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Movies & TV Jurassic World Rebirth

Jurassic World Rebirth Is More of a Retread

We’ve had seven movies and still I must ask: WHEN WILL IT BE ANKYLOSAURUS’ TIME TO SHINE??

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Published on July 3, 2025

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<p class="syndicationauthor">Posted by Leah Schnelbach</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-jurassic-world-rebirth-is-more-of-a-retread/">https://reactormag.com/movie-review-jurassic-world-rebirth-is-more-of-a-retread/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817444">https://reactormag.com/?p=817444</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/jurassic-world-rebirth/" class="inline-block link-no-animation" aria-label="Link to term or tag Jurassic World Rebirth 1"> Jurassic World Rebirth </a> </span> </div> <h2 class="post-hero-title text-h1"><em>Jurassic World Rebirth</em> Is More of a Retread</h2> <div class="prose post-hero-description prose--post-hero">We&#8217;ve had seven movies and still I must ask: WHEN WILL IT BE ANKYLOSAURUS&#8217; TIME TO SHINE??</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/leah-schnelbach/" title="Posts by Leah Schnelbach" class="author url fn" rel="author">Leah Schnelbach</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 3, 2025 </p> </div> </div> <div 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="329" src="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-6-740x329.jpg" class="w-full object-cover" alt="The T-Rex would also like some attention in Jurassic World Rebirth." srcset="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-6-740x329.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-6-1100x489.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-6-768x341.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-6-1536x683.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-6.jpg 2000w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><em>Jurassic World Rebirth</em> is a standalone sequel to 2022’s <em>Jurassic World Dominion</em>—a film I did not see. This iterations was directed by Gareth Edwards, and written by screenwriter David Koepp, who co-wrote the original <em>Jurassic Park</em>, and its sequel <em>The Lost World,</em>  also wrote two of my favorite films of the year so far, <em>Prescence</em> and <em>Black Bag</em>, both with director Steven Soderberg.</p> <p>Scarlett Johansson plays Zora Bennett, the guide protecting the mission paleontologist Dr. Henry Loomis, and the slutty little glasses he bears on his adorable face. Dr. Loomis is played by Jonathan Bailey, the glasses are played by an excellent pair of glasses. Mahershala Ali, who will always be Blade in my mind even if he never gets to play him onscreen, is Duncan Kincaid, Zora&#8217;s right hand person, and Ed Skrein, Philippine Velge, and Bechir Sylvain round out the team as Bobby, Nina, and Leclerc.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="568" src="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-4-1100x568.jpg" alt="Dr. Henry Loomis in Jurassic World Rebirth." class="wp-image-817569" srcset="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-4-1100x568.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-4-740x382.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-4-768x397.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-4-1536x793.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-4.jpg 2000w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">(The syringe? Big. The glasses? Captivating.) Credit: Universal Pictures</figcaption></figure> <p>The mission is set in motion by ParkerGenix wonk Martin Krebs, who is played by Rupert Friend, thus providing a physical manifestation of the question “If not friend why Friend-shaped?” (For a friendlier Friend, allow me to direct you to <a href="https://www.youtube.com/watch?v=nn59j75Q1Mc" target="_blank" rel="noreferrer noopener">this recent Wes Anderson fountain pen ad</a>, of which he is the star.) </p> <p>Manuel Garcia-Rulfo is Reuben Delgado (more on him in a minute), whose family is rescued by Duncan after a totally avoidable shipwreck that is entirely Mr. Delgado&#8217;s fault. Mr. Delgado is joined by his two daughters, teenage Teresa (Luna Blaise), and very small Isabella (Audrina Miranda). Teresa’s boyfriend Xavier (David Iacono) is along for the shipwrecking as well, for no reason I can understand, and soon became my second favorite character in the film. </p> <p>I often really love it when a movie is multiple movies in one. I like big swings. I like dissonant tones and jangling character work and mood shifts and weird subplots and tonal cul de sacs.</p> <p>&#8230;when they work.</p> <p>Parts of <em>Jurassic World Rebirth </em>work quite well. Jonathan Bailey’s Dr. Henry Loomis is now my second favorite character in the entire franchise, after Dr. Ian Malcolm, and he and Scarlett Johansson develop decent chemistry over the course of the film. The adventure aspects, when all the characters have to troop through the jungle while all manner of dinos surround them, are fun. And best of all, there are a few moments that reach for the transcendent joy of Drs. Alan Grant and Ellie Sattler first staring awestruck at a herd of dinosaurs all the way back in <em>Jurassic Park</em>.</p> <p>Also, and this might be the bit I appreciated the most, almost everyone in the film is on the same page that the dinosaurs are living, feeling creatures, who deserve to be left alone to live their lives. No one’s here to hunt. There was an almost elegiac undertone here, a feeling that these people, decades after Isla Nublar, know that we shouldn’t have dragged the dinosaurs into our time, and know that the environment is too important for human tampering. This is underscored by the idea, repeated a few times, that most people simply don’t care about the dinosaurs anymore. Bringing them back led to about a decade of excited theme park visits, but now everyone’s Over It.</p> <p>Which is interesting as a springboard for worldbuilding, but I’m forced to ask question: Have any of the writers met a four-year-old, ever? As long as humanity keeps producing four-year-olds, I can think of a way these kooky parks might just stay in business.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="565" src="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-1-1100x565.jpg" alt="Rupert Friend in Jurassic World Rebirth." class="wp-image-817566" srcset="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-1-1100x565.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-1-740x380.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-1-768x395.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-1-1536x790.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-1.jpg 2000w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">He&#8217;s great here, but you have to see him in <em>The Phoenecian Scheme</em>. Credit: Universal Pictures</figcaption></figure> <p>BUT. For the purposes of the film, interest has waned. This is about to leave Dr. Henry Loomis out of a dino job. But the untrustworthy Mr. Krebs has a project: the scientists at his company have discovered that they can synthesize a miraculous heart treatment from the blood of dinosaurs. For some reason that is not adequately explained, they need to get samples from a Land Dino, a Water Dino, and an Air Dino. (I&#8217;m assuming this is story takes place before the Fire Dino attacks.) He collects a team to travel to the Caribbean to retrieve blood samples, with Loomis acting as dinosaur expert, Zora Bennett acting as security, and Zora’s ragtag team of misfits and mercs getting them in and out of a region that is <em>technically</em> legally off-limits to any human, of any nation, for any reason.</p> <p>Obviously nothing’s gonna go wrong.</p> <p>After way too much exposition, and a scene of trauma-info-expo-dump that Johansson and Ali somehow made almost palatable, they’re all underway, and for a little while the film just about works.</p> <p>Meanwhile, the Delgado family are sailing through this off-limits area for reasons that defy reason, and they are on a collision course <s>with wackiness </s>CERTAIN BLOODY DINOSAUR-BASED DEATH.</p> <p>I’m going to do my best not to spoil the film, as I’ve said, but I do have to talk about one thing, &nbsp;and that one thing is that this family, who end up crossing paths with our expedition and becoming co-leads, <em>are being led by the worst cinematic dad I have ever seen</em>. Not the actor! Manuel Garcia-Rulfo does a fine job with the role. But this Dad needs to seriously rethink his Dadding.</p> <p>He’s worse than Sarik. Worse than the dad from <em>East of Eden</em>. Worse than Darth Vader.</p> <p>You have to work your way down the list to King Triton and <em>Leland Palmer </em>to out-do this Dad.</p> <p>The <em>only</em> way his decisions make sense is if he’s actively trying to lose his kids in an “accident” for insurance purposes. &nbsp;</p> <p>This man decides that in order to celebrate the last summer before his teenage daughter goes off to NYU, he needs to sail across the Caribbean with her <em>very</em> small younger sister, and, INEXPLICABLY, her boyfriend, whose only character trait for the first 1/3 of the film is “this boy is so lazy and sleepy all the time it’s <em>incomprehensible </em>that he got off the couch to join them on this trip.” (As I said, he gets better, provides some of the best laughs in the film, and became my Second Favorite Character by the end.) The introduction of the family is mostly just Mr. Delgado being angry at Xavier for not helping out on the boat, but I missed a lot of the nuance because my entire brain was screaming “Why is he on this family trip? Why have you brought your tiny daughter who doesn’t even know how to tie knots yet?? Why are <em>any</em> of you on this trip through the forbidden dinosaur ocean???”</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="458" src="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-11-1100x458.jpg" alt="A Mosasaurus does her best impression of an anti-yacht Orca in Jurassic World Rebirth." class="wp-image-817572" srcset="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-11-1100x458.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-11-740x308.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-11-768x320.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-11-1536x640.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-11.jpg 2000w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Mosasaurus has long been known as the Orca of the ancient world. Credit: Universal Pictures</figcaption></figure> <p>And like, <em>what are the sleeping arrangements on this small boat</em>????? On this trip that consists of Dad, Teenage Daughter, Tiny Innocent Daughter, and Teenage Daughter’s Teenage Boyfriend!!!!! This is not a yacht, this is a mid-size sailboat, and <em>there is no privacy</em>.