they were a little gauche.</p> <p>If asked, Morgan couldn’t have said what drew her to this section of the station. She wasn’t slumming it by any means. Katla didn’t really have slums, though it did have an underbelly that was not discussed in polite society. She certainly didn’t hang out with her neighbours or even meet up with other grad students at the local restaurants and bars, though there were people she saw on a regular basis—picking up dinner on the way home, waiting for the trainway, that sort of thing. It was the oldest part of the station, the part the Stavengers had built to secure the Net and the Well so they could send their ships on to Brannick and ill-fated Enragon as soon as possible.</p> <p>The truth was that this was the part of Katla that relied the least on gene-sense. There were no arboretums or flashing signs, no view of the stars for those who could orient themselves. The tech was a bit older, the uses more practical. Everything was functional but lacked the flair that gene-mages couldn’t seem to resist adding to everything they did. Morgan liked it that way.</p> <p>It was not that her parents had been disappointed when she was born without a connection to the æther, it was simply more that it was a surprise. Like most people on Skúvoy Station, neither of Morgan’s parents was particularly adept. They each possessed enough magic to guarantee a job at one of Skúvoy’s many factories, but nothing more. Without gene-sense, Morgan’s future employment options on the station were extremely limited, and no one on Skúvoy prized academics. This was not something that bothered her as a toddler. Only when her sister was born did Morgan realize what she was missing.</p> <p>The baby’s reception was far more animated than anything she had seen before. Whereas Morgan had always been greeted with hushed whispers—maybe a coo if she fussed—the new baby was exclaimed over excitedly and passed from person to person like a prize. Morgan was smart enough to understand by then and had retreated into her shell. Now the neighbours all said she was aloof and strange. Morgan had been in the process of shutting down when her aunt Vianne arrived. Her mother’s sister was a force to be reckoned with, and she swept into Morgan’s life like a rocket.</p> <p>Morgan could hardly remember what her sister looked like, though she was pretty sure the baby had been blond and cheerful. She’d still been an infant when Morgan left, and there was no telling what she would look like now, more than a decade later. Morgan didn’t miss her family, nor did she resent them, nor even hate æther. She just didn’t want to constantly be reminded of the family that didn’t understand her for her singular difference. Especially when they all shared the same secret, buried deep in the past and kept in their very name.</p> <p>Vianne probably understood that long before Morgan did herself, and that was why her aunt did not put up much of a protest when Morgan decided to move to such an unfashionable part of Katla Station. Instead, Vianne helped her pack and only quietly grumbled about the ascetic nature of Morgan’s design preferences, while trying to discreetly add wallpaper accents to brighten up the kitchenette.</p> <p>Now, as the message notification flashed on the otherwise inactive screens, Morgan wished her aunt was here. If it was good news, Aunt Vianne would be proud of her. If it was bad news, she’d swear loudly and promise to make disparaging remarks at future interdepartmental meetings. Morgan had outpaced Vianne a long time ago, when it came to brain power and raw ambition. Rather than get angry about it, Vianne had been thrilled. Her niece was now even more of a problem for everyone else on the faculty, and Vianne watched with unfettered glee as department heads courted her niece, while also grinding their teeth over what more than one of them referred to as obstinacy.</p> <p>Morgan took a deep breath and opened the message from the university. Immediately, three faces filled the screens in front of her. Apparently, the advisory board had felt strongly enough about their decision that they’d recorded a message instead of just writing one. That didn’t give Morgan any clue as to what their decision <em>was</em>, though. Honestly, it could go either way.</p> <p>“Ms. Morgan Enni, greetings. We hope this recording finds you well,” the committee chair began. Dr. Argir was an older man, white skin made even paler by a lack of time spent under the solar simulation lamps. “We have considered your research application and are prepared to give our decision.”</p> <p>“We would like to commend you for the changes you have made to your research proposal.” This second speaker was Dr. Mattsen, the head of Morgan’s own department. She had supported Morgan right up until the moment she started showing initiative. Now Morgan’s brevity was unprofessional, where before it had been practical, and her ideas were untenable, where they used to be cutting edge. “It shows a great deal of professional development in regard to your response to critique.”</p> <p>Not enough that they were willing to have this chat in person, or even live. But to be fair, Morgan had called them all some relatively creative names the last time they’d rejected her face-to-face. She didn’t really want to meet with them either. She just wanted the courtesy before they gave her the resources she needed to disappear from their orbits for a while.</p> <p>“We still have a great many concerns about your primary research goals,” the committee chair said. “But my esteemed colleague has made several arguments in your defense.”</p> <p>“Morgan, I know how dedicated you are to this idea, even with the doubts expressed by many of my peers.” The third speaker was Dr. Morunt, a gene-mage who taught medical cooperation techniques for doctors like himself working with their non-mage counterparts. He had held his position in absentia until recently, when he finally came back to Katla after years off-station doing something Morgan didn’t care about. Morgan couldn’t stand him, but he had been unexpectedly supportive, and it was because of his recent addition to the committee that she had been given a second chance. “This, in combination with your secondary research objectives, has allowed us to grant you the funding you’ve requested.”</p> <p>Morgan almost tipped her chair over.</p> <p>“Effective immediately, you are a Research-Wanderer, with permission to leave Katla Station to pursue your academic goals.” Dr. Argir didn’t bother to hide his annoyance at the fact that she’d been successful. “Please make sure you sign the attached waivers and file your reports in the appropriate manner.”</p> <p>“Good luck, Research-Wanderer Enni,” said Dr. Morunt, a wry expression on his face. If she cared about his opinions beyond his ability to get her what she wanted, Morgan might have been amused by his odd commitment to her cause. He didn’t so much as blink as he congratulated and then dismissed her. “I still hope you’re wrong.”</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Excerpted from <em>Sky on Fire</em>, copyright © 2025 by E.K. Johnston.</p> <p>The post <a href="https://reactormag.com/excerpts-sky-on-fire-by-e-k-johnston/">Read an Excerpt From &lt;i&gt;Sky on Fire&lt;/i&gt; by E.K. Johnston</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-sky-on-fire-by-e-k-johnston/">https://reactormag.com/excerpts-sky-on-fire-by-e-k-johnston/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817178">https://reactormag.com/?p=817178</a></p>
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Posted by Vanessa Armstrong

News Oswald the Lucky Rabbit

Oswald the Lucky Rabbit Adds Skeleton Crew and The Penguin Alums to Cast

The Disney+ series comes from Jon Favreau.

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Published on July 1, 2025

Photo courtesy of Lucasfilm

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/oswald-the-lucky-rabbit-adds-skeleton-crew-and-the-penguin-alums-to-cast/">https://reactormag.com/oswald-the-lucky-rabbit-adds-skeleton-crew-and-the-penguin-alums-to-cast/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817390">https://reactormag.com/?p=817390</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/oswald-the-lucky-rabbit/" class="inline-block link-no-animation" aria-label="Link to term or tag Oswald the Lucky Rabbit 1"> Oswald the Lucky Rabbit </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Oswald the Lucky Rabbit</i> Adds <i>Skeleton Crew</i> and <i>The Penguin</i> Alums to Cast</h2> <div class="prose post-hero-description prose--post-hero">The Disney+ series comes from Jon Favreau.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 1, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo courtesy of Lucasfilm</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/oswald-the-lucky-rabbit-adds-skeleton-crew-and-the-penguin-alums-to-cast/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 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srcset="https://reactormag.com/wp-content/uploads/2025/07/GR-FF-004147-740x494.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/GR-FF-004147-1100x734.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/GR-FF-004147-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/GR-FF-004147-1536x1025.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/GR-FF-004147.jpg 2000w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo courtesy of Lucasfilm</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><a href="https://reactormag.com/jon-favreau-is-moving-from-the-mandalorian-to-oswald-the-lucky-rabbit-tv-series/" target="_blank" rel="noreferrer noopener">Jon Favreau’s Disney+ series, <em>Oswald the Lucky Rabbit</em></a>, is moving forward with some casting news.</p> <p>According to <a href="https://deadline.com/2025/06/jon-favreau-oswald-the-lucky-rabbit-casts-leads-1236446096/" target="_blank" rel="noreferrer noopener">Deadline</a>, the young actors Ravi Cabot-Conyers (pictured above as Wim in <em><a href="https://reactormag.com/star-wars-skeleton-crew-first-trailer/" target="_blank" rel="noreferrer noopener">Star Wars: Skeleton Crew,</a> </em>and who also voiced Antonio in <em>Encanto</em>), Mykal-Michelle Harris (<em>Big Little Lies, Raven’s Home</em>), and Ryder Allen (aka young Oswald in <em>The Penguin</em>) have joined the series. </p> <p>Cabot-Conyers will play Jake, “a hardworking middle school student with a big heart,” Harris will play Jen, “an artistic middle schooler who is always ahead of the game,” and Allen will play Taylor, “a middle school student who is cautious but avoids turning down his friends.”</p> <p>The three will presumably be the live-action component of the animation/live-action hybrid series, with Oswald being the center of the animated part.</p> <p>Oswald is an iconic figure for fans of Walt Disney. Walt and Ub Iwerks created the character in 1927, before a certain mouse, but moved on to Mickey since Universal held the rights to the rabbit. In 2006, Bob Iger bought the rights to Oswald and brought the rabbit back into the Disney fold. In 2023, Oswald also entered the public domain.</p> <p>Other than the clue that these casting announcements give—it seems like middle schoolers will be the ones to run into Oswald—we don’t have any details on the plot yet, or when the show will make its way to Disney+.[end-mark]</p> <p>The post <a href="https://reactormag.com/oswald-the-lucky-rabbit-adds-skeleton-crew-and-the-penguin-alums-to-cast/">&lt;i&gt;Oswald the Lucky Rabbit&lt;/i&gt; Adds &lt;i&gt;Skeleton Crew&lt;/i&gt; and &lt;i&gt;The Penguin&lt;/i&gt; Alums to Cast</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/oswald-the-lucky-rabbit-adds-skeleton-crew-and-the-penguin-alums-to-cast/">https://reactormag.com/oswald-the-lucky-rabbit-adds-skeleton-crew-and-the-penguin-alums-to-cast/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817390">https://reactormag.com/?p=817390</a></p>
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Posted by Christina Orlando

Books new releases

All the New Fantasy Books Arriving in July 2025

A detective/apprentice wizard, a botanist, and a historian all appear in July’s new fantasy releases…

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Published on July 1, 2025

Collection of 21 covers of the new fantasy releases for June 2025.





Here’s the full list of fantasy titles heading your way in July!

Keep track of all the new SFF releases here. All title summaries are taken and/or summarized from copy provided by the publisher. Release dates are subject to change.

July 1

Grave Birds — Dana Elmendorf (MIRA)
Grave birds haunt the cemeteries of Hawthorne, South Carolina, where Spanish moss drips from the trees and Southern charm is imbued with lies. Hollis Sutherland never knew these unique birds existed, not until she died and was brought back to life. The ghostly birds are manifestations of the dead’s unfinished business, and they know Hollis and her uncanny gift can set them free. When a mysterious, charming bachelor wanders into the small town, bizarre events begin to plague its wealthiest citizens—blood drips from dogwood blossoms, flocks of birds crash into houses, fire tornadoes descend from the sky. Hollis knows these are the omens her grandfather warned about, announcing the devil’s return. But despite Cain Landry’s eerie presence and the plague that has followed him, his handsome face and wicked charm win over the townsfolk. Even Hollis falls under his spell as they grow closer. That is, until lies about the town’s past start to surface. The grave birds begin to show Hollis the dead’s ugly deeds from some twenty-five years ago and the horrible things some people did to gain their wealth. Hollis can’t decide if Cain is some immortal hand of God, there to expose their sins. Or if he’s a devil there to ruin them all. Either way, she’s determined to save her town and the people in it, whatever it takes.

Sycorax — Nydia Hetherington (Pegasus Books)
Born of the sun and moon, shaped by fire and malady, comes a young woman whose story has never been told… They call her Sycorax. Seer. Sage. Sorceress. Outcast by society and all alone in the world, Sycorax must find a way to understand her true nature. But as her powers begin to grow, so too do the suspicions of the local townspeople. For knowledge can be dangerous, and a woman’s knowledge is the most dangerous of all… With a great storm brewing on the horizon, Sycorax finds herself in increasing peril—but will her powers save her, or will they spell the end for them all? Find out in this gripping and vivid narrative exploration of one of literature’s most mysterious figures.

July 8

Stone and Sky (Rivers of London #10) — Ben Aaronovitch (DAW)
All Detective Sergeant Peter Grant wanted was a nice holiday up in Scotland. He’ll need one once this is over…

Sea: check.

Sand: some.

Sun: sort of—but that’s not the only thing in the sky…

The Secret Market of the Dead — Giovanni De Feo (Saga)
Just beyond the waking edges of Lucerìa, an 18th-century town in the kingdom of Naples, lies the Night: an enigmatic fiefdom governed by seven immortals and fueled by Moira, the power to reshape one’s destiny. On this porous border separating Day from Night, Oriana spends her time fantasizing about becoming a smith in her father’s forge and eavesdropping on whispered tales of beasts and men who roam the nocturnal realm. But in the Night, these stories come alive, as Oriana saw for herself after she inadvertently trespassed into the Secret Market of the Dead, where vendors hawk Moira to those desperate enough to accept its immeasurably steep price. Years later, when her father chooses her twin brother to succeed him, Oriana challenges her sibling to a series of trials to determine the forge’s true heir. But as the twins’ fierce competition escalates, with the town and her own family set firmly against her, Oriana realizes that to break free from the stifling confines of Day, she must once again embrace the Night—and, as always, everything comes with a cost.

Ascension (Summoner’s Circle #2) — S.T. Gibson (Angry Robot)
Ever since Rhys McGowan was a boy, he’s only wanted two things: power and love. Now, as High Priest of Boston’s premiere Secret Society, husband to his adoring witch wife Moira, and partner to David – his psychic rival-turned-boyfriend, Rhys is finally at peace. But when a strange ritual rocks Boston’s occult community, and opens the Society up to sabotage, Rhys delves even deeper into the dark world of demon-summoning. He’s used to carrying the weight of the world on his shoulders, but the strain of managing so many spirits (not to mention the stress of his loved ones exploring other people) will push him to the brink. As heaven and hell play tug of war for Rhys’ soul, he’ll have to face the greatest demon of all: his own insatiable ambition.

The Bloodless Queen — Joshua Phillip Johnson (DAW)
On the autumnal equinox of 1987, after fencing off half of the Earth’s land for huge nature reserves called Harbors, the leaders of the world called on their peoples to celebrate. Then began the horror and the magic. Everyone who died that day—all 132,329 of them—instead of going cold and still, turned odd and fae. They became mischievous and murderous, before disappearing into their nearest Harbor, never seen again. And each year after that on the autumnal equinox, the same terrible transformations would occur: the wretched dead not dying, but instead riddling and whispering of a faerie queen—bloodless and powerful—while fleeing into the wild confines of the Harbors. In the present day, Evangeline and Calidore are working as fencers, government-employed protectors whose magical powers come from mysterious tattoos of prime numbers. When they aren’t fixing the fences of the Midwest Harbor that separates the human world from Faerie or patrolling on the equinox, they are parents of an almost-seven-year-old daughter named Winnie. But as the new year’s autumnal equinox approaches, Evangeline and Calidore find themselves thrust into a vast conspiracy that stretches across governments, religions, and fencers worldwide. As they race to untangle this web of power and intrigue, they will need to confront the questions that have haunted the world since the fences were built: What lies at the heart of the Harbors? Who waits there?

Red Tempest Brother (Winter Sea #3) — H.M. Long (Titan)
In the wake of the events of Black Tide SonHart flees into pirate-infested waters to shelter on the island where former rogue James Demery and the Fleetbreaker, Anne Firth, now rule. Reeling from their discoveries about the truths of the Mereish-Aeadine war, Mary and Samuel hover on the precipice of a terrible, world-altering choice—they can stay silent and maintain their good names, or they can speak out and risk igniting total war across the Winter Sea. Meanwhile, Benedict captains The Red Tempest, a lawless ship of deserters and corrupted mages in search of an Usti spy with incendiary stolen documents. Benedict is determined to make the truth known, consequences be damned. As rumours spread of a new Ghistwold sprouting in the Mereish South Isles, Mary and Samuel sail once more into intrigue, espionage and an ocean on the brink of exploding into conflict. They must chart a course toward lasting, final peace, at the heart of the age-old battle for power upon the Winter Sea.