</p> <p>I just&#8230;I can’t think about this anymore, let me get back to Dad’s incompetence.</p> <p>Naturally things go sideways, (“things” = their tiny, tiny boat, and, eventually, Dad’s leg) which means they have to join up with Zora, Dr. Loomis, and their whole crew. But at one point all the people have to split up and trek across Ile Saint-Hubert, where the poor little girl is terrorized into a night catatonic state. And here’s where the dad’s other fuckup lies: he keeps telling them all “It’ll be OK”, “You’re OK”, “The [place I’ve never been to] is only a mile away”—stuff like that. And maybe this is simply my abrupt and unexpected passion for <em>The Pitt </em>speaking, but DON’T MAKE PROMISES YOU CANNOT KEEP. <em>Especially</em> not to terrified children. If you’re in a life-threatening situation, you don’t tell the kids “You’re ok” when they’re obviously NOT, and you don’t tell them places are a specific distance when you have no clue how much they’ll have to walk. Of course you need hope in a situation like that (ummm a situation where you’re on the run from dinosaurs who have been brought back to life WHY WERE YOU SAILING THROUGH THESE WATERS THERE ARE SO MANY OTHER DINO-FREE WATERS) but false hope is just going to be demoralizing in the long run.</p> <p>OK.</p> <p>Thank you for letting me get that out of my system.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="543" src="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-5-1100x543.jpg" alt="Duncan Kincaid (Mahershala Ali) in Jurassic World Rebirth." class="wp-image-817570" srcset="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-5-1100x543.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-5-740x366.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-5-768x379.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-5-1536x759.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-5.jpg 2000w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Just imagine how cool this character would look in a black leather duster, wielding a sword, killing vampires. Credit: Universal Pictures</figcaption></figure> <p>As I said, once everyone’s on Ile Saint-Hubert, and they’re evading being a dino charcuterie board, this film can be a fun watch. But even here it’s so tonally jarring that I was pushed out at times. One second we’re fully invested in Dr. Henry Loomis’ awestruck wonder at seeing live dinosaurs in their natural habitat, the next we’re watching little Isabella get menaced by a T-Rex in a scene that verges on trauma porn, and finally tips into emotional manipulation, and I say this as someone who can&#8217;t keep the grin off my face every time I see the “Tim and Lexi are trapped in the car by the T-Rex” scene in the original. But then they have to climb down to a <em>Quetzalcoatlus</em>’s nest, or a Raptor Pack makes an appearance, and all is forgiven again.</p> <p>My biggest issue with the film, other than the inclusion of the Delgado contingent, is that the writing is too expository and repetitive—if it turned out that this was two separate drafts, outlining two separate directions for the franchise, that were then mashed together into one script not unlike an ungainly mutated dinosaur, it would not surprise me. I ended up feeling like we were told almost everything at least twice, but in slightly different way. The same dinosaur is described as being the size of a school bus <em>and</em> the size of an F-16—just pick one! And only tell us once! This is a movie, we want to be surprised when we see it! People repeat their traumas multiple times while different slowed-down variants of John Williams’ classic theme plays—we get that they’re traumatized! Let us stay in the moment! Reuben Delgado tries to act vaguely Father Figure-ish to Xavier multiple times, which like, no! He can do better! Let Dr. Loomis parent him! The film is also at least a half an hour longer than it needs to be. I kept imagining a stronger version, that was simply about a scientific expedition to the island with way less tragic backstory and way more dinosaurs. </p> <p>One thing that works really well, and maybe brings this closer to being a horror film, is that multiple times the audience realizes that there’s a dinosaur lurking near a human long before the human realizes it. This creates an effective sense of dread and menace—there are a few actual jump scares, but a lot of these scenes are just hammering home the idea that <em>the humans do not belong there</em>. They are in someone else’s home, and they need to be polite and get out as fast as possible.</p> <p>We get some greatest hits: <em>Dilophosaurus</em> (The One that Ate Newman) <em>Compsognathus</em> (The Vicious Little Suckers from the opening of <em>The Lost World</em>), <em>T-Rex </em>of course, some <em>Velociraptors</em>, and one way-too-brief appearance by the Objectively Best Dino: <em>Ankylosaur</em>. (Don’t worry, she doesn’t get hurt.) We’re treated to star turns from four newer ones: <em>Aquilops</em>, <em>Mosasaurus</em> (who made such an, um, impression in <em>Jurassic World</em>), a <em>Titanosaurus</em>, and a <em>Quetzalcoatlus</em>.</p> <p>There’s one more dinosaur who gets a big role, but to discuss her <strong>I’ll need to get a little more spoilery, so please skip down a paragraph if you want to go in cold</strong>.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="532" src="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-3-1100x532.jpg" alt="Things are not going well at the lab in Jurassic World Rebirth." class="wp-image-817568" srcset="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-3-1100x532.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-3-740x358.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-3-768x372.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-3-1536x743.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-3.jpg 2000w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">The Arrival sequel takes a dark turn. Credit: Universal Pictures</figcaption></figure> <p>This movie’s big reveal is a mutated creature called a D-Rex, and my question here is a simple one: WHY. WHY WOULD SOMEONE CREATE THIS. WHO SIGNED OFF ON IT. WHY DID NO ONE EVER SAY NO. It’s literally a supersized T-Rex, <em>except with a fucking Xenomorph head</em>. I’m not kidding. I often mention in my review of horror movies that nothing scares me, but, well, we might have found the thing.</p> <p><strong>Spoilers are now extinct! It’s safe to rejoin the review!</strong></p> <p>But by far the best aspect of the film, as I said, is just how much it’s #TeamDino. At one point a merc shows off the neurotoxin darts he’s brought along for protection, and when Dr. Loomis is horrified at them, the merc says “Is this the part where you tell me it’s a crime to kill a dinosaur?” and he snaps back with “No, it’s a <em>sin</em> to kill a dinosaur.” The other mercs smile at that, but it quickly becomes clear that they agree with him more than Mr. Neurotoxin. Dr. Loomis is a proud, enthusiastic nerd, and no one ever barks at him to “Speak ENGLISH!” or rushes him along when he finally comes face-to-face with creatures he’s only seen in books.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="516" src="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-2-1100x516.jpg" alt="Dr. Henry Loomis is awestruck while Zora Barrett is pretty nervous in Jurassic World Rebirth." class="wp-image-817567" srcset="https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-2-1100x516.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-2-740x347.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-2-768x360.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-2-1536x720.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/Jurassic-World-Rebirth-2.jpg 2000w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Look how happy he is! Why can&#8217;t the whole movie be this? Credit: Universal Pictures</figcaption></figure> <p>At one point he tells the others, “I want to die in a shallow pool and be covered by silt,” one of the grizzled jacks-of-all-trades sincerely replies with “That’s beautiful, man,” only for Loomis to follow up with “that’s the best chance of fossilization.” Which is a really funny bit, but he means it, and no one makes fun of him for it. Later, when he explains that humans probably won’t last as long as dinosaurs did, and that “Earth will shake us off like a summer cold” everyone just listens to him and accepts it. His nerdery is appreciated and respected, and he and Zora develop a really nice bond over the course of the film that I suppose could become romantic if they make more of these, but as it stands they become two coworkers who like each other as people, and have each others’ backs. Of course, Zora&#8217;s own personality and motivation is all over the map, but at least she&#8217;s a bad ass without being a bully for no reason. (There’s also no weird subplot implying that any of the women in the movie need to get cracking on the childbearing—a plus after <em>Jurassic World</em>!) &nbsp;</p> <p>Does the film stick the landing? Parts of it. The action all culminates in a series of pretty intense, <em>Alien</em>-ish chase scenes, with characters either acting in their own or each others’ interests in ways that make emotional sense, even if they do become a bit ham-fisted. And don’t worry, just as in all <em>Jurassic</em> films, a couple people make truly idiotic decisions that might lead to sequels. </p> <p>But at the same time , does the film really need to exist? Not really. It&#8217;s much, much better than <em>Jurassic World</em>, but that&#8217;s not much of a bar to clear. I just hope that, if filmmakers are going to keep bringing these poor creatures back from extinction, they&#8217;ll come up with more interesting stuff for them to do.[end-mark]</p> <hr class="wp-block-separator has-alpha-channel-opacity" /> <p>Note: Comments will be closed through the weekend, and will re-open on Monday, July 7th.</p> <p>The post <a href="https://reactormag.com/movie-review-jurassic-world-rebirth-is-more-of-a-retread/">&lt;em&gt;Jurassic World Rebirth&lt;/em&gt; Is More of a Retread</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-jurassic-world-rebirth-is-more-of-a-retread/">https://reactormag.com/movie-review-jurassic-world-rebirth-is-more-of-a-retread/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817444">https://reactormag.com/?p=817444</a></p>
[syndicated profile] asymptote_journal_feed

Posted by Bella Creel

In the spring of 2022, Vita Tzykun and David Adam Moore began working on the immersive theater installation REFUGE, an exploration of the refugee experience and the meaning of home, “ignited” by Russia’s invasion of Ukraine on February 24. In a series of interactive, multilingual scenes, audiences are brought into the stories of refugees, navigating the […]
conuly: (Default)
[personal profile] conuly
Moonpie's foot looks better, we didn't end up having to take her for an x-ray at all.

************************


Read more... )
muccamukk: Close up of the barb on a wire fence, covered in frost, Background of blue fading to pink. (Misc: Bi-Wire)
[personal profile] muccamukk
The whole Diddy thing. It doesn't matter how much proof there is.

Brad Pitt, who is known to have struck his wife and his children then perpetuated lawfare on them for years to the point where several of his kids no longer want contact with him, has the number one movie right now. Best opening weekend of his career. Most of the coverage doesn't even mention the violence.

On the anniversary of Tortoise Media publishing allegations of rape and sexual assault against Neil Gaiman, Netflix is dropping season two of The Sandman. Meanwhile, Gaiman is forcing one of his victims into arbitration. Not because she's libling him, but because she broke an NDA. Everything's gone very quiet, which I assume is what he wanted.

Some thoughts from smarter people:

Rebecca Solnit: Cynicism Is the Enemy of Action.

Tarana Burke: Tarana Burke doesn’t define #MeToo’s success by society’s failure.
Some people want to judge the movement on specific outcomes, so when a case is overturned, Burke said, “people are like, ‘Oh the #MeToo movement has failed.’” Instead, she said, such outcomes are proof of the difficulty of the work.

“It’s not about the failure of the movement; it’s the failure of the systems,” Burke explained. “These systems are not designed to help survivors, they’re not designed to give us justice, they’re not designed to end sexual violence.”

“When we bind ourselves to the outcomes of these cases, we are constantly up and down with our disappointment, our highs and lows,” Burke continued. “What they tell us is just how much work we need to change the laws and the policies but most importantly, to change the culture that creates the people who commit, who perpetrate acts of harm.”

ten. good. things.

Jul. 2nd, 2025 11:22 pm
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
[personal profile] kaberett

(Yeah I'm struggling with the ukpol news at the moment, and feeling especially bleak about this FOI response in particular. Maybe I will manage to pull together a post of useful "please write to your MP about the UC/PIP bill" tomorrow, given I've got them all open in tabs to do so anyway.)

Read more... )

Bleeding

Jul. 4th, 2025 05:02 pm
conuly: (Default)
[personal profile] conuly
Ugh

*****************************


Read more... )

JR Dawson launch party!

Jul. 2nd, 2025 04:41 pm
mrissa: (Default)
[personal profile] mrissa
 

My friend J.R. Dawson is launching their second book, The Lighthouse at the End of the World, and I get to be part of the festivities! We'll be at Moon Palace Books at 6:00 p.m. on July 29, having a lovely conversation about this book and the previous book and other stories and life in general, and you can come join in the fun!

conuly: (Default)
[personal profile] conuly
On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels’ trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.

Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he’s much too busy,
Repeats while he binds his tomatoes:
There will be no other end of the world,
There will be no other end of the world.

Warsaw, 1944


***


Link

The Way Up is Death, by Dan Hanks

Jul. 2nd, 2025 01:39 pm
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[personal profile] rachelmanija


In a prologue that's very Terry Pratchett-esque without actually being funny, an enormous floating tower appears in England, becomes a 12-hour wonder, and is then forgotten as people have short attention spans. Then thirteen random people suddenly vanish from their lives and appear at the base of the tower, facing the command ASCEND.

I normally love stories about people dealing with inexplicable alien architecture. This was the most boring and unimaginative version of that idea I've ever read. Each level is a death trap based on something in one of their minds - a video game, The Poseidon Adventure, an old home - but less interesting than that sounds. The action was repetitive, the characters were paper-thin, and one, an already-dated influencer, was actively painful to read:

Time to give her the Alpha Male rizzzzzzz, baby!

The ending was, unsurprisingly, also a cliche.

Read more... )

Stories I've liked, 2nd quarter 2025

Jul. 2nd, 2025 03:15 pm
mrissa: (Default)
[personal profile] mrissa
 

As Safe As Fear, Beth Cato (Daikajuzine)

In the Shells of Broken Things, A.T. Greenblatt (Clarkesworld)

The Name Ziya, Wen-yi Lee (Reactor)

Barbershops of the Floating City, Angela Liu (Uncanny)

Everyone Keeps Saying Probably, Premee Mohamed (Psychopomp)

Lies From a Roadside Vagabond, Aaron Perry (Beneath Ceaseless Skies)

The Girl That My Mother Is Leaving Me For, Cameron Reed (Reactor)

Laser Eyes Ain't Everything, Effie Seiberg (Diabolical Plots)

Unbeaten, Grace Seybold (Beneath Ceaseless Skies)

Unfinished Architectures of the Human-Fae War, Caroline Yoachim (Uncanny)

[syndicated profile] reactor_feed

Posted by Molly Templeton

News activism

Strange Horizons and DragonCon Among Groups Launching Project to Fight Copaganda and Surveillance Tech

Activists and authors are uniting to make a difference.

By

Published on July 2, 2025

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/activists-and-authors-launch-a-project-to-fight-copaganda-and-surveillance-tech/">https://reactormag.com/activists-and-authors-launch-a-project-to-fight-copaganda-and-surveillance-tech/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817472">https://reactormag.com/?p=817472</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/activism/" class="inline-block link-no-animation" aria-label="Link to term or tag activism 1"> activism </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Strange Horizons</i> and DragonCon Among Groups Launching Project to Fight Copaganda and Surveillance Tech</h2> <div class="prose post-hero-description prose--post-hero">Activists and authors are uniting to make a difference.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 2, 2025 </p> </div> </div> <div class="quick-access 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srcset="https://reactormag.com/wp-content/uploads/2025/07/stop-copaganda-image-740x560.png 740w, https://reactormag.com/wp-content/uploads/2025/07/stop-copaganda-image-1100x832.png 1100w, https://reactormag.com/wp-content/uploads/2025/07/stop-copaganda-image-140x105.png 140w, https://reactormag.com/wp-content/uploads/2025/07/stop-copaganda-image-768x581.png 768w, https://reactormag.com/wp-content/uploads/2025/07/stop-copaganda-image.png 1184w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Surveillance is everywhere—from security cameras to smart doorbells, trackers in our phones to <a href="https://www.nytimes.com/2025/05/30/technology/trump-palantir-data-americans.html" target="_blank" rel="noreferrer noopener">alarming databases</a>. A group of privacy activists and human rights experts have now put together a toolkit for writers who &#8220;want to write more dynamic stories that challenge fascist repression via surveillance tech,&#8221; as a press release puts it.</p> <p>The Stop Surveillance Tech Copaganda Toolkit was created by privacy activists and human rights experts, working with a fascinating group of collaborators: the Decentralized Web (DWeb), DragonCon, RightsCon communities, and <em>Strange Horizons</em>. The kit itself is a collection of stories, analyses of the stories, reactions, &#8220;and incitement.&#8221; The toolkit&#8217;s appendices include everything from guidelines on contacting experts to a list of relevant books, movies, and films.</p> <p>The stories were selected by a panel of judges and include work by Christine Phan, Cecilia Ananías Soto, Rich Larson, Christopher R. Muscato, and Corey Jae White and Maddison Stoff. They appear both in a special issue of <em>Strange Horizons</em> and as a special issue of <em><a href="https://stopcopaganda.compost.digital/" target="_blank" rel="noreferrer noopener">COMPOST Magazine</a></em>.</p> <p>In a statement, project editor and producer Lia Holland, who is also campaigns and communications director at <a href="https://www.fightforthefuture.org/" target="_blank" rel="noreferrer noopener">Fight for the Future</a>, said:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>A lot of surveillance tech is snake oil—but when it works, it’s even worse for human rights. Decisions about whether these technologies come into our communities are being made by the rich and powerful—and with the complicity of storytellers in writing free propaganda for the corporations and governments intent on Orwellian control of every moment of our lives. It is untrue that most surveillance tech actually works as its marketers say it will, or that only the so-called good guys will use it. It’s well past time that creative people put our minds to disrupting these false narratives. This is our clap back to surveillance tech’s capitulation to fascism, and we’re calling for every storyteller to get on board.</p></blockquote></figure> <p>Writer Christopher R. Muscato said, “As creators, we bear responsibility in the narratives we enforce, propagate, or choose to dismantle. There is no such thing as a passive story, nor an apolitical one. Every word we commit to paper is an act of either acquiescence or defiance. As an author, I encourage my peers to more actively engage in the impact of the futures they are imagining, and I’m proud to be a part of a toolkit that offers a great place to start.”</p> <p>You can explore the toolkit <a href="https://stopcopaganda.compost.digital/" target="_blank" rel="noreferrer noopener">here</a>.[end-mark]</p> <p></p> <p>The post <a href="https://reactormag.com/activists-and-authors-launch-a-project-to-fight-copaganda-and-surveillance-tech/">&lt;i&gt;Strange Horizons&lt;/i&gt; and DragonCon Among Groups Launching Project to Fight Copaganda and Surveillance Tech</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/activists-and-authors-launch-a-project-to-fight-copaganda-and-surveillance-tech/">https://reactormag.com/activists-and-authors-launch-a-project-to-fight-copaganda-and-surveillance-tech/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817472">https://reactormag.com/?p=817472</a></p>
[syndicated profile] reactor_feed

Posted by Stefan Raets

Excerpts Epic Fantasy

Read an Excerpt From Birth of a Dynasty by Chinaza Bado

We shall not forgive. We shall not forget. We will have our vengeance.