Curandera — Irenosen Okojie (Soft Skull)
In Gethsemane, Cape Verde, the appearance of a mysterious new arrival, Zulmira, coincides with a series of strange events. Zulmira is a shamanic disciple of Oni, an omnipotent and loving yet vengeful deity. In contemporary London, botanist Therese lives with Haitian musician Azacca, Peruvian drifter Emilien, and daring Finn. These four kindred spirits, bound together by their shared descent from Oni, travel to another realm to complete a secret, sacred task at Oni’s behest. But a disruptive object returns with them from the other plane: a bleeding ribcage, flowering with intoxicating fruit. As Zulmira grows close to a fisherman, Domingos, and his wife and daughter, the increasingly disturbing occurrences in Gethsemane disrupt forms, time, and place. In London, Therese and her housemates, growing ever more powerful on the otherworldly fruit, discover the disturbing costs of their service to Oni. As the stage is set for the collision of two dimensions, the esoteric workings of shamanism intersect with powerful forces of friendship, love, and jealousy.

The Gryphon King (The Chaos Constellation) — Sara Omer (Titan)
Bataar was only a child when he killed a gryphon, making him a legend across the red steppe. Now he is the formidable Bataar Rhah, ruling over the continent that once scorned his people. After a string of improbable victories, he turns his sights on the wealthy, powerful kingdom of Dumakra and their vicious pegasus-mounted warriors. Nohra Zultama has no fear of the infamous warlord who marches on her country. She and her sisters are Harpy Knights, goddess-blessed and lethal. But as deceit and betrayal swirl through her father’s court, she soon learns the price of complacency. With Dumakra under Bataar’s rule, Nohra vows to take revenge—yet her growing closeness to the rhah’s wife, Qaira, threatens to undo her resolve. When rioting breaks out and strange beasts incite panic, Nohra must fight alongside Bataar to keep order, her mixed feelings toward the man she’s sworn to kill becoming ever more complicated. Old evils are rising. Only together will Nohra and Bataar stand a chance against the djinn, ghouls, and monsters that threaten to overrun their world.

July 15

The Jasad Crown (Scorched Throne #2) — Sara Hashem (Orbit)
Held deep in a mountain refuge, Sylvia has been captured by the Urabi, who believe the Jasad Heir can return their homeland to its former power. But after years of denying her legacy and a forbidden alliance with Jasad’s greatest enemy, Sylvia must win the Urabi’s trust while struggling to hide the dangerous side effects her magic is having on her mind. In a rival kingdom, Arin must maneuver carefully between his father’s desire to put down the brewing rebellion and the sacred edicts Arin is sworn to uphold. He is determined to find Sylvia before it’s too late, but Arin’s search unravels secrets that threaten the very core of his beliefs about his family and the destruction of Jasad.  War is inevitable, but Sylvia cannot abandon her people again. The Urabi plan to raise the Jasadi fortress, and it will either kill Sylvia or destroy the humanity she’s fought so hard to protect. For the first time in her life Sylvia doesn’t just want to survive. She wants to win. The fugitive queen is ready to reign.

A Resistance of Witches — Morgan Ryan (Viking)
Stubborn, plain-spoken and from an unimpressive family, Lydia Polk never expected to be accepted into the Royal Academy of Witches. Now, with Hitler’s army rampaging across Europe, the witches of Britain have joined the war effort, and Lydia is key to the cause: she must use her magic to track down magical relics before Hitler and his sycophants can. When a Nazi witch infiltrates the Academy with heart-breaking consequences, the coven is left shaken, exposed and divided. The elder British witches have no interest in further loss of coven life in service of a government that has forced them into hiding for decades, no matter the consequences to the world. But with the discovery of the Grimorium Bellum, an ancient book that leaves a trail of death and destruction wherever it goes, Lydia knows her mission has never been more urgent. Alone and woefully outnumbered, Lydia makes her way to the heart of occupied France, where she finds allies in Rebecca Gagne—a fierce French resistance fighter chockful of secrets—and Henry Boudreaux—a handsome Haitian-American art historian with a little magic of his own. Together, they traverse the country, stalked by the natural and supernatural alike, in search of the grimoire. But, as Lydia soon discovers, finding the book is only half the battle—the Grimorium Bellum has a dark agenda all its own. Lydia must subdue it before the Witches of the Third Reich can use it—but she’ll have to survive the book herself, first.

The Memory of the Ogisi (Forever Desert #3) — Moses Ose Utomi (Tordotcom Publishing)
The City of a Thousand Stories stands resolute on the edge of the Forever Desert. It is a lush metropolis, where water flows into every mouth that thirsts and knowledge sprouts in every mind that craves it. Yet despite their prosperity, no one can remember how the city began. It is a dire state of affairs: a people who do not learn their past cannot chart their future. Ethike is an Ogisi, one of the City’s many historians, who has devoted his life to studying a little-known figure named Osi. He believes Osi to be the key to the city’s origins, but his years of research have only raised more questions about Osi’s identity. Until, one day, he believes he has found the answer. Spurred by his love for his city and his family, Ethike ventures into the Forever Desert in search of the Lost Tomb of Osi. If he can find it, he will finally be able to prove his worth to the City’s Elders and cement Osi’s role in history. But history is a story told by the powerful. What Ethike uncovers beneath the sand is a power far beyond anything he could have expected… and it wants vengeance.

Pearl City (Phoenix Hoard #3) — Julia Vee and Ken Bebelle (Tor Books)
Blade. Butcher. Thief. Worldbreaker. Emiko Soong has been called many things. But Worldbreaker is the worst. She unmasked the General and returned to San Francisco where her power is greatest. But the city, once her sanctuary from Jiaren intrigues, turns into her living nightmare. Clan wars erupt and Emiko’s life becomes a treacherous quicksand of friend and foe. Unsure of who to trust, Emiko finds herself more alone than ever. When an ancient power rips through the Realm to land in her city, the General will stop at nothing to take it for his own. Emiko must face her past, present, and future, as she races to stop the General. Is Emiko’s fate written to be the destroyer of worlds, or can she chart a new course to save her family?

July 22


Arcana Academy — Elise Kova (Del Rey)
Clara Graysword has survived the underworld of Eclipse City through thievery, luck, and a whole lot of illegal magic. After a job gone awry, Clara is sentenced to a lifetime in prison for inking tarot cards—a rare power reserved for practitioners at the elite Arcana Academy. Just when it seems her luck has run dry, the academy’s enigmatic headmaster, Prince Kaelis, offers her an escape—for a price. Kaelis believes that Clara is the perfect tool to help him steal a tarot card from the king and use it to re-create an all-powerful card long lost to time. In order to conceal her identity and keep her close, Kaelis brings Clara to Arcana Academy, introducing her as the newest first-year student and his bride-to-be. Thrust into a world of arcane magic and royal intrigue, where one misstep will send her back to prison or worse, Clara finds that the prince she swore to hate may not be what he seems. But can she risk giving him power over the world—and her heart? Or will she take it for herself?

July 29

Birth of a Dynasty — Chinaza Bado (Harper Voyager)
After witnessing the massacre of everyone he’s ever known and loved, M’Kuru Mukundi, the sole surviving member of the High Noble House Mukundi of Madada, vows revenge. M’kuru flees to a small village where he hides under the guise of farm boy Khalil Rausi… unaware that the real Khalil’s father is the bloodthirsty General of Zenzele army, and under the direction of the King’s scheming son, Prince Effiom, was responsible for the murder of M’kuru’s people. When an imposter claiming to be M’kuru shows up in the village, the real M’kuru—now Khalil—must bide his time amongst his enemies, pretending to be everything that he hates in order to get vengeance. In another part of the country where giants roam free, young Zikora Nnamani, the only daughter of Lord Nnamani, knows nothing of political intrigue—she wants little more than to be a fierce Seh Llinga warrior. But a well-known prophecy places too much potential power on her small shoulders, and—as far as Prince Effiom and the King know—she is the only living threat to their dynasty ruling forever. However, when a messenger arrives to “invite” Zikora to stay at the palace, her family is not in a position to refuse. Before she is taken away, she begins The Rite of Blessing, a magical inheritance that she will need to learn how to use, but that may also bring the world one step closer to the completion of the prophecy that Prince Effiom so fears. Between scheming ladies at court, backstabbing princes on the prowl, and paranoid kings, M’kuru and Zikora must do what they can, no matter how terrible, to save their people and claim vengeance for their families. But they are just two young people against an entire kingdom—and a prophecy destined to thwart their dreams—and the last thing they can do is trust anyone… even each other.

The Lighthouse at the Edge of the World — J. R. Dawson (Tor Books)
At the edge of Chicago, nestled on the shores of Lake Michigan, there is a waystation for the dead. Every night, the newly-departed travel through the city to the Station, guided by its lighthouse. There, they reckon with their lives, before stepping aboard a boat to go beyond. Nera has spent decades watching her father—the ferryman of the dead—sail across the lake, each night just like the last. But tonight, something is wrong. The Station’s lighthouse has started to flicker out. The terrifying, ghostly Haunts have multiplied in the city. And now a person—a living person—has found her way onto the boat. Her name is Charlie. She followed a song. And she is searching for someone she lost.

The Fallbacks: Dealing with Dragons (Dungeons & Dragons) — Jaleigh Johnson (Random House Worlds)
When the day is threatened by tyrannical foes or monstrous fiends, the people of Faerûn place their trust in the realm’s mighty heroes. When the mighty heroes don’t show up, they get the Fallbacks. The team: A flamboyant bard with a bandstand’s worth of secrets. A wizard whose thirst for knowledge leads her to triumph and trouble. A virtuous fighter with a family that’s anything but. A cunning rogue just trying to keep everyone together. And then there’s the party’s cleric. Baldric has always had an unorthodox approach to divinity. While other folk of faith hitch their wagons to one god or another, this cleric figures that if his magic and might can serve many gods and reap the rewards of the entire pantheon, everyone wins. But there’s a price to be paid for the power to protect Faerûn. And every debt must one day be collected. Baldric finds himself cut off from his connection to the divine when a mysterious and otherworldly entity starts to invade his negotiations. And this entity wants more than Baldric’s service—it wants his soul. The Fallbacks race to free their cleric from his shadowy debtholder, but the heat is on—in more ways than one—because the being trying to lay claim to Baldric isn’t exactly a god. Forget striking bargains with deities. To get out of this jam, the Fallbacks will have to deal with dragons.

A Covenant of Ice (Crowns of Ishia #3) — Karin Lowachee (Solaris)
After years of separation, Havinger Lilley has finally reunited with his lover, Janan. He now hopes to heal from the experience that changed his life forever: being bonded to the soul of a king dragon and to the man Raka who died to save it. But this bond is consuming him, making his thoughts and feelings not his own. Compelled by this to return to the frozen north that was once Raka’s home, Lilley and his companions Janan and Meka make the arduous journey toward a confrontation with the power-hungry Kattakans that could result in another devastating war.

The Alchemy of Flowers — Laura Resau (Harper Muse)
Help Wanted: In search of a gardener for the ancient walled Jardins du Paradis in the South of France. Unique and rustic lodging provided. Off the grid in all ways. One must grow flowers from one’s merde… Exhausted by fruitless attempts to make a family, Eloise takes the chance of a lifetime to answer an ad in a French gardening magazine. To fly away from her life in the States and tend to both her shattered heart and the flowers of Paradise. And best of all for her… Absolutely no children allowed on the premises. Within the high garden walls, Eloise starts to learn the strange rules of the elusive estate owner. Living and working in isolation with her three companions, she finds her heart opening again to friendship—and realizes she’s drawn to the handyman, Raphael. The flowers whisper to her, enchanting, delighting, healing. But why are the workers forbidden from going out during dusk? Who is the “Goddess of the Garden”? Is her mind playing tricks on her, or does she see a woodsprite flitting through the trees? The giggles and glimpses of a little girl haunt her and make her question: What is real in Paradise and what is illusion? Eloise tries to rationalize her uneasy feelings and the darkness she uncovers beneath the garden’s lush beauty, but as she digs deeper into the mysteries of her sanctuary, she begins to suspect there’s a child on the grounds—who may be in danger. When Paradise becomes a deadly prison, she must risk everything to protect her newfound family and claim her second chance at happiness.

Beasts of Carnaval — Rosália Rodrigo (MIRA)
When night descends, el Carnaval de Bestias rises. Within the shores of Isla Bestia, guests from around the world discover a utopia of ever-changing performances, sumptuous feasts and beautiful monsters. Many enter, but few ever leave—the wine is simply too sweet, the music too fine and the revelry endless. Sofía, a freedwoman from a nearby colonized island, cares little for this revelry. Born an enslaved mestiza on a tobacco plantation, she has neither wealth nor title, only a scholarly pragmatism and a hunger for answers. She travels to el Carnaval de Bestias in search of her twin brother, who disappeared five years ago. There’s a world of wonder waiting for her on the shores of this legendary island, one wherein conquerors profit from Sofia’s ancestral lands and her people’s labor. But surrounded by her former enslavers, she finds something familiar in the performances—whispers of the island’s native tongue, music and stories from her Taike’ri ancestors… a culture long hidden in the shadows, thrust into the light. As the nights pass, her mind begins unraveling, drowning in the unnatural, almost sentient thrall of Carnaval. And the sense that someone is watching her grows. To find her brother and break free, Sofia must peel back the glamorous curtain and face those behind Carnaval, before she too loses herself to the island/

Silvercloak — L. K. Steven (Del Rey)
Two decades ago, the Bloodmoons ruthlessly murdered Saffron Killoran’s parents, destroying her idyllic childhood. Hell-bent on revenge, she lies her way into Silvercloak Academy—the training ground for her city’s elite order of detectives—with a single goal: to bring the Bloodmoons to justice. But when Saff’s deception is exposed, rather than being cast out, she’s given a rare opportunity: to go undercover and tear the Bloodmoons down from the inside. Descending into a world where pleasure and pain are the most powerful currencies, Saff must commit some truly heinous deeds to keep her cover—and her life. Not only are there rival gangs and sinister smuggling rings to contend with, but there’s also her growing feelings for the kingpin’s tortured son, with his vicious pet fallowwolf, his dark past, and the curious prophecy foretelling his death at Saffron’s hand. With each day testing her loyalties further, Saff finds her web of lies becoming harder to spin. And when one false step could destroy everything and everyone she’s ever loved… the detective who’s dedicated her life to vengeance just might die for it.

The post All the New Fantasy Books Arriving in July 2025 appeared first on Reactor.

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Posted by Christina Orlando

Books new releases

All the New Science Fiction Books Arriving in July 2025

Meet an aeralist in a Martian circus, an ancient sorcerer in a distant galaxy, and a genetically engineered supersoldier in July’s new SF titles!

By

Published on July 1, 2025

Collection of 8 covers of the new science fiction releases for June 2025.





Here’s the full list of science fiction titles heading your way in July!

Keep track of all the new SFF releases here. All title summaries are taken and/or summarized from copy provided by the publisher. Release dates are subject to change.

July 1

Inferno’s Shadow (Artillerymen #4) — Taylor Anderson (Ace)
Colonel Lewis Cayce and his forces were a group of American soldiers bound to fight in the Mexican-American War—until they were stranded in a strange new world inhabited by vicious monsters, new friends, and deadly foes. Now Cayce has brought his army of displaced Americans and their indigenous allies into the heart of the loathsome, blood-drenched Dominion’s stronghold. If he can take the enemy’s holiest city and support the elevation of a new “Supreme Holiness” who seeks to moderate the Dominion’s thirst for expansion, slavery, and blood sacrifice, Cayce’s own goal for his army and new people to live in security and freedom will be assured. But no matter how good of a soldier he is, Cayce is ruled by reason, and the madness and seemingly suicidal treachery of his adversaries, not to mention the sheer titanic scope of the force arrayed against him, might finally be more than he can cope with. Which side will ultimately discover that even victory can end in defeat?