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Published on July 2, 2025

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-birth-of-a-dynasty-by-chinaza-bado/">https://reactormag.com/excerpts-birth-of-a-dynasty-by-chinaza-bado/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817238">https://reactormag.com/?p=817238</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/epic-fantasy/" class="inline-block link-no-animation" aria-label="Link to term or tag Epic Fantasy 1"> Epic Fantasy </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>Birth of a Dynasty</i> by Chinaza Bado</h2> <div class="prose post-hero-description prose--post-hero">We shall not forgive. We shall not forget. We will have our vengeance.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/chinaza-bado/" title="Posts by Chinaza Bado" class="author url fn" rel="author">Chinaza Bado</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 2, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/excerpts-birth-of-a-dynasty-by-chinaza-bado/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" 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decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/06/Birth-of-a-Dynasty-header-740x407.png" class="w-full object-cover" alt="Cover of Birth of a Dynasty by Chinaza Bado." srcset="https://reactormag.com/wp-content/uploads/2025/06/Birth-of-a-Dynasty-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/06/Birth-of-a-Dynasty-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/06/Birth-of-a-Dynasty-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/06/Birth-of-a-Dynasty-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><strong>Birth of a Dynasty</strong></em> by Chinaza Bado, the start of a thrilling epic fantasy trilogy centered around three families’ fight for power in Ahkebulin, a land where magic is feared, giants are real, and prophecy holds sway. <em>Birth of a Dynasty</em> published with from Harper Voyager on July 29<sup>th</sup>.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>After witnessing the massacre of everyone he’s ever known and loved, M’Kuru Mukundi, the sole surviving member of the High Noble House Mukundi of Madada, vows revenge. M’kuru flees to a small village where he hides under the guise of farm boy Khalil Rausi… unaware that the real Khalil’s father is the bloodthirsty General of Zenzele army, and under the direction of the King’s scheming son, Prince Effiom, was responsible for the murder of M’kuru’s people. When an imposter claiming to be M’kuru shows up in the village, the real M’kuru—now Khalil—must bide his time amongst his enemies, pretending to be everything that he hates in order to get vengeance.<br><br>In another part of the country where giants roam free, young Zikora Nnamani, the only daughter of Lord Nnamani, knows nothing of political intrigue—she wants little more than to be a fierce Seh Llinga warrior. But a well-known prophecy places too much potential power on her small shoulders, and—as far as Prince Effiom and the King know—she is the only living threat to their dynasty ruling forever. However, when a messenger arrives to “invite” Zikora to stay at the palace, her family is not in a position to refuse. Before she is taken away, she begins The Rite of Blessing, a magical inheritance that she will need to learn how to use, but that may also bring the world one step closer to the completion of the prophecy that Prince Effiom so fears.<br><br>Between scheming ladies at court, backstabbing princes on the prowl, and paranoid kings, M’kuru and Zikora must do what they can, no matter how terrible, to save their people and claim vengeance for their families. But they are just two young people against an entire kingdom—and a prophecy destined to thwart their dreams—and the last thing they can do is trust anyone… even each other.</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <p>“Who are you?” his mother asked with a wide smile. There was no fear or tears, just joy, something he could not understand, not with the sounds of screams from their maids and servants outside, not with the roars of the soldiers as they struck them down. There was so much blood that it produced a stench in the air that made him sick. How could anyone still keep a smile on their face? And yet, his mother, Lady Mukundi, found a way.</p> <p>“Who are you?” she asked again, but he could not answer. Instead, he flinched as he heard another shriek for help outside the door.</p> <p>“I am Neema Mukundi of Madada, the one born in prosperity,” his elder sister, who looked like their mother, spoke instead. Everyone said they looked almost identical, with the same round face and birthmark under their right eye. And although their mother was slightly shorter, and her hair held wisps of gray, her skin had not a single wrinkle.</p> <p>His mother’s dark eyes shifted to him, and she squeezed his shoulders once again before repeating her question softly. “Who are <em>you</em>?”</p> <p>“I am M’kuru Mukundi of Madada, the one who climbs over fear and death,” he answered softly, his voice barely above a whisper. Despite the meaning of his name, all he felt was fear, and all he sensed was death.</p> <p>“So, you <em>can </em>talk softly.” His mother giggled, pinching his ear gently as she always did when he was in trouble or would not listen or when he went around their home yelling. From the day his cries were first heard throughout Madada to this very moment, M’kuru had never once whispered.</p> <p>“Are you afraid, M’kuru? Is that why your voice has become so? I cannot have that. Tell me again. Who are you? Say it with all the air in your chest.”</p> <p>He stood straighter, held his head high, and spoke louder this time. “I am M’kuru Mukundi of Madada, the one who climbs over fear and death.”</p> <p>“Yes. Exactly.” His mother nodded proudly and shook him vigorously. “You are Neema and M’kuru Mukundi, high nobles of Madada, the daughter and son of M’Deba and Esha. You are fierce, steadfast, strong, and born with the wisdom of ages. That is who you are. That is who you will always be. They can never take that from you because it is in your blood!”</p> <p>She squeezed his shoulders tighter than ever, and M’kuru lifted his much smaller hand to hold on to her wrist, squeezing it in return.</p> <p>“My lady!”</p> <p>Four maids rushed in. On their uniform was their family emblem, the Liabrein—the now-forgotten bigger and stronger sister of the lion—with long, curved, saber-shaped canine teeth that protruded from its mouth even when closed. But on their emblem, the Liabrein’s mouth was wide open and its head turned upward. So ferocious—and yet it couldn’t seem to protect them now. The maids slammed the doors closed behind them as they gripped their blood-covered swords. Lady Mukundi did not answer them, never looking away from her son and daughter, not even as the two maids began to pour oil onto the ground and the walls.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/Birth-of-a-Dynasty.jpg" class="attachment-full size-full" alt="Birth of a Dynasty" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/Birth-of-a-Dynasty.jpg" class="attachment-full size-full" alt="Birth of a Dynasty" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">Birth of a Dynasty</h3> <p class="shop-the-book-author">Chinaza Bado</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1751641155" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1751641155" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="close modal"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/Birth-of-a-Dynasty.jpg" class="attachment-full size-full" alt="Birth of a Dynasty" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/06/Birth-of-a-Dynasty.jpg" class="attachment-full size-full" alt="Birth of a Dynasty" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">Birth of a Dynasty</h3> <p class="shop-the-book-modal-author">Chinaza Bado</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0DL9FRF9Z?tag=tordotcomgeneral-20" data-book-title="Birth of a Dynasty" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9780063397606" data-book-title="Birth of a Dynasty" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9780063397613" data-book-title="Birth of a Dynasty" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9780063397606" data-book-title="Birth of a Dynasty" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9780063397606" data-book-title="Birth of a Dynasty" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>“Break it down!” a voice outside the doors hollered as the other two maids stood before them, lifting their swords.</p> <p>Only then did Lady Mukundi let go of her son, but M’kuru grabbed her hand again.</p> <p>“Come with us, Mother.”</p> <p>“A lady stays with her lord to the very end,” she said, and drew her hand back. She rushed to the end table, tossed it aside, and lifted the floorboards to show them the way down the stairs. “Go, and do not stop for anyone!” she hollered at them.</p> <p>Without a second thought, Neema grabbed her brother’s hand, took the sword entrusted to her by her father, and ran down the stairs.</p> <p>“Mother!” M’kuru yelled back as he was dragged into the darkness. Lady Mukundi’s smile as she watched them go never fell or wavered, and the light from her room was the only thing M’kuru could see as it began to go up in flames of red and orange, the heat from the fire so hot he could feel it on his face.</p> <p><em>Goodbye </em>was the last thing she mouthed to him before the hidden door shut.</p> <p>They ran, hand in hand, in the darkness, and soon that darkness felt like hell even though there was no fire in the passage, because the walls themselves warmed, growing hotter and hotter the farther they went.</p> <p>“We are almost there, Six!” Neema called out to him.</p> <p>She called him Six for the same reason she called her other brothers One, Three, Four, and Five—to tease them, knowing they hated it, and because as the only daughter of the Mukundi family, their baba would allow her to get away with it.</p> <p>He didn’t complain now, glad she was there with him. So focused were both of them on running, and because it was dark—and everything else that lived in darkness sensed the danger and the heat—she did not notice the snake also trying to make its escape until it was too late, and it bit her.</p> <p>“Ugh!”</p> <p>“Neema?” M’kuru called out when she let go of his hand and fell to her knees. “Neema, are you okay?”</p> <p>She unsheathed the sword, stabbing it into the head of the snake. He was unsure how she could see clearly, even in the dark, but Neema always had the best vision of them all.</p> <p>“I’m fine. We need to keep going,” she lied. She didn’t feel fine at all, but nothing could make her feel fine, not in this oven masquerading as a tunnel, so she dragged the sword along the ground with one hand, hoping to scare anything else away, and led her brother with the other.</p> <p>“Don’t worry, M’kuru. We are going to make it out of here. We’ll go south to Winneba. You’ve always wanted to go to Winneba to see the giants, right? Just don’t be scared when we meet them. Apparently, they are a very sensitive people, which makes sense, for their hearts are three times as big. The stories of them eating children aren’t true. They aren’t scary. The giants don’t even eat meat. They are vegetarians.”</p> <p>“How do you know?” M’kuru asked. “You’ve never been to Winneba either.”</p> <p>“I have a friend there. He’ll help us,” she replied, stopping to take a breath and wipe the sweat from her brow, muttering what her baba taught her, “Run north till you smell the fresh water, then push the lever in the walls.”</p> <p>She could smell the water, so she began to feel against the wall until she hit the lever. It burned, the fire enough to make even this metal hot, but she didn’t hesitate, and the ceiling above them cracked open.</p> <p>“Yes!” she cried, happy at the sight of the moonlight streaming in. Hinging her sword, she reached up and pushed as hard as she could, the earth slipping away. She pulled herself out, then turned back and pulled M’kuru out.</p> <p>When they both stood on the grass mound of the Bamboo Forest, overlooking their family home in the distance, they just watched as the fire raged through the house, glowing in the night and eating everything it touched. The crackling was so loud and the heat so harsh, even from where they stood on the hilltop it caused the birds to fly away. The smoke was so black it began to blanket the full moon. But to them, the fire was merciful in comparison to the soldiers, who had dragged anyone within their house out, one by one, and set them on their knees before slitting their throats.</p> <p>“We have to go. We have to go now, Six.” Pulling his arm, Neema tried to turn with him and escape into the forest.</p> <p>“<em>Zenzele!</em>”</p> <p>They both froze when they heard this roar, the hair on their hands rising as their hearts dropped to an even deeper pit in their stomachs.</p> <p>“Baba…” Neema whispered as they both turned back.</p> <p>They couldn’t speak or look away. They just stared at him, their baba, as half his body was engulfed in flames, with arrows in his arms and legs and a deep cut that sliced through his clothes into his chest. The sight of him, still gripping his swords and cutting people down, caused the other soldiers to back up, terrified of him.</p> <p>“<em>Zenzele!</em>” he roared again, with a strength that shook the heavens. Any soldier who dared to step forward was sent straight to hell as his blade cut them down one by one.</p> <p>“<em>Zenzele!</em>”</p> <p>Even when they managed to stab him, he did not fall. He merely removed their swords from his body and fought on. In his mind, M’kuru could not put that man and the man he’d watched only that morning, who spilled his wine over his hands and handed his mother a flower, together with the man at this moment, who no longer looked to be human.</p> <p>“Come!” he yelled to the soldiers. When he stepped forward, the soldiers stumbled back in fear… all but one.</p> <p>The man across from him sat on a large black horse, dressed in scaled red armor accented with silver spikes, one on each arm, one on each shoulder, and two upon his helmet. Upon his chest plate was the symbol of a sun with a spear in the center, and in his hands that very same spear with a crescent blade. The soldiers around him were dressed similarly—without silver but with the same red armor to tell everyone they were part of the Red Sun.</p> <p>M’kuru thought that man in the red and silver armor had to be the Zenzele their baba was calling out to. However, the man moved to the right, showing another man on a horse of white dressed in silver-and-gold armor, and instead of spikes on his shoulders, it was wings.</p> <p>“You.” Lord Mukundi laughed at seeing him. “Tell your father, Prince Effiom—for I swear by my blood that spills upon the earth and the ancestors who watch over us all—your lineage shall weep in agony. You will run to the ends of the earth in fear, and we will find you still. You will cry out for mercy and be given none! The heavens will not forgive, and Madada will not forget! The Mukundi <em>will </em>have its vengeance! This is our oath to you!”</p> <p>Prince Effiom merely waved his gloved hand, and the soldier with the armor of red and silver kicked into his horse, charging forward.</p> <p>“Let’s go, Six.” Neema tried to pull her brother away, but he could not and did not want to look away. He watched as their baba’s head was cut from his body with a single swing of the man’s sword. As Lord Mukundi’s body stood for a moment, part of M’kuru still expected him to fight and not surrender, even headless. But there was a limit to even his baba, and M’kuru watched as his baba fell to the ground alongside his brothers.</p> <p><em>We shall not forgive.</em></p> <p><em>We shall not forget.</em></p> <p><em>We will have our vengeance.</em></p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">From <em>Birth of a Dynasty</em> by Chinaza Bado, published by Harper Voyager. Copyright © 2025 by Chinaza Bado. Reprinted courtesy of HarperCollinsPublishers.</p> <p>The post <a href="https://reactormag.com/excerpts-birth-of-a-dynasty-by-chinaza-bado/">Read an Excerpt From &lt;i&gt;Birth of a Dynasty&lt;/i&gt; by Chinaza Bado</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-birth-of-a-dynasty-by-chinaza-bado/">https://reactormag.com/excerpts-birth-of-a-dynasty-by-chinaza-bado/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817238">https://reactormag.com/?p=817238</a></p>
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Posted by Vanessa Armstrong