Infinite Archive (Midsolar Murders #3) — Mur Lafferty (Ace)
Mallory Viridian has had a quiet few months. Even with the increased influx of humans visiting Station Eternity, she hasn’t seen so much as a bar brawl. Used to people dying left and right around her, the lack of murders to solve has left her unexpectedly… bored. But humanity’s favorite way to waste time is on its way to her sector of the galaxy. A giant, one-of-a-kind data ship called Metis is bringing the entire Internet from Earth—as well as a mystery fan convention. On top of that, Mallory’s literary agent is aboard, and he tells Mallory that she’s the keynote speaker. It’s almost a relief when a killer decides to strike at the convention. When Mallory finds her agent dead, she knows she has to work fast to find the murderer. With a strange new alien with unknown motives, a ship with impossible abilities, a lonely living, comprehensive Internet, and a deadly crime to solve, Mallory has her work cut out for her

The Presence Malign (Deep Man #3) — Michael Mersault (Baen)
The heavy cruiser Salahdiin is the most powerful private warship in the history of the Myriad Worlds, and bears a Letter of Marque, the Imperial charter for legalized piracy. As the most successful fighting captain of the Imperial Fleet, Saef Sinclair-Maru is the ideal choice to command the privateer, but exchanging egotistical admirals for demanding shareholders carries its own unique challenges, particularly when the fate of humanity lies in the balance. While war rages within the Imperium, few comprehend the inhuman instigators at the heart of the conflict or their genocidal ambitions, but Saef and his counterpart, Inga, draw a surprising coterie of allies to their campaign of desperate resistance, including spy master Winter Yung, former Molo Ranger Kyle Whiteside, and even Erik Sturmsohn, a Thorsworld war chieftain sworn to overthrow the emperor. Together, in the face of approaching annihilation, they each must choose: Obedience to the edicts of their leaders, or loyalty to a deeper motivation that defines the very heart of humanity.

The Winds of Fate (Make the Darkness Light #2) — S.M. Stirling (Baen)
In a world where history can be rewritten at will, the threads of destiny intertwine in ways no one could have foreseen. Years after their groundbreaking journey into the past, Artorius and his team stumble upon a devastating revelation: the Chinese government has dispatched five time-travelers and a trove of advanced technology back to 165 CE, during the waning days of the Han dynasty. The team believed they were guiding Rome toward a new era of modernization and unity, but the emergence of Chinese influence threatens to unravel everything they have fought for. As whispers of innovation ripple through the ancient world, Artorius and his companions realize they are in a race against time—not just to protect their vision for a united future, but to prevent a catastrophic clash that could bring about nuclear war centuries sooner than they ever imagined. With their own presence now at risk of exposure, they must navigate the treacherous waters of politics, technology, and culture in a world caught between two colossal powers. As the balance of history teeters on a knife’s edge, loyalties will be tested, alliances forged, and the very fabric of fate will hang in the balance.

July 15

A Rebel’s History of Mars — Nadia Afifi (Flame Tree Press)
Kezza, an aerialist in the Martian circus, can never return to Earth—but she can assassinate the man she blames for her grim life on the red planet. Her murderous plans take an unexpected turn, however, when she uncovers a sinister secret. A thousand years into the future, Azad lives a safe but controlled life on the beautiful desert planet of Nabatea. His world is upended when he joins a crew of space-traveling historians seeking to learn the true reason that their ancestors left Mars. Separated by time and space, Kezza and Azad’s stories collide in the Martian desert.

The Immeasurable Heaven — Caspar Geon (Solaris)
The galaxy of Yokkun’s Depth has been settled since time immemorial. There is only one frontier left, and it’s a one-way journey: to pierce the skin of existence and delve the countless younger universes beneath. Running through these universes is the fabled Well, a fissure formed in the distant past into which horrors have been flung for millions of years. Amongst their number was an impossibly ancient sorcerer, cast down to the wastelands of a thousand apocalyptic worlds, never to return. Until now. Whirazomar is crossing the stars in the belly of a sentient spore, hoping she can make it to the Well before her masters’ rivals realise what she’s hunting: somewhere far below them, a hapless explorer has drafted a map of reality. A map that the exile is sure to seek out. A map so valuable that a kaleidoscope of beings will run the gauntlet of every universe to get it, even at the cost of their lives.

Ghost Cell (Ander Rade #2) — Zac Topping (Tor Books)
Ander Rade is doing his best to stay under the radar after the mess in Atlanta when he’s contacted by the Special Activities division for the Genetic Compliance Department. The mission: infiltrate a secret organization of rogue mods known as the Ghost Cell in order to find out what they’re doing and who they are doing it for. The catch: Rade’s old team leader, Sevrina Fox, is a member. But Rade’s been searching for her since his liberation from the fight pits, and he refuses to betray her now. So in exchange for his cooperation, the GCD agrees to extend their promise of an official pardon for his rogue status to her as well. As if gaining acceptance into the Ghost Cell isn’t challenging enough, Rade is forced to walk a tightrope between avoiding suspicion and minimizing collateral damage from the organization’s violent and unsanctioned operations. But as his investigation gains steam, he soon realizes that the Ghost Cell’s true ambitions are far more dangerous than anyone thinks, and that the time to act is running out. With powerful forces out to stop him, Rade must decide if there are limits to his loyalty to Sevrina, and whether that line has already been crossed, and above all, how far he’s willing to go for a pardon he’s not likely to live long enough to see.

July 22

Volatile Memory — Seth Haddon (Tordotcom Publishing)
With nothing but a limping ship and an outdated mask to her name, Wylla needs a big pay day. When the alert goes out that a lucrative piece of tech lies hidden on a nearby planet, she calls on all the swiftness of her prey-animal instincts to beat other hunters to it. What you found wasn’t your ticket out—it was my corpse wearing an AI mask. When you touched the mask, you heard my voice. A consciousness spinning through metal and circuits, a bodiless mind, spun to life in the HAWK’s temporary storage. I crystallized and realized: I was alive. Masks aren’t supposed to retain memory, much less identity, but the woman inside the MARK I HAWK is real, and she sees Wylla in a way no one ever has. Sees her, and doesn’t find her wanting or unwhole. Armed with military-grade tech and a lifetime of staying one step ahead of the hunters, Wylla and HAWK set off to get answers from the man who discarded HAWK once before: her ex-husband.

The post All the New Science Fiction Books Arriving in July 2025 appeared first on Reactor.

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Posted by Sarah

Books Dissecting The Dark Descent

All the Pieces Matter: “Afterward” by Edith Wharton

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Published on July 1, 2025

Book cover of The Dark Descent horror anthology

Welcome back to Dissecting The Dark Descent, where we lovingly delve into the guts of David Hartwell’s seminal 1987 anthology story by story, and in the process, explore the underpinnings of a genre we all love. For an in-depth introduction, here’s the intro post.


Edith Wharton is a name that deserves to be invoked far more often, especially in the gothic world. While many know her novella-length character portrait Ethan Frome and her classic novel The Age of Innocence, she was a lifelong fan of ghost stories, even writing several herself while incorporating her knowledge of shifting social mores, class issues, and complex studies of characters into the mix. “Afterward” is perhaps one of her more transfixing written works, a story that uses a more “realistic” approach to its gothic horror to add greater complexity and nuance to this tale of ghosts and karmic retribution. With its introduction of realism and deeper interest in the psychological landscape of its characters, it’s every bit as horrifying and strange as the other tales of the fantastic included in The Dark Descent, but contains enough emotional truth to linger long after its haunting final lines.

Relocating from the Midwest, Mary Boyne and her husband move to Dorsetshire, where they plan to live at an old house called Lyng. Cut off from modern conventions such as indoor plumbing and electricity (the Boynes were determined to live in a very old house), Lyng’s distinguishing feature is a ghost that “no one knows is there,” with previous inhabitants only realizing that they’d had a spiritual encounter “long, long afterward.” Despite this disappointing development, the nouveau riche Boynes happily move into Lyng and set about their new life of leisure, Ned Boyne writing a book while Mary paints and takes care of the household. When a strange young man shows up at Lyng and mysteriously vanishes (taking Mr. Boyne along with him), Mary’s hunt for her husband uncovers a series of unnerving secrets about both her husband’s business affairs and the ghost of Lyng, the full extent of which will not be fully revealed until “long, long afterward.”

In the moment, people don’t usually process all of what’s happening to them. They know, of course, if something strange is going on or if something feels off. It’s a warning sign that they should pay attention, but most of the time, we don’t piece together the full picture until we’ve had time to process, to genuinely reflect on what felt so weird. In this sort of situation, it’s not until someone starts putting all the pieces together that suddenly the unnerving truth of an odd encounter or a small, weird moment is revealed to them. It’s an effect that’s used frequently in horror—you can set your watch by how many stories or visual works will allow small, sinister details to pile up until the trap is finally sprung—but Wharton’s use here feels more realistic and true to life.

Throughout “Afterward,” Mary notices various unusual details, but as they’re small moments, she doesn’t chalk them up to anything in particular. Boyne’s strange behavior can be attributed to a thousand little anxieties—moving to England, starting his book, and at points perhaps even his awareness of Lyng’s mysterious ghost, which Boyne himself might have seen. Boyne always has a handy excuse to explain away everything, from insisting that there’s no merit to his former partner Elwell accusing him of “every crime in the calendar” to claiming the first time he and Mary see the ghost of Lyng, it’s merely the man he wanted to see about the gutters. It’s not stated outright, but the glimpses start to add up. While Mary has no real reason to suspect Boyne of anything, the reader has every reason to suspect, and the way Wharton calls attention to the small details Boyne and Mary dismiss only underlines their sense of wrongness, especially on repeat readings.           

It’s a common feature of toxic relationships. The person being harmed or manipulated will attempt to explain away the details that don’t jibe with their vision that everything is all right, because the truth is too psychologically devastating. Even if something is definitely wrong, even if there’s tension and quiet menace, the longer you believe everything is all right, the more likely it will be and the less likely there will be some kind of incident. You find yourself accepting any explanation for the strangeness solely in the hope that doing so will mean that things can go back to normal or return to how they were when they felt good. In Mary’s case, the more she accepts her husband’s rationalizations, the faster she can get back to enjoying life at Lyng, with its secret passages and ghosts.

The sense of small details Mary is either ignoring or doesn’t want to directly confront also applies to the oft-discussed ghost of Lyng. Mary’s friend Alida claims that no one knows they’ve seen the ghost until “afterward,” but in the few encounters Mary has with the ghost in the form of Elwell, she first explains away the figure’s indistinct appearance with her nearsightedness, and then when the ghost comes for her husband, notices that “he had an American intonation” but not the accent as well as an indistinct appearance. Mary registers that something weird is going on, but (much in the same way that her husband does with her questions) rationalizes it away as Boyne’s business and not hers. After Elwell’s eventual death, Boyne still keeps her in the dark and Mary internalizes his rationalizations, waking up the morning of his strange disappearance with a sense of “security.”

This is, in fact, the thing that ultimately proves Boyne’s undoing. Boyne, keeping his malfeasance secret from Mary and working hard to rationalize everything away, succeeds on making Mary complicit when the ghost finally comes to take him away. There’s something clearly weird about the whole thing, but it’s not until Boyne vanishes without a trace that the key details start to slam home. Wharton’s use of a more “realistic” style of haunting—most true ghost story accounts have the witness only realizing what happened after the person they were talking to walks through a wall or mysteriously vanishes—reinforces the horror, that somehow Mary let the ghost in and unwittingly played a role in dismantling what she (falsely) saw as an idyllic existence. Trying to avoid an incident led the incident directly to their door.

Modern readers, of course, know that she had nothing to do with any of this and that Boyne got what was coming to him—he was a shady businessman dragged to the netherworld because he manipulated everyone around him and refused to face the consequences of his actions. Knowing that Mary is better off and feeling that Mary is better off are, however, two different things entirely. It’s here where Wharton’s realism has its harshest sting—the hole torn in the world by the shady, manipulative Mr. Boyne still leaves horror and trauma behind, and even if karmic retribution is just, justice sometimes looks unfathomably cruel to those like Mary who don’t see the complete picture until long, long afterward.


And now to turn it over to you. Was your main experience with reading Edith Wharton Ethan Frome, or another work? Do you think Mary will recover from her terrible ordeal now that Boyne has vanished? Does Wharton’s attention to mirroring accounts of “authentic” hauntings heighten or lessen the horror?

Please join us in two weeks as we explore an area of singular loneliness with “The Willows,” by Algernon Blackwood.[end-mark]

The post All the Pieces Matter: “Afterward” by Edith Wharton appeared first on Reactor.

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Books storytelling

Story for Story’s Sake: Wanderstop and SFF Books That Reward Reflection

Immersive tales that bring you into the telling…

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Published on July 1, 2025

Credit: Ivy Road

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/story-for-storys-sake-wanderstop-and-sff-books-that-reward-reflection/">https://reactormag.com/story-for-storys-sake-wanderstop-and-sff-books-that-reward-reflection/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817162">https://reactormag.com/?p=817162</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/storytelling/" class="inline-block link-no-animation" aria-label="Link to term or tag storytelling 1"> storytelling </a> </span> </div> <h2 class="post-hero-title text-h1">Story for Story&#8217;s Sake: <i>Wanderstop</i> and SFF Books That Reward Reflection</h2> <div class="prose post-hero-description prose--post-hero">Immersive tales that bring you into the telling&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/cole-rush/" title="Posts by Cole Rush" class="author url fn" rel="author">Cole Rush</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 1, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Ivy Road</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/story-for-storys-sake-wanderstop-and-sff-books-that-reward-reflection/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 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7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="423" src="https://reactormag.com/wp-content/uploads/2025/06/wanderstop-keyart-740x423.png" class="w-full object-cover" alt="Keyart from the video game Wanderstop, depicting two characters — a woman with her arms crossed looking angrily to the side, and a smiling man wearing an apron and holding a steaming cup — sit together on a bench" srcset="https://reactormag.com/wp-content/uploads/2025/06/wanderstop-keyart-740x423.png 740w, https://reactormag.com/wp-content/uploads/2025/06/wanderstop-keyart-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2025/06/wanderstop-keyart-768x439.png 768w, https://reactormag.com/wp-content/uploads/2025/06/wanderstop-keyart.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Ivy Road</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>When entering the world of <em><a href="https://www.wanderstopgame.com/" target="_blank" rel="noreferrer noopener">Wanderstop</a></em>, players take on the role of Alta, an injured warrior who collapses in a forest and awakens in an idyllic and colorful clearing. She sits on a bench next to a man named Boro, who eventually becomes a spiritual and emotional recovery guide. Boro owns the titular Wanderstop, a tea shop nestled in the clearing.</p> <p><em>Wanderstop</em>—broadly characterized as a cozy game about making tea—contains endless depth and vibrant themes. Experienced gamers will expect as much from developer Ivy Road, the same team behind <em>Gone Home </em>and <em>The Stanley Parable</em>. The themes make the game a must-play for anyone in search of a heartfelt and visceral story about trauma recovery, burnout, and self-actualization. If you’re interested, I encourage you to read more about those themes <a href="https://www.theverge.com/games/627549/wanderstop-davey-wreden-interview?" target="_blank" rel="noreferrer noopener">elsewhere</a>, as many writers have covered the game’s origins and the way the creators wove their own experiences into the premise and gameplay. I’ll take a different approach today and discuss something <em>Wanderstop</em> does just as well: story that exists purely for its own sake, to be reflected on and enjoyed in the moment.</p> <p>Within the world of the game, I, as Alta, wandered the glade in search of ingredients. I planted seeds, harvested quirky fruits, and imbued the landscapes&#8217; wonders into my tea. Travellers would mosey into the <em>Wanderstop</em> clearing and request unique brews. I’d make them tea and listen to their stories. They might go away, off to their next adventure. They might return later; they might not. Either way, they always left me with bits of their stories and glimpses into their personalities. Early on, I brewed a cup for a “knight” who was really just a normal guy who donned the armor to impress his son. Later, I made tea for a warrior who knew of Alta’s reputation and sought her secrets to success in the arena.</p> <p>When I’d completed a particular request, <em>Wanderstop</em> rewarded me with a bit of lore. These chunks of story were charming and felt real and engaging enough to keep me playing. There were times when I had no pending requests, so I jogged over to Boro and asked, “What’s next?” He reassured me that sometimes, there would be nothing to do, strictly speaking, redirecting me to passive options like collecting leaves or making a cup of tea for myself.</p> <p>In <em>Wanderstop</em>, there are no achievements to chase, no upgrades to unlock, no enemies to defeat. Its deepest reward is the story itself—quiet, heartfelt moments that accumulate not into progress, but into presence. Like a certain kind of book, its purpose is not propulsion but reflection.</p> <p>How utterly refreshing. <em>Wanderstop</em> didn’t mince words: It asked me to slow down, appreciate the small things, and worry about ticking off that big box <em>later</em>. Whenever I reached such a point in the game (there were many), I found myself thinking back to reading. I’ve read a lot of books for purposes other than <em>just</em> enjoying the story, over the years. Maybe I’m reviewing a book for my site, The Quill to Live. Perhaps I’m trying to stay ahead of Hollywood’s relentless adaptation schedule (the inspiration for <a href="https://reactormag.com/hollywood-is-shaping-my-tbr-stack-and-i-love-it/" target="_blank" rel="noreferrer noopener">my first-ever Reactor piece</a>). To be clear, I never mind these self-imposed deadlines, and they can spur my motivation and help me make real dents in my TBR stack. But there’s a distinct magic to books I’m able read <em>just because</em>, not tied to work or other factors, and that magic is amplified when the book itself seems to exist for no other reason than to celebrate the joys of storytelling, to invite the reader into a world that’s made to be explored at their own pace, as their own impressions and reflections help it coalesce and take shape in their mind.</p> <p>I don’t mean to minimize the contributions of an author, editor, or artist to a particular work. On the contrary, I applaud these creators for having both the ingenuity and restraint to offer us stories that feel both satisfying and unconstrained in the same liberating way that <em>Wanderstop</em> does. Stories that set out to build a world, draw you into it, and invite you to think and reflect as part of the process, rather than driving relentlessly toward what happens next.</p> <p>When I tried to think of examples of other stories that have given me a similar sense of wandering through a fictional world and simply enjoying the experience of being there—learning to live there, in a way, rather than racing to get to the end of the story (or set up a sequel, or a longer series)—my first thought was <a href="https://bookshop.org/p/books/the-spear-cuts-through-water-simon-jimenez/15671411?ean=9780593156612&amp;next=t" target="_blank" rel="noreferrer noopener"><em>The Spear Cuts Through Water</em> by Simon Jimenez</a>. Admittedly, the book is challenging in a way <em>Wanderstop</em> isn’t. <em>Spear</em> shifts between first-, second-, and third-person narration and touches on many mysteries to which the solutions aren’t readily apparent, even after spending some time with the book. And yet, reading <em>Spear</em> feels rewarding in itself. Its story tells of two warriors travelling with a fallen goddess. They encounter any number of creatures and people that have a role to play in the larger fabric of the mythical world they inhabit.</p> <p>Every chapter feels like a prized possession you’re meant to hold close and cherish, right up to the bittersweet ending. The book’s second-person passages can feel very challenging at the outset, but they serve to strengthen the story’s fabric as it unfolds. Jimenez constructs a world full of fable-worthy characters and beings that feel like a treat to encounter (though some treats can be sour, mind you). <em>Spear</em> shares <em>Wanderstop</em>’s passion for the act of storytelling and its desire to reward the reader with the thing they want most—an immersive tale that brings you into its own telling.</p> <p><a href="https://bookshop.org/p/books/piranesi-susanna-clarke/15861178?ean=9781635577808&amp;next=t" target="_blank" rel="noreferrer noopener">Susanna Clarke’s <em>Piranesi</em></a> also revels in story for its own sake. Both <em>Piranesi</em> and <em>Wanderstop</em> plunge you (the reader or the player, respectively) into a relatively unknown world. You’re tasked with discovering the world through the means provided by the medium. In <em>Wanderstop</em>, that’s interacting with the world as Alta and making tea for customers. In <em>Piranesi</em>, that means exploring the House (aka the world, as our narrator knows it) via the nameless protagonist. Clarke’s short but very deliberate novel relishes discovery. It showcases the unique joy that comes from details clicking meaningfully into place, and the bittersweet feeling when the resulting discoveries carry unexpected emotional heft.</p> <p><em>Piranesi</em>’s labyrinthine House is like <em>Wanderstop</em>’s idyllic clearing. You’re not there to conquer it, but to witness and marvel at what it has to offer.</p> <p>Finally, we come to <a href="https://bookshop.org/p/books/this-is-how-you-lose-the-time-war-amal-el-mohtar/18270911?ean=9781534430990&amp;next=t" target="_blank" rel="noreferrer noopener">Max Gladstone and Amal El-Mohtar’s <em>This Is How You Lose the Time War</em></a>. The novella sees Red and Blue, members of opposing factions, exchanging letters with one another in different timelines and elaborate settings ranging from the ancient past to the distant future. The book’s power comes from the gradual accumulation of ideas and impressions, gingerly collecting over time, rather than the forceful advancement of plot.</p> <p><em>Time War</em>’s most glorious moments are fragmented glimpses into the disparate lives of two connected people. While a savvy reader can and will connect <em>some</em> dots, that isn’t the point. The point, insofar as there <em>is</em> one, is to enjoy the gentle back-and-forth between the two characters. In writing to one another, they question. They learn and grow. They experience their own stories in new ways, recontextualized by their letters to the other. <em>Time War</em>’s narrative feels like it somehow exists both within its own distinct timeline and free from time, much like the mysterious clearing in <em>Wanderstop</em>.</p> <p>Reflection isn’t just a theme in <em>Wanderstop</em> and the stories I’ve mentioned: It’s a necessity, an integral part of the experience of engaging with these worlds. I found it was the joy of discovery that piqued my interest—the way these stories (and so many others) let the reader and/or player live in a world where taking part in the story surrounding them is its own reward. There’s no need to tick a box or complete a task for any reason other than the sheer happiness it brings.</p> <p>Sometimes a story isn’t a mountain to climb, but instead, a vista. Enjoy the view.[end-mark]</p> <p>The post <a href="https://reactormag.com/story-for-storys-sake-wanderstop-and-sff-books-that-reward-reflection/">Story for Story&#8217;s Sake: &lt;i&gt;Wanderstop&lt;/i&gt; and SFF Books That Reward Reflection</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/story-for-storys-sake-wanderstop-and-sff-books-that-reward-reflection/">https://reactormag.com/story-for-storys-sake-wanderstop-and-sff-books-that-reward-reflection/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817162">https://reactormag.com/?p=817162</a></p>
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Posted by Stefan Raets

Books The Wheel of Time

Reading The Wheel of Time: Egwene Embraces Pain and Makes Headway in Knife of Dreams (Part 18)