News The Last of Us

The Last of Us Game Creator Steps Away From HBO Show

Neil Druckmann stated he’s moving his focus to overseeing Naughty Dog, the developer behind The Last of Us and other games.

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Published on July 2, 2025

Image: Liane Hentscher/HBO

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-last-of-us-game-creator-steps-away-from-hbo-show/">https://reactormag.com/the-last-of-us-game-creator-steps-away-from-hbo-show/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817507">https://reactormag.com/?p=817507</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-last-of-us/" class="inline-block link-no-animation" aria-label="Link to term or tag The Last of Us 1"> The Last of Us </a> </span> </div> <h2 class="post-hero-title text-h1"><i>The Last of Us</i> Game Creator Steps Away From HBO Show</h2> <div class="prose post-hero-description prose--post-hero">Neil Druckmann stated he&#8217;s moving his focus to overseeing Naughty Dog, the developer behind The Last of Us and other games.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 2, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image: Liane Hentscher/HBO</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/the-last-of-us-game-creator-steps-away-from-hbo-show/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img fetchpriority="high" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/05/isabela-merced_0-740x493.jpg" class="w-full object-cover" alt="Isabela Merced in The Last of Us" srcset="https://reactormag.com/wp-content/uploads/2025/05/isabela-merced_0-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/05/isabela-merced_0-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/05/isabela-merced_0-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/05/isabela-merced_0-1536x1024.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/05/isabela-merced_0.jpg 1920w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: Liane Hentscher/HBO</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><em>The Last of Us</em> television series adaptation came to HBO with <em>Chernobyl </em>alum Craig Mazin and the video game’s creator, Neil Druckmann, serving as co-creators. The show has done well, with <a href="https://reactormag.com/the-last-of-us-will-return-for-a-third-season/" target="_blank" rel="noreferrer noopener">HBO picking up the show for a third season</a> before the <a href="https://reactormag.com/the-last-of-us-season-2-trailer/" target="_blank" rel="noreferrer noopener">second season even aired</a>, but it looks like Druckmann will not stay on and see the series through.</p> <p>“I’ve made the difficult decision to step away from my creative involvement in <em>The Last of Us </em>on HBO,” Druckmann said in a statement published on <a href="https://www.instagram.com/p/DLnTjIKswP3" target="_blank" rel="noreferrer noopener">Naughty Dog’s Instagram</a>, the company that developed the video game, which Druckmann serves as studio head for. “With work completed on season 2 and before any meaningful work starts on season 3, now is the right time for me to transition my complete focus to Naughty Dog and its future projects, including writing and directing our exciting next game, <em>Intergalactic: The Heretic Prophet, </em>along with my responsibilities as Studio Head and Head of Creative.”</p> <p>Druckman added, “Co-creating the show has been a career highlight. It’s been an honor to work alongside Craig Mazin to executive produce, direct and write on the last two seasons. I’m deeply thankful for the thoughtful approach and dedication the talented cast and crew took to adapting <em>The Last of Us Part I </em>and the continued adaptation of <em>The Last of Us Part II</em>.”</p> <p>Mazin had a statement as well, as printed in <em><a href="https://variety.com/2025/tv/news/neil-druckmann-exits-the-last-of-us-season-3-hbo-1236446316/" target="_blank" rel="noreferrer noopener">Variety</a></em>: “It’s been a creative dream to work with Neil and bring an adaptation of his brilliant work to life on HBO. I couldn’t have asked for a more generous creative partner. As a true fan of Naughty Dog and Neil’s work in video games, I’m beyond excited to play his next game. While he focuses on that, I’ll continue to work with our brilliant cast and crew to deliver the show our audience has come to expect. We are so grateful to Neil and Halley Gross for entrusting the incredible story of <em>The Last of Us Part II</em> to us, and we’re just as grateful to the millions of people around the world who tune in.”</p> <p>The <a href="https://reactormag.com/the-last-of-us-convergence-review/" target="_blank" rel="noreferrer noopener">second season of the show ends on what could be called a cliffhanger (or an incomplete ending)</a>, leaving significant story from the <em>Part II </em>video game for season three. No news on when the third season will go into production, though Druckmann’s note suggests they&#8217;re starting the pre-production work now.[end-mark]</p> <p>The post <a href="https://reactormag.com/the-last-of-us-game-creator-steps-away-from-hbo-show/">&lt;i&gt;The Last of Us&lt;/i&gt; Game Creator Steps Away From HBO Show</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-last-of-us-game-creator-steps-away-from-hbo-show/">https://reactormag.com/the-last-of-us-game-creator-steps-away-from-hbo-show/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817507">https://reactormag.com/?p=817507</a></p>
oursin: Sleeping hedgehog (sleepy hedgehog)
[personal profile] oursin