Egwene’s resilience begins to gain her support in the White Tower…

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Published on July 1, 2025

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-egwene-embraces-pain-and-makes-headway-in-knife-of-dreams-part-18/">https://reactormag.com/reading-the-wheel-of-time-egwene-embraces-pain-and-makes-headway-in-knife-of-dreams-part-18/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817318">https://reactormag.com/?p=817318</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-wheel-of-time/" class="inline-block link-no-animation" aria-label="Link to term or tag The Wheel of Time 1"> The Wheel of Time </a> </span> </div> <h2 class="post-hero-title text-h1">Reading The Wheel of Time: Egwene Embraces Pain and Makes Headway in <i>Knife of Dreams</i> (Part 18)</h2> <div class="prose post-hero-description prose--post-hero">Egwene&#8217;s resilience begins to gain her support in the White Tower…</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kjbarrett/" title="Posts by Sylas K Barrett" class="author url fn" rel="author">Sylas K Barrett</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 1, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/reading-the-wheel-of-time-egwene-embraces-pain-and-makes-headway-in-knife-of-dreams-part-18/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 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12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_KODbook11-740x407.png" class="w-full object-cover" alt="Reading The Wheel of Time on Tor.com: Knife of Dreams" srcset="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_KODbook11-740x407.png 740w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_KODbook11-768x422.png 768w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_KODbook11.png 951w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>I have returned! This week, Reading The Wheel of Time is going to tackle chapter 24 of <em>Knife of Dreams</em>, in which Egwene wages war against Elaida from inside the White Tower. Although not much technically happens, it’s an incredible chapter that, I think, shows us Egwene’s quality and strength of character even better than the chapters in which she learned to be Amyrlin. I am so ready for this, so let us dive into the recap.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Egwene endures her first punishment from Silviana by trying to embrace the pain the way the Aiel do. After letting herself cry and scream, she finds that she recovers quickly once the punishment is done. As Egwene leaves, she doesn’t curtsey to Silviana, earning herself a second penance. She considers leaving it alone, then decides to tell Silviana that the Amyrlin Seat curtsies to no one, and receives a third.</p> <p>Outside Egwene passes Alviarin going into Silviana’s study, and Egwene hears her shouting. She wonders why Alviarin is undergoing penance.</p> <p>She returns to her rooms, trailed by her two Red Ajah guards, and makes sure she looks as calm and cool as she feels inside before going to breakfast. All the novices fall silent when she enters, and one sticks out a foot to trip her as she passes. Egwene catches herself and turns, calmly asking the novice’s name.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Alvistere,” the young woman replied, her accent confirming her face. “Why do you want to know? So you can carry tales to Silviana? It will do you no good. Everyone will say they saw nothing.”<br><br>“A pity, that, Alvistere. You want to become Aes Sedai and give up the ability to lie, yet you want others to lie for you. Do you see any inconsistency in that?”</p></blockquote></figure> <p>Alvistere asks who Egwene is, to lecture her, and Egwene responds that although she is a prisoner, she is also the Amyrlin Seat. All the novices in the room are shocked that she is sticking to the claim.</p> <p>After breakfast she is given a dose of the weak forkroot tea and sent to a novice class, where the Accepted instructor, Idrelle, attempts to humiliate her by ordering her to make a ball of fire. Since Egwene can only channel a small amount, the ball of fire is very small, but she begins to divide the flows, channeling different colored balls of fire and making them dance around each other. Idrelle orders her to release the source, but Egwene ignores her, even after Idrelle makes a switch of Air and hits her with it. She only stops once the Reds in charge of guarding her order her, twice, to release <em>said</em>ar. When she doesn’t run as instructed, Katerine strikes her with blows of air until the other Red, Jezrail, stops her.</p> <p>Egwene is sent back to Silviana so often that by the end of the day Silviana decides that Egwene must receive Healing, though she warns Egwene that she’ll hit her harder to make up for that momentary relief.&nbsp;&nbsp;</p> <p>This pattern continues in the Accepted classes, so it is decided that Egwene will have one-on-one classes with Aes Sedai instead.</p> <p>Egwene visits Leane, who is also being given forkroot, though she is shielded as well, according to custom. Egwene tells Leane her plan to undermine Elaida from inside the Tower. Under Egwene’s direction, Leane starts challenging the other Aes Sedai who visit her. Egwene herself tells a Brown named Bennae about the secret histories in the Thirteenth Depository, though only Amyrlins and Sitters are supposed to know about that. She also talks about times Amyrlins have been controlled or deposed by the Hall, bluntly planting a seed for the idea of overthrowing Elaida.</p> <p>She makes other forays, some seeming more promising than others, and continues to work on embracing the pain as she is sent to Silviana multiple times every day. After being told that she is now to receive Healing twice a day and that Silviana is going to start using the strap, Egwene finds herself smiling.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>She had realized how to welcome the pain. She was fighting a war, not a single battle, and every time she was beaten, every time she was sent to Silviana, it was a sign that she had fought another battle and refused to yield. The pain was a badge of honor. She howled and kicked as hard as ever during that slippering, but while she was drying her cheeks afterward, she hummed quietly to herself. It was easy to welcome a badge of honor.</p></blockquote></figure> <p>Things begin to change with the novices as well. Nicola and Areina are spreading tall tales about Egwene, and a few novices try to emulate Egwene’s behavior, though trips to Silviana quickly set them straight again. This increases their sense of awe around Egwene, and she begins giving individual lessons and advice. She also offers comfort when novices see the dead or realize that the interior of the Tower has changed.</p> <p>The rest of Egwene’s time is spent on chores, but she never stops looking for opportunities to slip in a comment about Elaida’s handling of the White Tower and of Rand.</p> <p>One day while working in the gardens, Egwene is approached by Alviarin, who alludes to being willing to help Egwene escape. She continues to approach Egwene every few days after, making the same offer, and getting frustrated when Egwene replies, continually, that she is content with her situation.</p> <p>She also has an encounter with Mattin Stepaneos, who is being &#8220;escorted” by a Red sister named Cariandre. After being approached by the King, Egwene disabuses him of the notion that he was in danger from Rand. She tells him the truth about Colavaere’s death and the attack on the Sun Palace, and explains that Morgase was murdered by Rahvin, not the Dragon Reborn. She also points out the way the Reds have been handling him, and the conflict between the Ajahs.</p> <p>When Egwene sees Beonin in the Tower, she assumes that this betrayal means that Beonin is Black Ajah, and accuses her. Beonin takes Egwene aside and explains that she swore to obey Egwene as Amyrlin, and held to it for as long as Egwene was Amyrlin. Egwene isn’t having it, and deduces guilt in Beonin’s desire to explain herself. She learns that Beonin has given Elaida the names of the rebel sisters in the Tower, and orders her to warn them.</p> <p>After some back and forth, Egwene cows Beonin into agreeing to do as Egwene orders. After telling Leane everything, Leane deduces that Beonin must have been a spy for Elaida all along. Egwene is relieved to learn that sisters are still asking Leane to teach them Traveling, which means that Beonin hasn’t told anyone how to make that weave.</p> <p>On the ninth day of her captivity, Egwene manages to have a conversation with Silviana. After one of her visits, she asks about Shemerin, an Aes Sedai who was reduced back to Accepted by Elaida and later fled the Tower. Silviana admits that while there is no provision for taking away the shawl, there is no actually prohibition, either.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“The problem was that Shemerin accepted it. Other sisters told her to ignore the edict, but once she realized pleading wouldn’t change the Amyrlin’s mind, she moved into the Accepted’s quarters.”</p></blockquote></figure> <p>Silviana explains that some of Shemerin’s friends tried to talk sense into her, while others tried to force her to see sense by sending her to Silviana. Silviana herself thought Shemerin should be behaving as an Aes Sedai and treated the visits as a private penance. Silviana trails off as she begins to compare Shemerin’s fortitude with Egwene and sends Egwene to breakfast, but Egwene is elated to have made this progress.</p> <p>All the Novices stand when Egwene enters the dining hall, and one of them runs into the kitchen to bring Egwene’s tray out for her. There is a cushion on her seat as well, although Egwene moves it before she sits down. The Novices themselves only sit when she has begun to eat, and she finds honey in her tea—something Novices only get on special occasions.</p> <p>She has to fight a smile. The sisters she has begun to sway are more important than the Novices, but this is yet another sign that she is winning her war.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>I’d like to thank Robert Jordan for specifying that the conversation with Silviana about Shemerin and the incident of the standing Novices occurred on the ninth day of Egwene’s captivity, because I would otherwise have thought that these events took place over a few weeks at least, if not a few months.</p> <p>In general, I find it a bit baffling that the whole series takes place over so short a timeframe. It’s a bit like in superhero and action films, where the main character has a training montage where they go from zero to hero in, like, a week or two? Not all movies do this, but so many of them do, and it never makes any sense to me. If you’re having a montage, you can say it took as long as you want, months or years even, without having to make real time pass for the audience. And in the process you could actually make the transformation of the protagonist somewhat realistic.</p> <p>The same issue applies to The Wheel of Time, in my opinion. There is no compelling reason I can think of that the development of our heroes&#8217; abilities and the massive change that has come upon the world needs to take such a short timeframe. I don’t think it increases the urgency or the power of the story to say only two or three years pass rather than seven or eight or ten, and it does make the reader wonder at how quickly the Two Rivers kids and their allies are transformed.</p> <p>But while I might make an argument for a slightly longer timeline feeling more realistic, Jordan does provide reasons for the quick advancement of our heroes&#8217; skills and powers. Egwene’s forcing, for example, both through her time wearing the <em>a’dam</em> and at Siuan’s direction. The fact that Perrin, Mat, and Rand are <em>ta’veren</em> and that Egwene, Elayne, Nynaeve, and Aviendha often seem to be having a similar effect on the people around them as the boys do, especially Egwene. And of course, the mere fact that they are all some of the most powerful channelers born in several generations can explain a lot; the most powerful channelers seem to be designed to learn quickly, like the way they are usually able to recreate a weave after only seeing it completed once. Sometimes they&#8217;re even able to weave instinctively, even if they have never seen a particular weave before, such as the first time Aviendha made a gateway. Talents in general seem to help speed the learning process quite a bit; again, Aviendha’s ability to know what a <em>ter’angreal</em> does simply by holding it for a while is a prime example of a Talent overcoming a huge logistical hurdle in a very simple and quick fashion.</p> <p>So, as much as part of me is tempted to dismiss the speed with which Egwene is making inroads with Elaida’s followers as a poor pacing choice, I’m also aware of how much precedent there is in this story for events to move so rapidly. And as Egwene herself points out, the decay and disarray of the White Tower makes her job a lot easier. She isn’t coming up against Sisters who believe in Elaida and convincing them that they are wrong, she is coming up against Aes Sedai who are already deeply disappointed with Elaida and feel disconnected from the White Tower because of the separation and mistrust between the Ajahs. Sure, they are going to hang onto tradition and appearances, perhaps harder than ever, but as Egwene pushes them to admit the truth of the problems in the Tower, she is also poised to offer them an alternative.</p> <p>However radical it might seem to long-standing sisters, Egwene has a strong vision for the White Tower and the will to make that vision a reality. She also has a sense of how she wants to handle the Last Battle, and is connected to Rand al’Thor. Elaida can offer none of these things, not a sense of unity, nor a vision for the future that takes in more than her own grandeur, nor a way to work with the Dragon Reborn—a need all but the most prejudiced sisters must eventually recognize as necessary.</p> <p>Throughout this chapter, I couldn’t stop thinking about how similar Egwene and Rand’s journeys are. Nynaeve, Elayne, and Aviendha have all grown rapidly in skill and power as channelers, but only Egwene’s incredible transformation can really rival Rand’s, in my eyes. And though there is plenty of trauma in everyone’s journeys, Egwene and Rand are specifically both haunted by their time as prisoners—Rand because of the torture he underwent at Galina’s hands and Egwene by her time imprisoned as a <em>damane</em>.</p> <p>Actually, now I think about it, Egwene’s time wearing the <em>a’dam</em> has probably served her in more ways than rapidly advancing her ability to channel. Being a prisoner of Elaida is certainly no picnic, with the near-constant corporeal punishment and the derision that many sisters (and Novices, and Accepted) are sending Egwene’s way. But when compared to being a slave, to being designated as less than human while having not only your body but your very <em>thoughts</em> magically controlled, it really isn’t that bad. Egwene is being treated like a particularly stubborn runaway, but she isn’t being told that she’s an animal or having every scrap of her autonomy of thought taken away from her. She can still reach friends through <em>Tel’aran’rhiod</em>, and visit Leane, and even chat with Aes Sedai occasionally. It’s enough to plant her seeds of doubt and change, at least, which one could never say about any <em>damane</em>’s treatment.</p> <p>There is a reason so much of Egwene’s focus is on learning to embrace pain the way Aiel do. She never worries about breaking under the derision of the Accepted or the disapproval of the Aes Sedai. She knows her sense of self is more than strong enough to withstand other people’s judgments of her. Her sense of who she is wasn’t destroyed by the Seanchan, so it certainly won’t be by some random Red sisters. She is less confident in her physical prowess, though. She experienced beatings when she met her <em>toh</em> for lying to the Wise Ones and was sometimes given pain through the <em>a’dam</em>, but she has little experiencing resisting the kind of punishment—torture, rather—that the White Tower is trying to use to break her of believing herself to be the true Amyrlin.</p> <p>Her eventual conclusion about how to welcome the pain made so much sense to me, and was so powerful a moment that I’m actually considering employing it in my own life. Not to cope with torture, of course, but as a tool to reframe struggle and conflict. Egwene is taking her suffering and holding it up like a symbol, like a talisman, because it is proof of her own strength. Every time she receives punishment, it is because she refused to yield, and every refusal to yield is a victory. Once she knows that the beatings won’t force her to give in, she has nothing left to fear from them.</p> <p>Rand has had his own journey in embracing pain, both physically and emotionally. Physically he seems to repress his awareness of the pain as much as possible, making me wonder what would happen if he were able to bring in a little Aiel philosophy. Would embracing the pain ease his suffering? Could he feel a little better about those unhealing wounds if he considered them a mark of his triumphs, proof of his own strength and resilience? Proof that people cared for him when he was sick and worked to save him?</p> <p>And maybe he could apply that same thinking to the emotional wounds, too. Instead of self-flagellating over the death of every woman, perhaps he could take comfort in the fact that he still cares about the people around him. That he has allies, and that the fight for the Light isn’t his alone.</p> <p>That would require a few other perspective shifts, of course, but Cadsuane is coming for that.</p> <p>Anyway, to get back to Egwene, it’s interesting to see how her journey parallels Rand’s, especially now that she is getting closer to becoming the Amyrlin of a reunited White Tower. As the Amyrlin Seat in her full power, she will be the counterpart to Rand, the leader of Black Tower. I find myself wondering how they will eventually make their own alliance, given Rand’s continued suspicion of Aes Sedai and the fact that Egwene does believe many of the Aes Sedai precepts calling them the true leaders of the world.</p> <p>That reminds me of Elaida’s Foretelling, which occurred way back in the Prologue of <em>A Crown of Swords</em>. I had to look it up again, so here it is for anyone else who doesn’t remember it exactly.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“The White Tower will be whole again, except for remnants cast out and scorned, whole and stronger than ever. Rand al&#8217;Thor will face the Amyrlin Seat and know her anger. The Black Tower will be rent in blood and fire, and sisters will walk its grounds. This I Foretell.”</p></blockquote></figure> <p>Elaida took this to be confirmation of her own coming victory, both in uniting the White Tower and in tearing down the Black Tower, but even then it was clear to the reader that she was misinterpreting her own vision. The Foretelling mentions the Amyrlin Seat but says nothing about who will be the Amyrlin Seat when the Dragon Faces her. It certainly doesn’t say who will reunite the White Tower and make it strong again, nor does it specify who will rend the Black Tower in blood and fire.&nbsp;</p> <p>Sisters are already walking the grounds of the Black Tower, if the Foretelling is referring to those who were Bonded by Asha’man. But even if it&#8217;s not, some Aes Sedai will be bonding Asha’man as Warders and traveling there to meet them, which would also fulfill that part of the Foretelling. Or maybe it just predicts a truce between the two, and lots of visiting.</p> <p>I think it’s pretty obvious that the White Tower is going to be stronger than ever because of the changes Egwene is bringing, the relationship to the Kin, and the opening of the novice book to those of all ages. We’ve already seen how many more women with high potential there are among the older novices in the rebel camp, after all, and ties to the Kin, the Wise Ones, and maybe even recruits from the Seanchan will practically remake the White Tower, I think. Those “cast out remnants” might refer to a few sisters who can’t accept the new order, or possibly to some Black sisters who might escape once Egwene is filled in on the Black Ajah&#8217;s doings by Seaine and the rest.</p> <p>But the part of the Foretelling that I find the most intriguing, and which I as yet have no answer for, is that the Dragon will face the Amyrlin and “know her anger.” This seems to portend a fight between Rand and Egwene, and it made me think of Lews Therin and Latra Posae, and the conflict between the male and female Aes Sedai that resulted in only men attempting to seal the Bore and the taint being placed on <em>saidin</em> in the process.</p> <p>We can’t know for certain what would have happened if there had also been women channelers with them, if the Hundred Companions would have been more successful, or if <em>saidar</em> would have been tainted alongside <em>saidin</em>. But thematically speaking, the division between the Aes Sedai in the Age of Legends made things worse for the side of the Light. The division between male and female channelers of the current Age is a constant wound on the world, and division in general (between allies, between families, within the heart of the White Tower itself) seems to be one of the Dark’s greatest weapons. Given all that, and given that we know there is some kind of confrontation between Rand and Egwene, the Dragon Reborn and the Amyrlin Seat, coming, I can’t help but feel that this is going to be a pivotal moment for the series, and for the future of mankind.</p> <p>Rand isn’t exactly one for compromises, but I don’t think they’ll be able to face the Last Battle either entirely on his terms or entirely on the Tower’s. Only through understanding each other and being able to truly work together as allies will the Black and White Towers be able to find victory against the Dark. After all, as we are constantly reminded, when <em>saidin</em> and <em>saidar</em> are wielded together, they can perform feats that neither can accomplish alone.</p> <p>Speaking of Black sisters in the Tower, I’m very relieved that Egwene isn’t buying what Alviarin is selling, both because it isn’t what she wants but also because her instincts are warning her against trusting the former Keeper. Alviarin does seem a little desperate, which might just have to do with everything she’s been through, and the weight of expectation after Shaidar Haran marked her. But I’m wondering if maybe she was ordered to help Egwene escape. In order for the Shadow to kidnap her, maybe? We know Halima’gar was supposed to keep her close, and even if the Forsaken don’t know what she’s up to or expect her to succeed, they clearly know she’s important.</p> <p>I’m also intrigued by Silviana. She’s been described once or twice as harsh but fair, and if she is coming around to Egwene, I can imagine a lot of other sisters following suit. It’s a bit like Verin’s cobbled-together version of compulsion—you can convince people to see something your way, but they’re still going to do it for their own reasons. Silviana might respect Egwene’s strength. Beonin just wants to stick it to Elaida, as possibly many of the other sisters do. Doesine perhaps.</p> <p>And then there’s sisters like Jezrail, who are hardly on Egwene’s side but might end up even less on the side of the others. If Katerine’s overzealous attack on Egwene prompted the other Red to interfere, when else might she do so? Who else might finally object to how often Egwene is beaten, or to how much extra work she is given, or to the fact that she is already more powerful than most Aes Sedai and yet is being kept as a novice?</p> <p>I think, ultimately, that what we saw from the Novices at the end of the chapter is what we are going to see from the rest of the White Tower, sooner or later. Nicola was hardly a fan of Egwene’s when they were both in Salidar, and now she is calling her “Mother” and encouraging all the other Novices to look up to her. The way she uses logic against Alvistere is, after all, very similar to the way she imparts the secret information from the Histories to Bennae, or deduces Beonin’s guilt, or eventually finds a subject that persuades Silviana into conversation. Egwene thinks like an Aes Sedai; she knows how to use their customs, their logic, and their drives to her own advantage. There are already Aes Sedai who have developed a grudging respect for Egwene. How long, especially with Leane and possibly Beonin’s help, will it be before that respect turns to support? And after that support is gained, it will no doubt spread.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Next week Egwene will attend Elaida, and then we’ll be heading back to see what Tuon and Mat are up to, something I am especially excited for since we are going to finally get a section from Tuon’s point of view! See you then.[end-mark]</p> <p>The post <a href="https://reactormag.com/reading-the-wheel-of-time-egwene-embraces-pain-and-makes-headway-in-knife-of-dreams-part-18/">Reading The Wheel of Time: Egwene Embraces Pain and Makes Headway in &lt;i&gt;Knife of Dreams&lt;/i&gt; (Part 18)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-egwene-embraces-pain-and-makes-headway-in-knife-of-dreams-part-18/">https://reactormag.com/reading-the-wheel-of-time-egwene-embraces-pain-and-makes-headway-in-knife-of-dreams-part-18/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817318">https://reactormag.com/?p=817318</a></p>
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Posted by Molly Templeton

News The Running Man

Glen Powell Takes Off in the Trailer for Edgar Wright’s The Running Man

Yes, there are Stephen King adaptations about running AND walking in theaters this fall.

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Published on July 1, 2025

Screenshot: Paramount Pictures

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/glen-powell-the-running-man-first-trailer/">https://reactormag.com/glen-powell-the-running-man-first-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817325">https://reactormag.com/?p=817325</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-running-man/" class="inline-block link-no-animation" aria-label="Link to term or tag The Running Man 1"> The Running Man </a> </span> </div> <h2 class="post-hero-title text-h1">Glen Powell Takes Off in the Trailer for Edgar Wright&#8217;s <i>The Running Man</i></h2> <div class="prose post-hero-description prose--post-hero">Yes, there are Stephen King adaptations about running AND walking in theaters this fall.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 1, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Paramount Pictures</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/glen-powell-the-running-man-first-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="311" src="https://reactormag.com/wp-content/uploads/2025/07/running-man-trailer-740x311.jpg" class="w-full object-cover" alt="Glen Powell in The Running Man" srcset="https://reactormag.com/wp-content/uploads/2025/07/running-man-trailer-740x311.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/running-man-trailer-1100x462.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/running-man-trailer-768x323.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/running-man-trailer-1536x646.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/running-man-trailer-2048x861.jpg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Paramount Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Glen Powell just keeps having a need for speed. The star of <em>Top Gun: Maverick</em> (the one who&#8217;s not Tom Cruise, that is) is now the star of <em>The Running Man</em>, director Edgar Wright&#8217;s take on the Stephen King story that was previously made into a film in 1987. That one starred Arnold Schwarzenegger at the height of his action movie career.</p> <p>The premise, of course, remains the same. Here&#8217;s the synopsis:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>​In a near-future society, <em>The Running Man</em> is the top-rated show on television—a deadly competition where contestants, known as Runners, must survive 30 days while being hunted by professional assassins, with every move broadcast to a bloodthirsty public and each day bringing a greater cash reward. Desperate to save his sick daughter, working-class Ben Richards (Glen Powell) is convinced by the show’s charming but ruthless producer, Dan Killian (Josh Brolin), to enter the game as a last resort. But Ben’s defiance, instincts, and grit turn him into an unexpected fan favorite—and a threat to the entire system. As ratings skyrocket, so does the danger, and Ben must outwit not just the Hunters, but a nation addicted to watching him fall.</p></blockquote></figure> <p>Probably the game is rigged. I mean, Josh Brolin is in charge of it, and he seems sketchy.</p> <p>Powell&#8217;s characters is, uh, a bit of a jerk, which seems like it&#8217;s mean to say that even dickheads don&#8217;t deserve a future where they have to fight this hard just for health care, but the tone of this trailer is so all over the place that it&#8217;s hard to say what writer-director Wright (the film is co-written by Michael Bacall) is doing with it. The cast is pretty great—Michael Cera is here helping Ben get away, Lee Pace trying to stop him, William H. Macy doing what William H. Macy does, Colman Domingo hosting it all, and <em>Sinners</em>’ incredible Jayme Lawson as Ben&#8217;s wife. Katy O&#8217;Brien has a brief moment in the trailer as another game contestant; Emilia Jones and Daniel Ezra are here too.</p> <p>It&#8217;s a first trailer, so way too early to get anything resembling a grip on Wright&#8217;s aims here. But the vibe is weird. Matches the logo, though. </p> <p><em>The Running Man</em> tears into theaters on November 7th.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="8537"/> </div></figure> <p>The post <a href="https://reactormag.com/glen-powell-the-running-man-first-trailer/">Glen Powell Takes Off in the Trailer for Edgar Wright&#8217;s &lt;i&gt;The Running Man&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/glen-powell-the-running-man-first-trailer/">https://reactormag.com/glen-powell-the-running-man-first-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817325">https://reactormag.com/?p=817325</a></p>

Revealing Half City by Kate Golden

Jul. 1st, 2025 01:30 pm
[syndicated profile] reactor_feed

Posted by Christina Orlando

Books publishing news

Revealing Half City by Kate Golden

A dark academia novel arriving Winter 2026 from Ace Books.

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Published on July 1, 2025

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<p class="syndicationauthor">Posted by Christina Orlando</p><p class="ljsyndicationlink"><a href="https://reactormag.com/cover-reveal-half-city-by-kate-golden/">https://reactormag.com/cover-reveal-half-city-by-kate-golden/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=816941">https://reactormag.com/?p=816941</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/publishing-news/" class="inline-block link-no-animation" aria-label="Link to term or tag publishing news 1"> publishing news </a> </span> </div> <h2 class="post-hero-title text-h1">Revealing <i>Half City</i> by Kate Golden</h2> <div class="prose post-hero-description prose--post-hero">A dark academia novel arriving Winter 2026 from Ace Books.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/reactor/" title="Posts by Reactor" class="author url fn" rel="author">Reactor</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 1, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/cover-reveal-half-city-by-kate-golden/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 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<div> </div> </div> <p><strong>Welcome to Harker Academy for Deviant Defense. Keep your daggers sharp, and your wits even sharper.</strong>.. </p> <p>We&#8217;re thrilled to share the cover of <a href="https://www.penguinrandomhouse.com/books/778207/half-city-by-kate-golden/" target="_blank" rel="noreferrer noopener">Kate Golden&#8217;s <em>Half City</em></a>—available in February 2026 from Ace, an imprint of Penguin Random House.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Viv Abbot is an average twenty-one-year-old girl. She lives in an expensive city where the rent is too high, works long hours at a thankless job, and is dating a guy she doesn’t even like in the hopes of winning her prickly mother’s approval.<br><br>She just also happens to be a demon hunter.<br><br>Ever since her father&#8217;s murder, she&#8217;s been forced to hunt deviants alone, meaning everyone, including her family, sees her as an outsider&#8230; Until the day she crosses paths with a dangerously alluring demon, Reid Graveheart. The reformed deviant tells her of a school for people just like her: Harker Academy for Deviant Defense. If she enrolls, she&#8217;ll learn to hone her craft, work with other hunters, and never be alone again.<br><br>But Viv has a deadly secret. One that not even her new friends at Harker can know about. Not when the school might hold the answers to untangling the mystery surrounding Viv&#8217;s father’s death. When strange occurrences begin to plague the students, Viv will have to figure out who she can trust, and fast. All while trying to ace her classes, not fall for a demon, and make it through her first year at Harker in one piece. <br><br>How hard could that be?</p></blockquote></figure> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="1705" src="https://reactormag.com/wp-content/uploads/2025/06/HalfCity-1100x1705.jpg" alt="" class="wp-image-816946" srcset="https://reactormag.com/wp-content/uploads/2025/06/HalfCity-1100x1705.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/06/HalfCity-740x1147.jpg 740w, https://reactormag.com/wp-content/uploads/2025/06/HalfCity-768x1190.jpg 768w, https://reactormag.com/wp-content/uploads/2025/06/HalfCity-991x1536.jpg 991w, https://reactormag.com/wp-content/uploads/2025/06/HalfCity-1322x2048.jpg 1322w, https://reactormag.com/wp-content/uploads/2025/06/HalfCity-scaled.jpg 1652w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Cover illustration by Hoàng Lập and cover design by Katie Anderson</figcaption></figure> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/HalfCity-1.jpg" class="attachment-full size-full" alt="Half City" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/HalfCity-1.jpg" class="attachment-full size-full" alt="Half City" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">Half City</h3> <p class="shop-the-book-author">Kate Golden</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn 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href="http://www.amazon.com/exec/obidos/ASIN/B0F88X3LP9?tag=tordotcomgeneral-20" data-book-title="Half City" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9780593953433" data-book-title="Half City" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9780593953440" data-book-title="Half City" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9780593953433" data-book-title="Half City" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9780593953433" data-book-title="Half City" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <hr class="wp-block-separator has-alpha-channel-opacity" /> <p>Kate Golden is the USA Today bestselling author of The Sacred Stones trilogy. She lives in Los Angeles where she works in the film industry developing movies with screenwriters and filmmakers. When she isn’t telling stories, Kate is an avid book reader, puzzle addict, and game night enthusiast which she hosts with her husband and puppy, Milo. You can find her on Instagram at @<a href="https://www.instagram.com/kategoldenauthor/?hl=en">KateGoldenAuthor</a> and on TikTok at @<a href="https://www.google.com/url?sa=t&amp;source=web&amp;rct=j&amp;opi=89978449&amp;url=https://www.tiktok.com/%40kate_golden_author%3Flang%3Den&amp;ved=2ahUKEwiukcTEto-OAxW_v4kEHePJBGwQFnoECB8QAQ&amp;usg=AOvVaw0OtkCXKVC2B1r4miJW7UP0">Kate_Golden_Author</a>.</p> <p>The post <a href="https://reactormag.com/cover-reveal-half-city-by-kate-golden/">Revealing &lt;i&gt;Half City&lt;/i&gt; by Kate Golden</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/cover-reveal-half-city-by-kate-golden/">https://reactormag.com/cover-reveal-half-city-by-kate-golden/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=816941">https://reactormag.com/?p=816941</a></p>
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Posted by Savitri Asokan

For this week’s Translation Tuesday, we present to you a powerful essay by Italian-Rwandan author Marilena Delli Umuhoza, translated from the Italian by Monica Martinelli. A moment of casual racism in her daughter’s school play inspires the narrator to reflect on her own memories of bigotry as an African-origin woman growing up in 1990’s and […]
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Posted by Vanessa Armstrong

News Saturation Point

Cynthia Erivo & Michael Bay to Adapt Adrian Tchaikovsky’s Saturation Point

Universal Pictures will be adapting the novella from The Children of Time author.

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Published on June 30, 2025

Erivo screenshot: Universal Pictures

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/cynthia-erivo-michael-bay-to-adapt-adrian-tchaikovskys-saturation-point/">https://reactormag.com/cynthia-erivo-michael-bay-to-adapt-adrian-tchaikovskys-saturation-point/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817303">https://reactormag.com/?p=817303</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/saturation-point/" class="inline-block link-no-animation" aria-label="Link to term or tag Saturation Point 1"> Saturation Point </a> </span> </div> <h2 class="post-hero-title text-h1">Cynthia Erivo &amp; Michael Bay to Adapt Adrian Tchaikovsky’s <i>Saturation Point</i></h2> <div class="prose post-hero-description prose--post-hero">Universal Pictures will be adapting the novella from The Children of Time author.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on June 30, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Erivo screenshot: Universal Pictures</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/cynthia-erivo-michael-bay-to-adapt-adrian-tchaikovskys-saturation-point/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 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Elphaba in Wicked next to cover of Adrian Tchaikovsky&#39;s Saturation Point" srcset="https://reactormag.com/wp-content/uploads/2025/06/Erivo-and-Saturation-Point-740x494.jpg 740w, https://reactormag.com/wp-content/uploads/2025/06/Erivo-and-Saturation-Point-1100x734.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/06/Erivo-and-Saturation-Point-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/06/Erivo-and-Saturation-Point-1536x1025.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/06/Erivo-and-Saturation-Point.jpg 2000w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Erivo screenshot: Universal Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Universal Pictures has picked up <a href="https://reactormag.com/author/adrian-tchaikovsky/" target="_blank" rel="noreferrer noopener">Adrian Tchaikovsky’s </a>2024 novella <em>Saturation Point </em>and is set to make a feature adaptation, which will potentially be the start of a franchise.</p> <p><em><a href="https://www.hollywoodreporter.com/movies/movie-news/cynthia-erivo-saturation-point-for-universal-1236302933/" target="_blank" rel="noreferrer noopener">The Hollywood Reporter</a></em> broke the news that none other than Michael Bay (<em>Ambulance!</em>) and Cynthia Erivo (pictured above as Elphaba in the feature adaptation of <em><a href="https://reactormag.com/cynthia-erivo-elevates-a-wicked-thats-mostly-just-fine/" target="_blank" rel="noreferrer noopener">Wicked</a></em>) are attached to the project as producers.</p> <p><em>Saturation Point</em> is a climate thriller where part of Earth has gotten so hot and humid that humans can’t survive there. Here’s the summary of the story, per Goodreads:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Doctor Jasmine Marks is going back into hell.<br><br>The Hygrometric Dehabitation Region, or the “Zone,” is a growing band of rainforest on the equator, where the heat and humidity make it impossible for warm-blooded animals to survive. A human being without protection in the Zone is dead in minutes.<br><br>Twenty years ago, Marks went into the rainforest with a group of researchers led by Doctor Elaine Fell, to study the extraordinary climate and see if it could be used in agriculture. The only thing she learned was that the Zone was no place for people. There were deaths, and the program was cut short.<br><br>Now, they’re sending her back in. A plane crash, a rescue mission, a race against time and the environment to bring out the survivors. But there are things Marks’ corporate masters aren’t telling her. The Zone keeps its secrets, and so does Doctor Fell…</p></blockquote></figure> <p><em>THR </em>also adds that “not all forms of intelligent life in the Zone are necessarily human.”</p> <p>Minnie Schedeen, the creator of <em>The Beautiful Liar</em> podcast series, will write the script for the adaptation, which will be her feature debut as a screenwriter. It’s not clear whether Erivo will also star in the film as well as produce, or where the project is in the development process.[end-mark]</p> <p>The post <a href="https://reactormag.com/cynthia-erivo-michael-bay-to-adapt-adrian-tchaikovskys-saturation-point/">Cynthia Erivo &amp; Michael Bay to Adapt Adrian Tchaikovsky’s &lt;i&gt;Saturation Point&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/cynthia-erivo-michael-bay-to-adapt-adrian-tchaikovskys-saturation-point/">https://reactormag.com/cynthia-erivo-michael-bay-to-adapt-adrian-tchaikovskys-saturation-point/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817303">https://reactormag.com/?p=817303</a></p>
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Posted by Vanessa Armstrong

News Sinners

Sinners Heads to Streaming, Including Black American Sign Language Version

The movie makes its way to HBO Max on the Fourth of July.

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Published on June 30, 2025

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/sinners-heads-to-streaming-including-black-american-sign-language-version/">https://reactormag.com/sinners-heads-to-streaming-including-black-american-sign-language-version/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817293">https://reactormag.com/?p=817293</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/sinners/" class="inline-block link-no-animation" aria-label="Link to term or tag Sinners 1"> Sinners </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Sinners</i> Heads to Streaming, Including Black American Sign Language Version</h2> <div class="prose post-hero-description prose--post-hero">The movie makes its way to HBO Max on the Fourth of July.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on June 30, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] 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https://reactormag.com/wp-content/uploads/2025/05/sinners-michael-b-jordan-1100x677.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/05/sinners-michael-b-jordan-768x473.jpg 768w, https://reactormag.com/wp-content/uploads/2025/05/sinners-michael-b-jordan.jpg 1300w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><a href="https://reactormag.com/movie-review-sinners-ryan-coogler/" target="_blank" rel="noreferrer noopener">Ryan Coogler’s <em>Sinners</em> is one of the best movies to come out this year</a>, and if you missed seeing it on a big screen (which is a bummer, especially given how much thought Coogler clearly put into making it <a href="https://reactormag.com/sinners-director-ryan-coogler-explains-film-stock-and-aspect-ratios/" target="_blank" rel="noreferrer noopener">look good on different theaters across the country</a>), you can now catch it on HBO Max starting this Friday, July 4, 2025.</p> <p>HBO Max will have more than one version available for streaming too. In addition to what was shown in cinemas, the streamer will have a version with Black American Sign Language (BASL) interpretation done by Nakia Smith. HBO Max will be the first platform to release a feature-length film in BASL.</p> <p>BASL is a dialect of American Sign Language (ASL) that has its own history and unique grammar, signing space, rhythm, facial expressions, and cultural nuances. “Accessibility within streaming is not a one-size-fits-all approach,” Naomi Waibel, SVP of Global Product Management at Warner Bros. Discovery, said in a statement. “Our goal at Max is to make these great stories accessible to all audiences in a way that is authentic to the content and the communities we serve. <em>Sinners</em> with Black American Sign Language is an example of how culturally nuanced access can enrich the viewing experience for our audiences.”</p> <p>Check out the trailer with Black Sign Language interpretation below, and get ready to (re)watch <em>Sinners</em> this holiday weekend.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="8535"/> </div></figure> <p>The post <a href="https://reactormag.com/sinners-heads-to-streaming-including-black-american-sign-language-version/">&lt;i&gt;Sinners&lt;/i&gt; Heads to Streaming, Including Black American Sign Language Version</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/sinners-heads-to-streaming-including-black-american-sign-language-version/">https://reactormag.com/sinners-heads-to-streaming-including-black-american-sign-language-version/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817293">https://reactormag.com/?p=817293</a></p>

Squid Game Season 3 Is Unhinged

Jun. 30th, 2025 07:00 pm
[syndicated profile] reactor_feed

Posted by Emmet Asher-Perrin

Movies & TV Squid Game

Squid Game Season 3 Is Unhinged

Did the show really need two seasons more?