For hedjog is going floppp.

Travel troubles today: being unable to see where the hell the alleged railway station near hotel was, and taking a taxi instead; railway out of order this evening, Ubers were summoned to take participants to hotel.

Yr hedjog was Living Bit of History in opening roundtable.

And in later sessions, there was a certain amount of That There Dr [personal profile] oursin going on in the questions/comments....

Some good conversation - even if hearing aids not too helpful in crowded rooms - but have noped out from evening meal, feeling too tired, will go for light meal here and early night (I hope).

[syndicated profile] reactor_feed

Posted by Emmet Asher-Perrin

Movies & TV the old guard

The Old Guard 2 Delivers the Same Thrills and Fervor as Its Predecessor

If they could just keep making these movies forever, that would be great.

By

Published on July 2, 2025

Credit: Netflix

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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-the-old-guard-2-delivers-the-same-thrills-and-fervor-as-its-predecessor/">https://reactormag.com/movie-review-the-old-guard-2-delivers-the-same-thrills-and-fervor-as-its-predecessor/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817448">https://reactormag.com/?p=817448</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-old-guard/" class="inline-block link-no-animation" aria-label="Link to term or tag the old guard 1"> the old guard </a> </span> </div> <h2 class="post-hero-title text-h1"><i>The Old Guard 2</i> Delivers the Same Thrills and Fervor as Its Predecessor</h2> <div class="prose post-hero-description prose--post-hero">If they could just keep making these movies forever, that would be great.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/emmet-asher-perrin/" title="Posts by Emmet Asher-Perrin" class="author url fn" rel="author">Emmet Asher-Perrin</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 2, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Netflix</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/movie-review-the-old-guard-2-delivers-the-same-thrills-and-fervor-as-its-predecessor/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 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11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="392" src="https://reactormag.com/wp-content/uploads/2025/07/old-guard2-2-740x392.jpeg" class="w-full object-cover" alt="The Old Guard 2. Charlize Theron as Andy starring at Quynh in The Old Guard 2" srcset="https://reactormag.com/wp-content/uploads/2025/07/old-guard2-2-740x392.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/old-guard2-2-1100x582.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/old-guard2-2-768x406.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/old-guard2-2-1536x813.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/old-guard2-2-2048x1084.jpeg 2048w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Netflix</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Normally, I would begin with some introductory thoughts about the first Old Guard film that segued seamlessly into further discussion of its sequel, but trouble is, I would like to complain instead? It’s been five years, Netflix. You made me wait for five years for a sequel to this absolute gem of a movie. Marvel drowns us in films and television several times a year, and it’s been <em>half a decade</em> since I saw my favorite immortals.</p> <p>Of course, the film itself picks up exactly six months later. Good thing all these actors are strangely ageless…</p> <p>We pick up precisely where the first film left us in its final scene: Quynh (Vân Veronica Ngô) has found the exiled Booker (Matthias Schoenaerts), and clearly means to locate Andy (Charlize Theron) after centuries of torment locked in a coffin at the bottom of the sea. At the same time, Andy’s crew are getting used to having Nile (KiKi Layne) around, and using James Copley’s (Chiwetel Ejiofor) intel to hit more useful targets in order to benefit the world. The current hits are all associated with running very powerful weapons to an unknown buyer that the team can’t manage to track down.</p> <p>Oh, and Uma Thurman is running around. Her name is Discord, and she’s apparently the earliest immortal, even before Andy. We learn this through immortal librarian Tuah (Henry Golding), who has some other fun theories due to the legends he’s pieced together about their kind over the centuries. Theories about Nile, and why Andy’s immortality ran out, and what Discord might want. Whatever you may think of these reveals, the library is gorgeous. I have a lot of questions about how it was maintained over the years or created in the first place, but I would like to live in that library, please and thank you.</p> <p>Do these different conceits all jive together as a cohesive mythology? At the moment, not even close. Do I care? Not remotely. I’ve got my immortals back, and they’re just as precious as I remember. We begin with an action set piece that involves boats <em>and</em> car chases <em>and</em> guns <em>and</em> swords <em>and</em> incredibly tasteless artwork. (There’s neon glock signage? Various aged statues painted garish single colors? Terrible satin pajamas?) The action sequences are gorgeous as ever, maybe even a step up from the previous outing, especially where Andy and Nile’s skills are concerned; Andy always looks like she’s dancing when she fights, and while Nile is less experienced, it hardly matters for her efficiency.</p> <p>Speaking of action sequences: Victoria Mahoney steps into the vacancy left by previous director Gina Prince-Bythewood, and does her proud across the board here. The transition feels seamless, Mahoney taking the vernacular of her predecessor and keeping everything that works, while offering a stamp all her own. Here’s hoping this opens the door to many more projects going forward—Mahoney’s work with this crew should be recommendation enough, and that’s without getting into the fact that she was the first woman to ever direct any bit of Star Wars (she was a second unit director on <em>The Rise of Skywalker</em>). One of Mahoney’s forthcoming projects is supposed to be an adaptation of Octavia Butler’s <em>Dawn</em> with Ava DuVernay. Maybe this will give Amazon the nudge to get things moving on that front…</p> <p>I should mention that there’s a lot of convenience in the plot of <em>The Old Guard 2</em>; Tuah’s existence has been kept from Andy’s crew because he supposedly asked her to do so, and it’s hard for the setup with himself and Discord not to feel contrived. But because all of the actors are so strong in their roles, so believable as ancient beings with wisdoms and desires beyond what mortal humans want, it’s hard to be bothered. And what’s more, the (somewhat understandable) cruelty of Booker’s fate from the first film is addressed in a way that befits these characters—because as we see over and over, rather than an insistence that immortality makes a person callous and disconnected, the Old Guard maintain an empathy for humanity and each other that is staggering and beautiful.</p> <p>Oh. Oh, <em>that’s</em> what <a href="https://reactormag.com/what-if-we-unpacked-chloe-zhaos-eternals/" target="_blank" rel="noreferrer noopener"><em>Eternals</em> was supposed to do</a>. (And didn’t.)</p> <p>The dialogue doesn’t always serve these moments, but the cast manages to show the underlying emotion regardless. This is particularly true of Andy and Quynh&#8217;s reunion; the betrayal Quynh is feeling runs too deep, making it hard to put into words, but Ngô and Theron infuse those scenes with so much anguish and longing, you can see where they’re headed. It’s heartening, too, that the sequel never balks at the setup that immortality also begets queerness—Nicky (Luca Marinelli) and Joe (Marwan Kenzari) are going strong as ever, Andy and Quynh are locked in their perpetual comrades/girlfriends/soulmates/wives situationship, even Tuah has a moment where he gives Copley the a-okay (Ejiofor plays it off <em>adorably</em>).</p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="564" src="https://reactormag.com/wp-content/uploads/2025/07/old-guard2-1-1100x564.jpeg" alt="The Old Guard 2 (L-R) Luca Marinelli as Nicky, Marwan Kenzari as Joe, Charlize Theron as Andy, Chiwetel Ejiofor as Copley and KiKi Layne as Nile in The Old Guard 2. Andy and Nile have a contest, staring each other down while their friends laugh" class="wp-image-817491" srcset="https://reactormag.com/wp-content/uploads/2025/07/old-guard2-1-1100x564.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/old-guard2-1-740x379.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/old-guard2-1-768x394.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/old-guard2-1-1536x787.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/old-guard2-1-2048x1049.jpeg 2048w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p>Thurman’s Discord is the only character truly underserved in all this—she’s simply evil and egotistical to the max. It’s still fun to watch her and Andy go toe-to-toe, though. And while certain mechanics of the previous plot are repeated in service of sequeldom, there’s one thing these films do that I’ll always appreciate: The women are the ones constantly driving the action and rescuing everyone, and the script flip never feels contrived on that front. They’ve simply put all their female characters in the most powerful positions, while the men get to be infinitely soft and kind (even when they’re wrecks, as in Booker’s case).</p> <p>The unique style of action helps <em>The Old Guard</em> films to stand out, but its heart lies in the quiet moments between its characters. Connection sustains its story—in many ways, these films remind me of the <em>Sense8</em> television series, which is some of the highest praise I can offer a piece of fiction. Stories about the beauty of knowing people deeply, of loving them beyond reason or doubt, and of the incredible things we can do when we allow those relationships to populate our lives. <em>The Old Guard 2</em> ends on a cliffhanger in the hope of more films, and while this formula stays true, I’ll never say no to at least one more adventure.</p> <p>Oh, and that Joe and Nicky prequel, remember Netflix? We all want it? It &#8216;s maybe the only time folks really do need and want a prequel? Any time you would like to get on that…[end-mark]</p> <p>The post <a href="https://reactormag.com/movie-review-the-old-guard-2-delivers-the-same-thrills-and-fervor-as-its-predecessor/">&lt;i&gt;The Old Guard 2&lt;/i&gt; Delivers the Same Thrills and Fervor as Its Predecessor</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-the-old-guard-2-delivers-the-same-thrills-and-fervor-as-its-predecessor/">https://reactormag.com/movie-review-the-old-guard-2-delivers-the-same-thrills-and-fervor-as-its-predecessor/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817448">https://reactormag.com/?p=817448</a></p>
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Books Reading the Weird