By

Published on June 30, 2025

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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/squid-game-season-3-is-unhinged/">https://reactormag.com/squid-game-season-3-is-unhinged/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817256">https://reactormag.com/?p=817256</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/squid-game/" class="inline-block link-no-animation" aria-label="Link to term or tag Squid Game 1"> Squid Game </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Squid Game</i> Season 3 Is Unhinged</h2> <div class="prose post-hero-description prose--post-hero">Did the show really need two seasons more?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/christinaorlando/" title="Posts by Christina Orlando" class="author url fn" rel="author">Christina Orlando</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on June 30, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a 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height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-2-740x493.jpeg" class="w-full object-cover" alt="Squid Game S3 Lee Jung-jae as Seong Gi-hun carrying a baby in Squid Game S3 Cr. No Ju-han/Netflix" srcset="https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-2-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-2-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-2-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-2-1536x1024.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-2-2048x1366.jpeg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The first season of <em>Squid Game</em> was a global phenomenon—after going unfunded in Korea, the thriller from creator Hwang Dong-hyuk skyrocketed to success once it was released on Netflix. It felt incredibly timely in the fall of 2021 in America to talk about death games; billionaires profiting off of and being entertained by the suffering of average people. <em>Squid Game</em>, along with its spiritual siblings <em>Battle Royale </em>and <em>The Hunger Games</em>, no longer felt (feel, still) like such far off dystopian concepts. Life is becoming less and less affordable, the climate’s stability is declining, debt is increasing, people are dying from preventable causes, and the rich and powerful care not as long as they continue to be rich and powerful. </p> <p>I loved the first season of <em>Squid Game</em>. Despite being a horror baby, I <em>love </em>death games. I love the intensity of human drama within them, the trauma bonds, the slow steeling of inner strength as our protagonists set their sights on the gamemakers. I love characters that discover a well of capability they didn’t know they had and band together despite their differences. And I love the mechanics of the games themselves—all the insane ways characters could possibly die, and all the ways they discover how not to. <em>Squid Game</em>’s first season was the perfect encapsulation of these concepts. Tell me you didn’t hold your breath as you watched Kang Sae-byeok pull shards of glass from her stomach, knowing she’s going to bleed out, but mustering everything she has left anyway in the hopes of saving her little brother.&nbsp;</p> <p>Unfortunately, in true capitalist fashion, <em>Squid Game’</em>s success also sparked a slew of unnecessary follow-ups, including the Squid Game reality show (for why), a million branded products (imagine my horror at seeing Young Hee makeup palettes at the Korean beauty store), legions of cosplayers in pink jumpsuits (akin to cosplaying stormtroopers tbh), and, the most egregious in my opinion, the Squid Game Experience here in New York, just in case you’re an adult who needs an excuse to play Red Light Green Light with your friends and wants to microdose being shot at or whatever.&nbsp;</p> <p>The other unnecessary spin-off was, unfortunately, season two. See, I’m of the mind that <em>Squid Game</em> didn’t need a follow-up. Season one’s ambiguous ending enhances its thrill—the unanswered questions plague our minds and stoke our fears, leaving a lasting grip on our hearts. Gi-hun is safe, maybe, but the island is still out there. The games are still running, and we have no idea who is making it all happen. The machinations of capitalist greed are massive and never-ending, the extent to which we may never know. Our imaginations, therefore, take up the mantle of storyteller. </p> <p>Or, ya know, Netflix can give Gi-hun a gun I guess.&nbsp;</p> <p>But let’s go over it from the very beginning, because there is… a lot. </p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p><strong>SEASON ONE</strong></p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2024/05/Squid-Game-stairs-1100x733.jpg" alt="An image from the TV series Squid Game: masked figures walk single-file on a series of brightly-colored staircases" class="wp-image-787085" srcset="https://reactormag.com/wp-content/uploads/2024/05/Squid-Game-stairs-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2024/05/Squid-Game-stairs-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2024/05/Squid-Game-stairs-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2024/05/Squid-Game-stairs.jpg 1500w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>At the start of season one, our man Seong Gi-hun (Lee Jung-jae) is insufferable. He’s whiny as fuck and in debt up to his eyeballs, pursued by violent collectors as he gambles away the little money he has to buy his daughter a birthday present. It’s made to seem like he’s a screw up, which he is to a certain extent, but it’s not as if his story is unusual—his life fell apart years ago and he’s struggled to get his shit together ever since. One day at a train station, he is approached by the handsomest man alive (Gong Yoo)—known to the fandom as The Salesman or The Recruiter—and engaged in a game of ddakji, which involves throwing one paper square at another until one flips over, and in Gi-hun’s case, getting ₩100K (which is about 73 USD) when you win and slapped when you lose. Thus he is recruited for the Squid Game, a hellish situation he is unable to say no to, especially once he discovers that his mother is in the hospital and will need extensive care. Because the winner of Squid Game will receive up to ₩456 billion. That is, if they survive. </p> <p>Seong Gi-hun (#456), along with his childhood friend Sang-woo (#218, a failed businessman who SUCKS), immigrant factory worker Ali (#199, who deserved better), Il-nam (#001, an elderly man suffering from a brain tumor), and loner Sae-byeok (#067, who is caring for her brother while trying to get her parents over from the North), engage in a series of games in which the competitors are both killed by the squiddies (the homies in the jumpsuits and shape masks) and are responsible for killing each other. This includes the now world famous dalgona challenge, tug-of-war, marbles, and a hopscotch-like game played on a glass bridge. Contestants die en masse, each time causing the prize pot to increase, and the survivors’ greed to get the better of their morality. Overseeing all this is a man in a black mask known simply as the Front Man, who watches each death on screen with a glass of whiskey.&nbsp;</p> <p>At the same time, we follow Detective Hwang Jun-ho (who looks like the hottest guy in the college math department), who follows Gi-hun in hopes of finding his missing brother. Jun-ho is able to disguise himself as a squiddie and infiltrate, to a certain extent, its operations. Jun-ho successfully finds records of past contestants, and gets himself into the room with the VIPs—a group of international billionaires who come together to watch the final game as they drink champagne and bet on the outcome. It’s a disgusting display of wealth and cruelty. Jun-ho escapes, but not before being shot off a cliffside by the Front Man—who, unmasked, is revealed to be Jun-ho’s missing brother, In-ho. </p> <p>This all culminates in a bloody and emotional battle between Gi-hun and Sang-woo during the final game—the titular squid game. Sang-woo ends up stabbing himself, leaving Gi-hun the sole survivor.&nbsp;</p> <p>And we love Seong Gi-hun, our incredibly reluctant and traumatized winner. He’s charming and compassionate throughout, always looking out for others while facing certain death. There’s a particularly compelling moment, at the start of episode 5 during tug-of-war, where Gi-hun realizes they’re winning and is horrified by it—the look in his eyes conveys a thousand thoughts even though the moment only lasts a few seconds. As Gi-hun is taken home, exhausted and broken, he can only wonder about who is running these games and why they’re doing it. After finding out Il-nam (#001) was the creator of the games, the sight of Hot Recruiter Man causes him to turn back from the chance to see his daughter again in favor of seeking justice and ending the games altogether. </p> <p>Season one has everything. There’s organ harvesting, there’s Chekov’s scuba gear, there’s creepy voice overs and music. There’s so much interpersonal drama it would overheat my laptop to write it all down. This shit slaps aesthetically, too, with its neon Escher-esque stairs, blood spattered playgrounds, and coffins with big pink bows on them—the juxtaposition of bright Kindergarten-ish set decor against the slaughter of 455 people is delightfully head-spinning.&nbsp;</p> <p>It also successfully does what death game stories ought to do, which is to explore the way our humanity is warped under oppressive systems. It asks the big questions: What would you do to save yourself? What <em>could</em> you do? Why do we keep saying yes to participating in a system which wants to see us suffer? Whose hands are your life really in? Because Squid Game is not really the enemy—capitalism is the enemy, and the way the players’ emotions are manipulated over the course of these games is a heightened reflection of the dehumanizing conditions that landed them there. And the dehumanizing conditions of the real world. People screw each other over in the face of greed, but they also find moments of beautiful, genuine connection. Gi-hun’s journey shows how important those connections are, how clinging to one&#8217;s humanity is the only way to really make it through intact. </p> <p>Which is why it’s so disappointing to see him turn into fucking John Wick in season two.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p><strong>SEASON TWO</strong></p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2025/06/squid-game-s2-1100x733.jpeg" alt="Squid Game S2 (L to R) Yang Dong-geun as Park Yong-sik, Kang Ae-sim as Jang Geum-ja in Squid Game S2 looking up into light" class="wp-image-817277" srcset="https://reactormag.com/wp-content/uploads/2025/06/squid-game-s2-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s2-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s2-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s2-1536x1024.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s2.jpeg 1758w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>I’m just not convinced there’s a way to do the <em>Jack from Lost voice</em> “We have to go back!” thing without it feeling like a bit of a cash grab. Season two of this show felt forced, mostly unnecessary and skippable, with a lack of real character development over its seven episodes. It’s clearly milking as much as possible out of a conclusion that probably could have been eight episodes total instead of two seasons. If you ask me, the best thing season two gave us was more time with psycho hottie Gong Yoo as the Recruiter, who gets some time to shine in the first episode, “Bread and Lottery.” </p> <p>We meet Seong Gi-hun three years later—he’s hardened, and he’s pooled all his money into finding the people responsible for the games. He’s gathered a squad of goons who are searching for a man in a suit playing ddakji in the train station. After a long summer the attempts succeed, which leads to a heated game of Russian Roulette between Gi-hun and the Recruiter, which in turn leaves Hottie McHotterson with his pretty brains splattered all over the wall. Hwang Jun-ho, alive after being rescued by a fisherman, finds Gi-hun and they decide to tackle this shit together. They chase the lead, resulting in Gi-hun asking to be put back in the games, presumably because he believes the only way to take it down is from the inside. Meanwhile, Jun-ho teams up with the goons and the fisherman who rescued him to search for the mysterious island where the games take place. That’s pretty much his whole storyline this season. </p> <p>So now we’re back in it, right? But in the past three years, the squiddies have learned to cover their bases—players now sign a consent form before they play (though they still don’t know they’re going to be fucking killed but whatever, consent is important), and this time they are given the chance to vote whether to continue after each individual game. If the players choose to stop, the prize money will be split amongst the remaining.&nbsp;</p> <p>Gi-hun, again #456, attempts to get everyone through Red Light Green Light alive which works only semi-successfully. The new crop of players—including Gi-hun’s friend from the outside Jung-bae (#390), rapper Thanos (#230, played by K-pop idol T.O.P.), failed crypto bro Myung-gi (#333, who several players feel is responsible for their crypto-induced debt) and his pregnant ex-girlfriend Jun-hee (#222), gambler Yong-sik (#107) and his elderly mother (#139, an angel), and the badass Hyun-ju (#120, a transwoman looking to fund her gender confirmation surgery)—barely believe Gi-hun is a former winner, and even after watching people get shot in the head, go mostly unswayed by his big hero speech. The final vote is decided by player #001—revealed to be In-ho, the Front Man, who has come down to mansplain manipulate manslaughter. </p> <p>We also get a look behind the scenes as a lot of the squiddies are unmasked—we follow sniper No-eul (who is !!! a GIRL!! SCANDALOUS), who is totally down with shooting people who lose the games but is not cool with the organ harvesting that’s going on. The show attempts to do the whole “humans are the real monsters” thing, while also revealing the highly organized and technical system behind the whole operation. The progression of games and beats effectively predicts human behavior within it—they know exactly when people will beg and when they will turn on each other, it’s all manipulated from top to bottom. The squiddies know that desperate people will do desperate things, that each death makes the money seem more and more worth it, and that players will ultimately always vote against going home.&nbsp;</p> <p>Now, Gi-hun is stuck having to do this all over again. How do we tell him that the real bad guy is capitalism—that if the squiddies have enough money to keep running the games (which is at least ₩456 billion every time) plus the cost of the facility and employing all those people, AND there’s 456 people to fill the games every time, there’s bigger issues at hand than just shooting some masked dudes will solve. Gi-hun, get your shit together and run for office. Organize the masses instead of these goons. If it’s not the squiddies, it’s <a href="https://www.thecity.nyc/2025/06/09/cuomo-super-pac-fix-the-city-donations/" target="_blank" rel="noreferrer noopener">super PACs</a> funding corrupt politicians, it’s tech investors pouring millions into AI that’s <a href="https://news.mit.edu/2025/explained-generative-ai-environmental-impact-0117" target="_blank" rel="noreferrer noopener">killing the environment</a>, its <a href="https://www.nytimes.com/interactive/2025/03/28/us/politics/trump-doge-federal-job-cuts.html" target="_blank" rel="noreferrer noopener">non-elected officials</a> slashing government jobs and programs for no reason, it’s a <a href="https://www.them.us/story/jk-rowling-fund-anti-trans-lawsuits" target="_blank" rel="noreferrer noopener">rich fantasy writer</a> funding anti-trans legislature. But that’s taking the metaphor out of the fiction, I guess.&nbsp;</p> <p>Anyway. They play some games, do some voting, Gi-hun forms some manly bonds. Somewhere out in the ocean, Jun-ho’s search is made futile by the fact the boat captain has been tampering with their drone. By the time the players are all trying to stab each other in their sleep, Gi-hun’s organized a hostile takeover. There’s a shootout in the neon stairwell, which fails, leaving Jung-bae dead and Gi-hun defeated. In-ho returns to his role as Front Man.&nbsp;</p> <p>And, like… it’s fine, we’re getting where we need to go.&nbsp;</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p><strong>SEASON THREE</strong></p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-3-1100x733.jpeg" alt="Squid Game S3 (L to R) Lee Jung-jae as Seong Gi-hun, Lee Byung-hun as Frontman confronting each other in Squid Game S3 Cr. No Ju-han/Netflix" class="wp-image-817279" srcset="https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-3-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-3-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-3-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-3-1536x1024.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-3-2048x1366.jpeg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>I went into the final season thinking it would have to pull off something major in order to convince me more <em>Squid Game</em> needed to be made. Good news is, it’s tense as hell from the start and a very emotional watch. </p> <p>The big (unnecessary from a narrative perspective, IMO) shoot-out was a bust. Everybody blames everybody, but mostly Gi-hun blames Kang Dae-ho, who failed to bring more ammunition, and spends the whole time staring daggers into him. Fortunately (sort of), for the next game, he is given a literal dagger. A cool Sailor Moon-ass lookin one too. Aesthetically, this shit still slaps. </p> <p>The remaining players are divided into two teams for a game of hide &amp; seek. Blue players are given keys that will unlock doors to hide behind in the arena, and need to find the exit to succeed. Red players are given a dagger and need to kill one other player to pass the game. Pairs are split up—Yong-sik holds a knife while his mother Mrs. Jung holds a key, Gi-hun is on the hunt for Dae-ho who he eventually does strangle (that’s a whole ass thing, I did not like Terminator Gi-hun one bit), and Myung-gi promises to find and protect the pregnant Jun-hee after he makes his kill. The blue team women (Hyun-ji, Jun-hee, and Mrs. Jung) team up, with Hyun-ji serving as protector and total badass. Somewhere along the way, Jun-hee breaks her ankle, and then her water breaks also. Because of course it does. Because of course she’s gonna give birth in the middle of the most directly murderous game so far. Why the fuck wouldn’t she. </p> <p>And like, here’s the thing. There are a lot of impracticalities with this baby. Beyond this being so very not a safe place for a newborn, there are no diapers. There is no crib or anything. None of this shit is clean, there are a million infections waiting to happen. The biggest gripe I have with this season is that the baby sleeps <em>through the night</em> in a twin bed with its mother, on its back the whole time. And that’s not even the half of it.&nbsp;</p> <p>After the baby is born, my wife Hyun-ji is stabbed by babydaddy Myung-gi, who has finally come to take care of Jun-hee, and does not know that Hyun-ji was protecting them and knew the way out. Jun-hee rightfully tells Myung-gi to fuck off. By the time Yong-sik arrives, time is running out—he has failed to kill someone and knows he will die because of it. His mother tells him to kill her, but ends up stabbing him instead when he makes a play for Jun-hee. It is really brutal, and I did need to call my own mother afterwards. The ante is upped when its revealed that the VIPs have donned jumpsuits and masks to participate in shooting the contestants themselves—and that this group is mostly younger than the last. A lot can be said about the nature of contemporary wealth here, as most likely these are meant to be energetic and emotionally detached tech CEOs instead of lecherous old businessmen.&nbsp;</p> <p>On the boat, Main Goon Woo-seok expresses concerns about Captain Park and decides to stay on shore the next day and look into it. He discovers the captain’s home filled with pictures of his fishing buddies, one of whom is the Recruiter (eagle-eyed viewers will also spot the Front Man on that wall), plus a pile of cash and a squiddie uniform buried in the backyard.&nbsp;</p> <p>Now we kick the drama into high gear. Players vote to continue the games despite there being a baby in the room. In the morning, they wake not only to find Mrs. Jung has hung herself, but that the game is a large scale jump rope, played on a platform. I will now remind you that Jun-hee, the baby’s mother, has a severely broken ankle. Gi-hun, having snapped out of Terminator mode after a conversation with Mrs. Jung the previous evening, offers to help the baby across and then go back for Jun-hee. We spend the entire time waiting for babydaddy Myung-gi to get his shit together and step up, but Jun-hee refuses his assistance again. Time runs out, and in a highly emotional moment, Jun-hee asks Gi-hun to take care of her child before stepping off the platform to her death.&nbsp;</p> <p>Again: impractical. How are they going to feed that baby. Do they know that the first week of breastfeeding provides babies not only with essential nutrients, but immunity as well? This baby is <em>fucked</em>. On top of that, the vicious VIPs decide that the baby is now a player, and will inherit its mother’s number. The others riot, especially considering this lessens their share of the prize money. A discussion about inherited debt ensues, which I wish was more dystopian than it is.&nbsp;</p> <p>Woo-seok gets caught by the police, who call Captain Park to inform him, which means Hwang Jun-ho is vulnerable. Jun-ho gets Captain Park with a spear gun and interrogates him, though is unable to learn the location of the island. It isn’t until they run into the contestant No-eul has helped escape that he gets pointed in the right direction and makes it to the island.</p> <p>The remaining contestants get their fancy steak dinner, AND FINALLY THE BABY GETS FORMULA. This is the only thing I care about, thank you. Gi-hun is taken to see the Front Man, and is given a knife with which to “kill the trash” who have obviously decided to kill him and the baby. It is also at this time that In-ho removes his mask, revealing himself to be the man who played beside Gi-hun in season two. There is shock, there is tension. They don’t kiss. But there is no winning Squid Game, not really, and so Gi-hun is forced to once again reckon with his own humanity and face a high stakes trolley problem. In the best moment of the series, we are given a flashback to In-ho’s own time as a player—he is given the same option by a man in a mask (Chairman Oh), the same knife, and is able to complete the task. In the present, Gi-hun has visions of Kang Sae-byeok, and the moment in his first games when she begged him not to commit murder. “You’re not that kind of person”, she says. And he’s not, except for that one time he strangled that guy.&nbsp;</p> <p>Needless to say, the next game continues as planned—and it’s “Sky Squid Game,” taking place on three large platforms. Now, the six remaining douchebags have already decided who to eliminate, including Min-su who is having a severe withdrawal from taking what I assume to be MDMA <em>twice, </em>plus Gi-hun and the baby. Because they’re douchebags. Myung-gi successfully convinces the rest of the men to try to separate the baby from Gi-hun, which spirals into the reveal that Myung-gi is in fact its father. Now, I have been waiting for this idiot to step up for two seasons now, and it is a little too late at this point. Surprising absolutely no one, he does it only to make sure he’s got someone to throw overboard on the last platform. But after a fight with Gi-hun he falls, before the third round has technically started, and Gi-hun is left to sacrifice himself so that the baby can live.</p> <p>I assume this was meant to be emotional, but I think we all saw that coming.&nbsp;</p> <p>I spent a lot of this season saying “oh they’re fucked! You’re fucked, bro!” out loud to no one, pausing and switching to <em>Taskmaster</em> when things got too tense for me to handle, and sending enraged voice notes to friends who don’t even watch this show because I had to get my feelings out. Which is a great viewing experience. However, I’m still not entirely convinced more <em>Squid Game</em> was necessary. It just didn’t feel as urgent or nuanced as the first season, and the more I sit with it, the more bothered I am by how it all played out. I was waiting for a big twist that didn’t come, a confrontation between Jun-ho and his brother In-ho that barely took place, and a taking down of the system that didn’t really happen. The closest we get to resolution is that the baby survives, and Gi-hun’s money is given to his daughter in Los Angeles, which like, thank god, because they entirely dropped that storyline up until this point.&nbsp;</p> <p>And they did kill all the women. Not a one makes it to the finals, and honestly I would be curious to test the philosophy posed in season one that everyone is equal in the games—can I get a list of all the winners, broken down by gender? I have my suspicions. I also really want to know more about the world as a whole. Are the VIPs different each year? Who does the creepy voice overs? Who makes all the props and sets for the games? Why does In-ho have that weird puppet “Fly Me to the Moon” thing instead of a normal ass record player? And why did he choose to stay instead of taking his winnings back to the world?</p> <p>I’m left with lots of questions, but none of them are good ones, or ones that I actually want answered with another season. The ideas posed by the show’s original conceit are still interesting–capitalism’s grip on society and the callousness it creates, and the importance of human connection in combating that—but failed to come through its final seasons. Thrills were had, mostly during the hide-and-seek game, but heartstrings were only half tugged at. Gi-hun’s action hero transformation left an emotional distance and ultimately, his death felt like the easiest narrative choice, but not the most impactful one.&nbsp;&nbsp;</p> <p>The one question I had that <em>did </em>get answered, sort of, is if there are games in different countries. Because as In-ho makes his way back to LAX, he spots two people in an alleyway playing ddakji—one of whom is CATE. BLANCHETT. THAT IS CATE BLANCHETT. SHE HAS TWO OSCARS. WHAT IS SHE DOING RECRUITING PEOPLE FOR SQUID GAME.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="550" src="https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-1100x550.jpeg" alt="Cate Blanchett in episode 306 of Squid Games" class="wp-image-817280" srcset="https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-1100x550.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-740x370.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-768x384.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-1536x768.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/06/squid-game-s3-2048x1024.jpeg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p>And there are no cameras, it’s not like they’re making an in-world Squid Game show, there’s no Squid-ception happening. It’s just fucking Cate Blanchett playing a Korean kid’s game. I’ll be mad about this forever. Why was this choice made. Why use one of the most recognizable faces in the world to make this point. Is it that Squid Game hires the most handsome person in the country to do the Recruiter job? In between movies, has Cate Blanchett been donning a pink jumpsuit? Make it make sense. How absolutely unhinged.&nbsp;</p> <p>I’d let her slap me though.[end-mark]</p> <p>The post <a href="https://reactormag.com/squid-game-season-3-is-unhinged/">&lt;i&gt;Squid Game&lt;/i&gt; Season 3 Is Unhinged</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/squid-game-season-3-is-unhinged/">https://reactormag.com/squid-game-season-3-is-unhinged/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817256">https://reactormag.com/?p=817256</a></p>
[syndicated profile] reactor_feed

Posted by Tim Ford

Movies & TV Nautilus

Nautilus Premiere Is Engaging, But Can It Do Justice to Captain Nemo?

Of the many changes to Jules Verne’s story, the role of its central character prompts the biggest questions.

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Published on June 30, 2025

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<p class="syndicationauthor">Posted by Tim Ford</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-nautilus-premiere-is-engaging-but-can-it-do-justice-to-captain-nemo/">https://reactormag.com/tv-review-nautilus-premiere-is-engaging-but-can-it-do-justice-to-captain-nemo/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817221">https://reactormag.com/?p=817221</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/nautilus/" class="inline-block link-no-animation" aria-label="Link to term or tag Nautilus 1"> Nautilus </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Nautilus</i> Premiere Is Engaging, But Can It Do Justice to Captain Nemo?</h2> <div class="prose post-hero-description prose--post-hero">Of the many changes to Jules Verne&#8217;s story, the role of its central character prompts the biggest questions.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/tim-ford/" title="Posts by Tim Ford" class="author url fn" rel="author">Tim Ford</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on June 30, 2025 </p> </div> </div> <div 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/04/N_01904-740x493.jpeg" class="w-full object-cover" alt="Shazad Latif as Nemo helming the Nautilus in Nautilus" srcset="https://reactormag.com/wp-content/uploads/2025/04/N_01904-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/04/N_01904-1100x734.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/04/N_01904-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/04/N_01904-1536x1024.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/04/N_01904.jpeg 1600w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We are awash in nostalgia.</p> <p>There is a veritable tide of works made new again; intellectual properties entering the public domain, adaptations and re-imaginings of classics, and sequels tugging at our childhood heartstrings.<em> </em>Amidst the multitude of re-treads that make up so much of the cultural lexicon on the big and the small screen, it seems inevitable that there would surface yet another take on one of science fiction’s seminal and iconic adventure novels: Jules Verne’s <em>Twenty Thousand Leagues Under the Sea</em>.</p> <p>The new iteration is named <em>Nautilus</em>, after the submarine ship that served as the main setting in the original story, here realized in full steampunk glory, with stunning sets and a great production design.</p> <p>Steampunk—a nostalgic subgenre of science fiction—leans into the Victorian era as inspiration for aesthetic and plot. Most stories turn on “what if” alternate histories; timelines involving some means by which the sun truly never set on the British Empire, where steam-powered technology continues to reign supreme. It experienced a surge in popularity in the aughts, taking conventions by storm, even generating fully-fledged clubs and societies. Some fans stay strong to this day, but for the most part the genre has subsided from its dizzying heights.</p> <p>This has the effect of making <em>Nautilus </em>feel oddly dated from the outset. Had it come out 15 years ago, it would likely have been an instant hit among the top-hatted, be-monocled lovers of the genre. As it is, it still has a degree of resonance from its premise: fighting the man. <em>Nautilus </em>takes a prequel approach to Nemo, the captain of the submarine from Jules Verne’s original novel, imagining him as a troubled but brilliant young Indian man enslaved by the British East India Company during their brutal reign of his country.</p> <p>In the pilot episode, “Anahata,” Nemo leads a slave revolt to steal the <em>Nautilus</em> out from the Company, who has been building it in secret as a weapon of domination against China. From there, Nemo offers promises of sunken treasure to keep his motley crew—composed of some fellow conspirators, as well as some other labourers who were, depending on your point of view, in the wrong or right place at the wrong or right time—to escape.</p> <p>The crew are as diverse as the territories conquered by the British East India Company. They include Kai, a Māori man, Suyin, a Chinese woman, Boniface, from Zanzibar (modern-day Tanzania), Turan, a poet from Iraq, Jiacomo, a mysterious white man who speaks a language none understand, and Indian labourers Ranbir and Jagadish. They are led in part by Nemo, and also by Benoit, a French inventor who is chiefly responsible for designing the titular <em>Nautilus</em>. They are soon joined by three passengers—or, more accurately, hostages—who were travelling on a Company ship that Nemo sinks by ramming it with his submarine: Blaster, a powder boy, Humility Lucas, a wealthy woman en route to be married, and Humility’s maid/bodyguard, Loti.&nbsp;</p> <p>Literal diversity notwithstanding, the crew are efficiently and uniquely defined with a few key lines and scenes in the pilot episode, quickly set up for various roles in the vessel. Boniface, for instance, assumes the role of first mate with a natural leadership ability and a cool-headed approach to dealing with Nemo’s mercurial temper. Kai, meanwhile, takes on the position of quartermaster and chef with a skilled hand at tallying items up in a record book &#8211; and masterfully wielding a meat cleaver both to cook and to ward off would-be food thieves.</p> <p>What is unfortunate is that Nemo is comparatively poorly etched. He spends a significant amount of time brooding, and being rather unreasonable and hostile towards his crew. Actor Shazad Latif, who has some experience in Steampunkery—and brooding—from his earlier turn on <em>Penny Dreadful </em>as a re-imagined Dr. Jekyll, is nevertheless well-cast in the cryptic role. He brings a stoic intensity that makes a cypher on paper into someone who feels compelling to watch, although the writing keeps him at arm’s length from the audience. Latif also deftly captures the rebellious spirit of the Nemo from the books, where Nemo proclaimed, after rescuing an Indian pearldiver: “That Indian, sir, is an inhabitant of an oppressed country; and I am still, and shall be, to my last breath, one of them!” That spirit is carried on in<em> Nautilus’ </em>Nemo, fiercely ready to fight the Company. But where the premise falters for Nemo is twofold: First, there is a degree of “show, don’t tell” at play here. When one of Nemo’s fellow rebels is tragically killed during the escape, he ruthlessly instructs his remaining sailors to execute some captive British soldiers. Benoit interjects, saying “this isn’t you.”</p> <p>It’s an unearned moment, because at this point, so early in the show, the audience really has no way of knowing if Benoit is right. <em>Is</em> it Nemo, to fight the Company to the point of murder? So far, it seems like it is.</p> <p>Secondly, that fight, while a good way of injecting momentum and purpose into the show, does chip away at the literary foundations of Nemo as a character. In <em>Twenty Thousand Leagues Under the Sea</em>, the <em>Nautilus</em> is Nemo’s invention, and built to his specifications. Here, Benoit is mainly responsible for the design, and the Company is responsible for the construction. Benoit nevertheless repeatedly insists that without Nemo, “there would be none of this,” and the engine design was his.</p> <p>It’s another moment of telling instead of showing, undercut all the more by the pilot’s closing cliffhanger, which involves some mechanical chicanery in the <em>Nautlius</em>’ guts—and which Nemo is apparently incapable of resolving himself.</p> <p>If we consider that as a prequel, <em>Nautilus </em>is a kind of superhero origin story, it can be forgiven for not immediately giving us the stern, confident, commanding Nemo from Verne’s book. But by making the origin of Nemo’s powers an invention not of his own, as it is in the book, and rather the main tool of Benoit, a colonial man (albeit an altruistic one), and funded by colonial powers, <em>Nautilus</em> undercuts Nemo’s agency.</p> <p>It also undercuts his focus by hiding his motivations and backstory, and being too quick to make Nemo seem villainous. First, by his threat to execute prisoners, and second, by his ramming of a Company ship and hostage-taking. There is a tonal judgement in these story beats, with side characters looking on in a mix of horror and dismay at Nemo as ominous music plays, that reads like the show is more concerned about Nemo being vengeful than with exploring the conditions and backstory that pushed him here. The crew, by comparison, feels lively and interesting, while the captain skulks in his cabin and snarls commands, betraying the trust of his companions almost immediately.</p> <p>This all being said, nine more episodes make up the season run, and if the series can better centre Nemo as a character and as the main driving force of the action, <em>Nautilus </em>can be set up for interesting adventures with a crew of engaging supporting players and a strong purpose. Nemo just needs to be given ample space to show what makes him special as a character—and a hero.</p> <p>Disney+ cancelled <em>Nautilus </em>before it even learned to swim, and AMC rescued it from the depths of obscurity so that US audiences could take a dip in it. If it is a catch worth keeping remains to be seen, but if nothing else, it deserves a chance to be weighed.[end-mark]</p> <p>The post <a href="https://reactormag.com/tv-review-nautilus-premiere-is-engaging-but-can-it-do-justice-to-captain-nemo/">&lt;i&gt;Nautilus&lt;/i&gt; Premiere Is Engaging, But Can It Do Justice to Captain Nemo?</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-nautilus-premiere-is-engaging-but-can-it-do-justice-to-captain-nemo/">https://reactormag.com/tv-review-nautilus-premiere-is-engaging-but-can-it-do-justice-to-captain-nemo/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817221">https://reactormag.com/?p=817221</a></p>
[syndicated profile] reactor_feed

Posted by Molly Templeton

News Teenage Mutant Ninja Turtles

The 1990 Teenage Mutant Ninja Turtles Are About to Cowabunga Onto the Big Screen Again

Hope they’re showing it in theaters that serve pizza.

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Published on June 30, 2025

Screenshot: New Line Cinema

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/teenage-mutant-ninja-turtles-1990-in-theaters/">https://reactormag.com/teenage-mutant-ninja-turtles-1990-in-theaters/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817261">https://reactormag.com/?p=817261</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/teenage-mutant-ninja-turtles/" class="inline-block link-no-animation" aria-label="Link to term or tag Teenage Mutant Ninja Turtles 1"> Teenage Mutant Ninja Turtles </a> </span> </div> <h2 class="post-hero-title text-h1">The 1990 <i>Teenage Mutant Ninja Turtles</i> Are About to Cowabunga Onto the Big Screen Again</h2> <div class="prose post-hero-description prose--post-hero">Hope they&#8217;re showing it in theaters that serve pizza.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on June 30, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: New Line Cinema</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/teenage-mutant-ninja-turtles-1990-in-theaters/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/06/TMNT-1990-740x493.jpg" class="w-full object-cover" alt="A screenshot from the trailer for the 1990 Teenage Mutant Ninja Turtles film" srcset="https://reactormag.com/wp-content/uploads/2025/06/TMNT-1990-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/06/TMNT-1990-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/06/TMNT-1990-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/06/TMNT-1990.jpg 1500w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: New Line Cinema</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>If you were a certain kind of child of the ’80s and ’90s, Elias Koteas was IT. He was a surly punk in <em>Some Kind of Wonderful</em> (the actual best John Hughes-written movie) and he was Casey Jones in <em>Teenage Mutant Ninja Turtles</em>. The only Casey Jones necessary (with apologies to all those who have come along in his wake). </p> <p>The 1990 <em>Teenage Mutant Ninja Turtles</em> film was not exactly high art—and it is, shall we say, very of its time. But it did help me survive babysitting a screaming redheaded terror. And one of the film&#8217;s greatest qualities is—as <a href="https://gizmodo.com/teenage-mutant-ninja-turtles-1990-re-release-new-footage-tmnt-2000622059" target="_blank" rel="noreferrer noopener">James Whitbrook so aptly puts it at io9</a>—&#8221;Judith Hoag and Elias Koteas creating a pre-<em>Mummy</em> cinematic bisexual crisis as April O’Neil and Casey Jones.&#8221;</p> <p>Naturally, a film like this needs an anniversary release, no? And that&#8217;s what it&#8217;s getting courtesy of Fathom Entertainment: Two nights! In cinemas! With additional footage!</p> <p>Here&#8217;s the synopsis Fathom provides:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Four baby turtles come in contact with a mysterious substance called ooze and then are transformed into human sized crime fighters. The leader of the turtles is a human sized rat who has come into contact with the same green ooze. The rat was a former pet of a ninja master and therefore uses his skills to train the four turtles in martial arts. They befriend a local journalist and with her help attempt to find the group behind a crime wave in New York City. Starring Josh Pais (<em>The Station Agent,</em> <em>A Beautiful Mind</em>), Elias Koteas (<em>Zodiac</em>, <em>Fallen</em>), and Judith Hoag (<em>Armageddon</em>, <em>Cadillac Man</em>).<br><br>The turtles live again… In the “Turtles Unmasked” featurette before the movie, produced in collaboration with the creators of TMNT: Evolution, Mutation &amp; Reboot, experience never-before-seen footage from the archives, extended scenes left to history on the cutting room floor, home-recorded behind-the-scenes footage, and 1-on-1 time and commentary with the Director Steve Barron, as he reflects on the day-to-day in crafting the absolute best version of Turtles brought to the big screen.</p></blockquote></figure> <p>The absolute best! Look, they said it, not me.</p> <p>Director Barron has most recently been working on an assortment of televised murder mysteries—and the David Tennant-starring <em>Around the World in 80 Days</em>. As for the Turtles, they&#8217;ve been quite busy; I truly cannot begin to summarize the number of <em>TMNT</em> projects, cartoons, games, and comics that have been running since Kevin Eastman and Peter Laird created the Turtles in the 1980s. The latest movie version, <em>Teenage Mutant Ninja Turtles: Mutant Mayhem</em>, came out in 2023; a sequel is due in 2027.</p> <p>Get your tickets for these limited showings of the first TMNT film from <a href="https://www.fathomentertainment.com/releases/teenage-mutant-ninja-turtles-35th-anniversary/" target="_blank" rel="noreferrer noopener">Fathom Entertainment.</a> Side note: The runtime of this film is 1 hour 40 minutes. This is a normal runtime for a movie about mutant turtles, or any other kind of mutants, for that matter. Marvel: take note. [end-mark] </p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="8533"/> </div></figure> <p>The post <a href="https://reactormag.com/teenage-mutant-ninja-turtles-1990-in-theaters/">The 1990 &lt;i&gt;Teenage Mutant Ninja Turtles&lt;/i&gt; Are About to Cowabunga Onto the Big Screen Again</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/teenage-mutant-ninja-turtles-1990-in-theaters/">https://reactormag.com/teenage-mutant-ninja-turtles-1990-in-theaters/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817261">https://reactormag.com/?p=817261</a></p>

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