Don’t Put That Thing in Your Mouth: Nghi Vo’s “What the Dead Know”

A woman posing as a medium who can channel the spirit world comes face to face with the truth…

By ,

Published on July 2, 2025

Welcome back to Reading the Weird, in which we get girl cooties all over weird fiction, cosmic horror, and Lovecraftiana—from its historical roots through its most recent branches. This week, we cover Nghi Vo’s “What the Dead Know,” first published in 2022 as an Amazon Original. Spoilers ahead!


Fogg River, Illinois, 1899:

A train pulls into the station ahead of a winter storm, unceremoniously disgorging two passengers. Vasyl Janiv denies he won enough to have been booted as the cardsharp he is. Maryse Ly supposes she was the problem. This far north, people see few Vietnamese, but she certainly doesn’t pass as a white woman.

The town’s main street is unpaved. From the station platform, the pair can see the river itself, swollen and furious. Maryse grew up by the Mississippi, hearing the murmurs of its drowned. Fogg River hosts its own dead, one of whom briefly flings an arm above the waves. There are water women everywhere.

A buggy arrives, driven by a sharp-faced woman: Miss Nina Parley, from the Fogg River Seminary for Young Ladies, where they’ve been hired to perform as occultists. Snow starts falling as they enter the drive. Maryse gasps at “hearts snagged in the branches, red and dripping.” But they’re merely salt-dough holiday ornaments. Maryse fights her unease. If she and Vasyl bailed on every job that spooked her, she’d be back to selling dances.

The Seminary is a dignified edifice. Well-dressed guests and servants crowd its foyer. Girls answer guests’ questions, like circus animals. Their heads are crowned by charmed fireflies. A man with a bristling mustache seizes Maryse’s elbow and speculates about her origins. She plays dumb, as she supposedly speaks no English. Vasyl rescues her.

The headmistress, Nina’s mother, gives a speech: for fifty years the Seminary has formed girls into “diligent young women” fit to serve their husbands and communities. Not only do they learn household magic, they’re also taught to tend posthouses and send telegrams!

Maryse and Vasyl prepare the school library for their performance. Maryse checks for traps planted to catch fakes, but no listening imps lurk. She changes into her costume: an extravagantly draped dress made from stolen bordello curtains. She tucks the contents of a chamois bag into her cheek, then lies corpse-like on a table. Guests gather as Vasyl warns that his companion, the priestess of a forbidden religion whom he purchased out of a Saigon market, “lies on the border between life and death.” They must be quiet, or she may slip away forever!

Vasyl proves she’s in “the trance of her ancestors” by fake-needling her cheek while bursting a blood-red ink capsule. Now she can listen for the dead, and pass on their answers to the guests’ questions. Maryse works the audience, responding gutturally to some, ignoring others with moans and head-tosses. The mustached man asks how Hell looks, at which Maryse enacts a fit. “Ask anything else,” Vasyl cries. Headmistress Parley speaks up: “Where’s my daughter gone?”

Maryse tenses her body, so she looks like she’s floating. The spirits are bringing her back, Vasyl explains, cueing Maryse to sit bolt upright, clutch her throat, then spit out the three amber stones from her cheek. On them, the pair have carved vague spirit-reassurances: Heaven, love, mercy. But a fourth stone sticks in Maryse’s throat, nearly suffocating her before she chokes it out.

The next minute, Nina’s giving her sherry. Mrs. Parley reads the stones aloud: “Here. Here. Here.” As Maryse stares, the electric lights explode. Already-unnerved guests scream.

The storm has caused the electrical failure. High snowdrifts cut off travel. Dorm rooms are found for married couples and Maryse, while the single men bed down in classrooms. A handful of fireflies serve for a night-light.

Maryse is roused when someone tries her doorknob. The lock holds, the would-be intruder leaves, but Maryse knows she won’t be able to sleep again. She gathers the fireflies and searches out Vasyl. He’s not surprised when she crawls onto his pallet-bed. He says that earlier the town doctor shared whiskey and local gossip: Mrs. Parley’s older daughter, the telegraph teacher, ran off with some man that summer, hence the question from the performance.

On her way back to her room, Maryse sees the mustached man slip into the corridor, a paper packet in his hands. He orders her to “Come here.” Maryse immediately flees. The man pursues. She gets out a window, but the drop to the snowy ground wrenches her knee, and she can only hobble to a building at the edge of the woods. She ducks inside and finds the school’s telegraph office. Its machine begins to clack without a visible operator. Her pursuer breaks in. The telegraph distracts him. In the light of a dozen fireflies, Maryse now sees a woman at the machine, her hair and dress soaked, smelling of rotting fish and mud.

When the woman seizes the man by the throat, Maryse recognizes her from the library. It wasn’t Nina but Nina’s dead sister Emma, who twists the man’s head violently. As Emma drags the man’s corpse outside, Nina appears. “My sister,” she confirms numbly.

Nina clutches the final stone that choked Maryse. The word on it is “Adley.” He was Emma’s faithless lover and murderer, come to this gathering to recover letters he’d written her. Nina gathers the telegraph tape and translates Emma’s message: “Here. Hate. Hate. Dead. Always dead. Dead forever. Pain. Cold. Cold. River. Cold. Hate. Hate. Hate you. Die. Die. Hate you.”

When Nina wonders why Adley killed Emma, Maryse says there are as many reasons as there are women in the water.

At the train station, Maryse thinks she sees a white hand waving again from the river. After five years as a medium, Maryse finally knows what the dead speak of.

What’s Cyclopean: The Fogg river “bowed to the Mississippi, but it did not understand the sovereignty of bridges or trains.”

The Degenerate Dutch: Maryse passes as an exotic priestess from an unnamed country that echoes “with the roars of man-eating lions.” This invites leers with varying levels of hazard, but no one seriously questions the story.

Weirdbuilding: Harry Houdini, in our world, was a stage magician and skeptic who tried to disprove mediums because he so desperately wanted them to be real. In Maryse’s world, he may or may not be “descended from eighteen generations of Jewish magicians.” Note that Kabballah does not, generally speaking, have a ton of applications in escape artistry. 

Ruthanna’s Commentary

An effective con hinges on telling people what they want to believe. You’re smarter than everyone else. Here’s an easy way to make tons of money. Your beloved dead are safe and well in the afterlife, and want you to know that everything is okay.

The danger of running a con is getting convinced that you’re smarter than everyone else, that you’ve found an easy way to make tons of money—and that the dead are never going to contradict you.

Like poor Alison in Beyond Black, Maryse walks the line between comforting con and discomfiting actual mediumship. The similarity ends there, however. Maryse has a better balance with Vasyl than Alison with Colette, and thought—until this story—that she was entirely and safely on the “con” side of the line. This despite living in a world with drowned “water women” haunting every river, dinner guests who’ve sold their souls, and enchanted fireflies haloing the heads of schoolgirls.

These details tantalize: what does it mean that a common etiquette quandary involves seating assignments for a clergyman and a servant of the devil? Why did you invite them both in the first place?

I have a sneaking suspicion that the murderer-harasser who asks for intel on Hell… may have a personal interest in the answer. So perhaps you invited the soul-seller because you didn’t know his peccadillos. Why one would reveal such things at the dinner table remains a mystery to be answered by a very different sort of story. Which Vo, who’s elsewhere riffed on The Great Gatsby and stuck a storytelling archivist in a room with man-eating tigers (not lions), would also be well-qualified to write.

The fireflies, too, are intriguing. The spell ultimately kills them, either by draining their energy or just keeping them from eating all night. It’s a piece of quiet cruelty masquerading as innocent charm. That seems appropriate, and fits well with a seminary school that would draw funders not only with its students’ domestic party tricks, but with imported table-knockers.

Or perhaps the séance also had an ulterior motive: perhaps Mrs. Parley’s suspected Emma’s fate.

The answer, like so many provided by the actual dead, is not comforting. Not only because Emma is dead, but because the dead know so little. No mercy preserved in this amber, only the hate and pain of a girl’s last moments. Only vengeance, and an answer—at least for one murderer—to the question about hell.

Which leaves the water women, and their sister victims in other elements, no dramatically moral afterlife of their own. Only the thing that killed them, forever.

Anne’s Commentary

My search results for Vietnamese immigration to Louisiana prior to 1900 were mainly productive of redirection to the significant influx that followed the Vietnam War. However, in An Ethnic Geography of New Orleans, Richard Campanella provides these observations by nineteenth-century travelers:

“No city perhaps on the globe,” wrote one visitor in 1816, “presents a greater contrast of national manners, language, and complexion, than does New Orleans.” Marveled another in 1835, “Truly does New-Orleans represent every other city and nation upon earth. I know of none where is congregated so great a variety of the human species.” “What a hubbub!” gushed another visitor, “what an assemblage of strange faces [and] distinct people!”

So why couldn’t Maryse’s family have been part of the “assemblage”? Perhaps the Mississippi River’s Delta reminded them of the Mekong’s, only with alligators instead of Estuarine and Siamese crocodiles. A delta without crocodilians is like a day without orange juice, or something like that. A river without water women, likewise, would be no fun at all for lovers of weird tales.

In Vietnamese folklore, the Mekong River is strongly associated with the ma da, the ghosts of people who have drowned in its waters, but as Maryse tells Vasyl, ma da can be found everywhere, in any body of water deep enough to claim victims. Drowning due to some act of violence may create especially angry and vengeful ma da. All are apparently trapped in the waters where they died; some lore has it that a ma da is enslaved to the lord or god of those waters, unable to pass on to the next plane of existence until it can lure another person to his or her drowning, thus “tagging” that fresh victim to take its place.

Mrs. Parley needs a spirit medium in order to find her daughter, Emma. Emma needs a spirit medium to communicate with her family. Maryse has five years of experience to offer them. Too bad that experience is as a fake medium, working with a fake spiritualist. Maryse and Vasyl have polished their act to a highly convincing shine and learned how to avoid the skeptics’ traps, damn that Houdini, but the pair are still fakes. Or are they? Specifically, is Maryse a fake? It seems she needn’t be a fraud in Vo’s subtly tweaked world where ghosts are real, a seminary for young ladies can teach household magic without visitors raising their well-groomed eyebrows, and enchanted fireflies make both festive headwear and useful flashlights.

Maryse may just need the right situation, the complementary need, to bloom her latent psi gift. Abused-by-men medium, meet man-murdered ghost: Now, channel Emma the energy to manifest on dry land and make payback hell for her killer. Emma’s faithless lover gets to die; you, Maryse, get to live on a wiser woman, if a sadder one—one who knows what the dead have to say.

If Emma were a ma da of legend, she’d be free to move on now that she’s provided the river with a substitute haunt in Adley. Is the wave she gives Maryse from the flooding Fogg one of grateful farewell? Is it any salute at all, or just a random flail from a spirit still condemned to hate, pain, cold, dead, dead forever, only now with company in her misery?

I don’t know the answer to that question. I do know this:

Mediums! Do NOT put any objects in your mouth when you’re about to go into a trance and grunt-gabble answers to audience requests. This precaution goes double if you’re likely to do a lot of showy (or authentic) writhing and head-tossing! Those objects are DYING to pop out of your cheek pouch and lodge in your windpipe! Or if you insist on risking dry-land asphyxiation, make sure your partner has the Heimlich maneuver down pat.

Don’t worry about ghost-provided mouth-projectiles. They’ll always pop out at the most dramatic moment.


Next week, we explore just how much can be learned from a one-sentence chapter in Chapters 36-46 of The Night Guest.[end-mark]

The post Don’t Put That Thing in Your Mouth: Nghi Vo’s “What the Dead Know” appeared first on Reactor.

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News invasion

Invasion Season 3 Teaser Reveals Release Date, Hints We’ll Find Out Why Aliens Attacked

Sometimes all it takes is an alien invasion to bring people together.

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Published on July 2, 2025

Credit: Apple TV+

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/invasion-season-3-teaser-reveals-release-date-hints-well-find-out-why-aliens-attacked/">https://reactormag.com/invasion-season-3-teaser-reveals-release-date-hints-well-find-out-why-aliens-attacked/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817404">https://reactormag.com/?p=817404</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/invasion/" class="inline-block link-no-animation" aria-label="Link to term or tag invasion 1"> invasion </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Invasion</i> Season 3 Teaser Reveals Release Date, Hints We’ll Find Out Why Aliens Attacked</h2> <div class="prose post-hero-description prose--post-hero">Sometimes all it takes is an alien invasion to bring people together.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 2, 2025 </p> </div> </div> <div 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alt="Shioli Kutsuna in “Invasion” season three" srcset="https://reactormag.com/wp-content/uploads/2025/07/Invasion_300_F00159F-740x497.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Invasion_300_F00159F-1100x738.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Invasion_300_F00159F-768x515.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Invasion_300_F00159F-1536x1031.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/Invasion_300_F00159F.jpg 2000w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Apple TV+</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><a href="https://reactormag.com/aliens-are-still-invading-in-season-two-of-apple-tvs-invasion/" target="_blank" rel="noreferrer noopener">The sci-fi series <em>Invasion</em></a> is coming back for its third season, and we now not only the date of its return, but also what’s in store for the remnants of humanity trying to fight against an extraterrestrial attack. </p> <p>Here’s the official synopsis for season three:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>Invasion</em> follows an alien invasion through different perspectives around the world. In season three, those perspectives collide for the first time, as the series’ main characters are brought together to work as a team on a critical mission to infiltrate the alien mothership. The ultimate apex aliens have finally emerged, rapidly spreading their deadly tendrils across our planet. It will take all our heroes working together, using all their experience and expertise, to save our species. New relationships are formed, old relationships are challenged and even shattered, as our international cast of characters must become a team before it’s too late.</p></blockquote></figure> <p>If that&#8217;s not enough info for you, today’s trailer suggests we also might find out why the aliens are so into taking over Earth. Thrilling!</p> <p>The third season sees the return of Golshifteh Farahani, Shioli Kutsuna, Shamier Anderson, India Brown, Shane Zaza, Enver Gjokaj, and introduces new series regular Erika Alexander. The show comes from Simon Kinberg (<em>Deadpool</em> movies, <em>The Martian</em>) and David Weil (<em>Hunters</em>).</p> <p>The ten-episode third season of <em>Invasion </em>will premiere on Friday, August 22, 2025, on Apple TV+ with one episode, followed by one new episode every Friday through October 24, 2025.</p> <p>Check out the teaser below.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="8553"/> </div></figure> <p>The post <a href="https://reactormag.com/invasion-season-3-teaser-reveals-release-date-hints-well-find-out-why-aliens-attacked/">&lt;i&gt;Invasion&lt;/i&gt; Season 3 Teaser Reveals Release Date, Hints We’ll Find Out Why Aliens Attacked</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/invasion-season-3-teaser-reveals-release-date-hints-well-find-out-why-aliens-attacked/">https://reactormag.com/invasion-season-3-teaser-reveals-release-date-hints-well-find-out-why-aliens-attacked/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817404">https://reactormag.com/?p=817404</a></p>

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